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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Fr. David Friel · June 9, 2020

Why We Sing the Liturgy

Part 2 of a webinar series hosted by the Society for Catholic Liturgy

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Keven Smith · June 9, 2020

Real Life in a Large Church Choir Program (Part 1)

At St. Stephen the First Martyr Church in Sacramento, the road to the choir loft begins at age four and is paved with furry puppets.

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Fr. David Friel · June 7, 2020

A Verse for Trinity Sunday

Herbert’s poem praises the Trinity both by its text and through its form.

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Guest Author · June 7, 2020

“Comparison” • 15 Traditional Catholic Hymnals

Covid-19 has forced many parishes to remove all hymnals from their pews: A perfect opportunity for change!

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Andrea Leal · June 7, 2020

Brébeuf Virtual Choir Strikes Again!

These kids just can’t be stopped—including two amazing surprises.

Jeff Ostrowski · June 4, 2020

PDF Download • 17 Organ Accompaniments for the simple “Salve Regina”

Potiron, Ostrowski, Bragers, Marier, Desrocquettes, Murray, and more!

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Fr. David Friel · June 2, 2020

Liturgical Challenges Presented by COVID-19 • A Triptych via Zoom

A webinar series exploring the liturgical, theological, and pastoral implications of this pandemic.

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Dr. Lucas Tappan · June 2, 2020

The Art of Improvisation

In all my life I don’t think I have ever heard it mentioned that the art of improvisation, done well, ranks alongside the greatest works of Palestrina or Mozart.

Keven Smith · June 1, 2020

How to Get Better at Chant Without Opening Your Mouth

It’s a singular joy to make music, but as we all know, it’s the behind-the-scenes work that makes our rendition of the music truly special—all to the glory of God and the edification of His faithful.

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Jeff Ostrowski · June 1, 2020

This World Does Not Always Reward Virtue

Nor does this world always punish vice.

Andrea Leal · June 1, 2020

Troubleshooting Gregorian Chant

Does your chanting need a simple tune-up or a whole engine rebuild? Let’s take a look under the hood.

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Veronica Brandt · May 30, 2020

Singing the Little Office of the Blessed Virgin Mary

The Baronius Press edition is beautiful, but lacks important markings for singers.

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Jeff Ostrowski · May 27, 2020

Covid-19 • “A Word Of Encouragement”

Over these next few months, I want to try reach out to our readers.

Dr. Lucas Tappan · May 26, 2020

Broadcasting Holy Mass During Covidtide

The most problematic genre for use in broadcasting is the English setting of the Mass Ordinary since all of the major settings are currently under copyright.

Dr. Alfred Calabrese · May 26, 2020

Arranging and Transcribing Our Way Through the Epidemic

I am imagining a new ensemble, built out of necessity, for the singing of polyphonic motets and even Mass ordinaries.

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

Recent Posts

  • Consultor to the Vatican Council Enters the Fray • (Vis-à-vis Jeff’s Pipe Organ Assertion)
  • Palm Sunday • “Repertoire for Children’s Choir”
  • PDF Download • Communion (4th Snd. Lent)
  • Most “Congregational” Hymn • (In My Experience)
  • Music is the “Humble Handmaid” of the Mass

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