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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · February 14, 2019

Update! • Accompaniments for the Brébeuf Hymnal

Oh, if only…if only you knew what’s going on behind the scenes!

Dr. Lucas Tappan · February 12, 2019

The Cantor and Congregational Singing

I wonder if we haven’t lost sight of the cantor’s original purpose of fostering congregational singing…

Jeff Ostrowski · February 11, 2019

Breaking! • Father Edwin C. Dwyer Development?

Did Bishop A. Hurley have a change of heart?

Jeff Ostrowski · February 7, 2019

“Your Choirmaster” • What Nobody Realizes

Do you see the part where it specifically asks for humiliation?

Fr. David Friel · February 2, 2019

Fourth-Century Advice for Choir Directors

A passage from Nicetas of Remesiana remains eminently applicable today.

Jeff Ostrowski · January 28, 2019

When Hymn Names Don’t Match

I submit to you that calling the same tune by multiple names in the same hymnal is unacceptable.

Fr. David Friel · January 27, 2019

Formed in Beauty Lectures

Videos have been posted from the 2017 & 2018 conferences of the Catholic Art Guild

Guest Author · January 26, 2019

New! • Organ Scholarships at Christendom College

Christendom College will offer up to $5,000 for students starting in the Fall of 2019.

Richard J. Clark · January 25, 2019

Just Released! • 2019 Pastoral Letter on Sacred Music (Archbishop Sample)

“Every pastor and music director has a serious responsibility to read and become familiar with the ‘Constitution on the Sacred Liturgy…” —Archbishop Sample

Jeff Ostrowski · January 22, 2019

PDF Download • “Chant Service Book” (208 pages)

An extremely rare book from 1941, containing all your favorite Gregorian chants!

Fr. David Friel · January 20, 2019

Music Leads Us to Heaven

Franz Schubert’s famous art song, “An die Musik”

Jeff Ostrowski · January 19, 2019

2nd Sunday after Epiphany • Saint Vitus Parish (LA)

“New evidence of wondrous pow’r | Behold in Cana’s marriage-dow’r; | Swift its own nature to resign, | The water blushes into wine.” —Msgr. Knox

Andrew Leung · January 17, 2019

Trappist Monks in Hong Kong Chanting

Monks in Hong Kong chanting parts of the Missa “Cum Jubilo”…

Jeff Ostrowski · January 16, 2019

Bishop Barron Vs. Hymn by Marty Haugen (2018)

“Heaven is not light-years away; that’s a silly way to think about it.” —Most Rev’d Robert Barron

Jeff Ostrowski · January 14, 2019

“Church Music Manifesto” (2019)

Mass should be a peaceful experience for the congregation, not an opportunity to be harassed.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 29th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church’s ceremonies and powerfully lifts up man’s mind to God and to higher things.”

— Vatican II Council

Recent Posts

  • “Music List” • 29th in Ordinary Time (Year C)
  • Fulton J. Sheen + this Sunday’s “Entrance Chant”
  • Children’s Repertoire • Three More Recommendations by Keven Smith
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir

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