Brébeuf Virtual Choir Strikes Again!

Andrea Leal · June 7, 2020

RECENTLY alerted our readers to a truly inspiring new initiative: The Brébeuf Virtual Choir. In a nutshell, these Catholic musicians were so disappointed this year’s Sacred Music Symposium was canceled (due to Covid-19) they decided to sing with each other virtually. Well, they’re at it again, with one of my favorite hymn arrangements of the ISTE CONFESSOR, with harmonies taken from the new Saint Jean de Brébeuf Hymnal. Don’t miss marker 1:45; the beauty is palpable:

Towards the beginning of the video, there is a guest appearance by a famous FSSP priest—who sings on the video. I’d love to know how they made that happen!

Here’s how it sounded at the actual Sacred Music Symposium:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

20 January 2021 • REMINDER

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19 January 2021 • Confusion over feasts

For several months, we have discussed the complicated history of the various Christmas feasts: the Baptism of the Lord, the feast of the Holy Family, the Epiphany, and so forth. During a discussion, someone questioned my assertion that in some places Christmas had been part of the Epiphany. As time went on, of course, the Epiphany came to represent only three “manifestations” (Magi, Cana, Baptism), but this is not something rigid. For example, if you look at this “Capital E” from the feast of the Epiphany circa 1350AD, you can see it portrays not three mysteries but four—including PHAGIPHANIA when Our Lord fed the 5,000. In any event, anyone who wants proof the Epiphany used to include Christmas can read this passage from Dom Prosper Guéranger.

—Jeff Ostrowski

6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which is no mere reproduction of a local or partial tradition, but a CENTO resulting from an extended study and comparison of a host of manuscripts gathered from many places. Thus the musical text of the Graduale possesses a measure of authority which cannot lightly be disregarded.” They are absolutely correct.

—Jeff Ostrowski

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About Andrea Leal