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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Andrew Leung · January 17, 2019

Trappist Monks in Hong Kong Chanting

Monks in Hong Kong chanting parts of the Missa “Cum Jubilo”…

Jeff Ostrowski · January 16, 2019

Bishop Barron Vs. Hymn by Marty Haugen (2018)

“Heaven is not light-years away; that’s a silly way to think about it.” —Most Rev’d Robert Barron

Jeff Ostrowski · January 14, 2019

“Church Music Manifesto” (2019)

Mass should be a peaceful experience for the congregation, not an opportunity to be harassed.

Fr. David Friel · January 13, 2019

Two February Workshops

A Symposium in Chicago and the Winter Pastoral Chant Conference in Indiana

Richard J. Clark · January 11, 2019

New England Catholic Choral Festival & Mass • 2019

It’s never just about the music. It’s about formation and transformation.

Jeff Ostrowski · January 8, 2019

“How To Use The Brébeuf Hymnal” (Video)

Yay! Short tutorial videos eradicate confusion!

Jeff Ostrowski · January 3, 2019

“Missa de Angelis” • But in Iroquoian! (1865)

Many people don’t realize that gorgeous plainsong books were printed in the 19th century…but they were not in Latin.

Jeff Ostrowski · January 2, 2019

“Mister Eye” • Do You Mind Him?

What do you think of “eye rhymes” in hymnody?

Jeff Ostrowski · January 1, 2019

Marcel Dupré • “Live” Recording (2 Feb 1964)

A recording of Bach’s A-minor Prelude & Fugue made by the master at age 78.

Fr. David Friel · December 23, 2018

New Chair of Sacred Music at US Seminary

Dr. Nathan Knutson will inaugurate this new position.

Jeff Ostrowski · December 22, 2018

PDF Booklet • Christmas Midnight Mass (36 pages)

It looks so simple when placed in a booklet like that…

Richard J. Clark · December 21, 2018

Hope • A Side of the Boston Cathedral No One Sees

As the “Mother Church” of the Archdiocese of Boston, the Cathedral of the Holy Cross has a side that is often unseen and overlooked.

Jeff Ostrowski · December 18, 2018

The Most Popular Hymn Tunes? • A List

I could not have been more thrilled to see this list—those are exactly the tunes I love!

Jeff Ostrowski · December 17, 2018

Counter-Melodies • “Accompaniment of Psalm Tones”

Go to the 1:07 marker and you will hear something worth dying for…

Jeff Ostrowski · December 15, 2018

Christmas Midnight Mass • Saint Vitus Parish (LA)

“And she brought forth her firstborn Son, and wrapped Him up in swaddling clothes, and laid Him in a manger, because there was no room for them in the inn.”

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“One must pray to God not only with theologically precise formulas, but also in a beautiful and dignified way. The Christian community must make an examination of conscience so that the beauty of music and song will return increasingly to the liturgy.”

— Pope Saint John Paul II (26 February 2003)

Recent Posts

  • New Bulletin Article • “21 September 2025”
  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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