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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fr. Godfrey Diekmann “Foaming At The Mouth”

Jeff Ostrowski · September 11, 2013

In her biography of Fr. Godfrey Diekmann, OSB, Sister Kathleen Hughes wrote:

HEN GODFREY BELIEVED a particular intervention of the Congregation for the Sacraments and Divine Worship regarding ICEL work was unmerited and/or unjust, he was quick and strong in his reaction. The following letter was sent to the ICEL secretariat after confirmation of the Order of Christian Funerals had been withheld. [Cardinal Augustin Mayer, O.S.B., was prefect of the Congregation at the time; Cuthbert Johnson, O.S.B., is on the staff.]

“I wish to go on record to express my outrage at the recent maneuverings and demands of Gus Mayer (we used to call him that, as students) re the funeral rites. They simply have no business, no right whatever, to dictate ‘corrections’ or ‘alternatives’ of translation. The very thought of one man, Cuthbert Johnson, presuming to impose his views (many of which are palpably nonsense) over against a version arrived at with much labor by many experts, makes me froth at the mouth.”   [The Monk’s Tale, 270-271]

Passages like this are supposed to have a particular effect on the reader. Specifically, the reader is supposed to say inwardly:

“Oh, how wonderful to hear a progressive monk bravely challenging authority. Oh, how marvelous that a broad-minded monk isn’t afraid to stand up to big, bad, bullying, outdated, medieval Rome. Oh, how inspiring that a free-thinking monk is willing to speak in a disrespectful way to the authoritative, totalitarian, oppressive Roman committee.”

FOR SOME REASON, passages like this never affect me the way they’re supposed to. Perhaps it’s because the (false) “spirit of Vatican II” narrative has been exposed over the last decade or so. Perhaps it’s because we’re seeing the fruits of the anarchistic approach to Theology and the Church. Perhaps it’s because the “renewal” promised by men with hatred in their hearts for the Vicar of Christ has lead to empty seminaries, widespread apostasy, and a whole host of other terrible things. Perhaps it’s because I abhor sensationalism almost as much as I loathe biographies written with an “agenda.”

However, I suspect the main reason is I’ve seen what the ICEL of Diekmann’s generation produced, and it turned out to be an absolute travesty. Thankfully, Diekmann’s work has been discredited and cast aside forever.

It reminds me of a story about a pianist. (At this point, you’re probably thinking, “What doesn’t remind you of a piano story, Jeff?”) A student was to audition for some famous pedagogue (Josef Lhevinne, I think). He arrived carrying letters of recommendation, and talked about the places he’d studied, competitions he’d won, and so forth. Lhevinne listened for a while, and said, “That’s wonderful. Let me know when you’re ready to play something.” In other words, don’t tell me what you can do: show me.

Similarly, Diekmann’s friend and biographer can talk all day long about how much smarter he and his generation were than “Big, Bad, Foolish Rome.” The problem is, I’ve seen what they produced, and it wasn’t pretty.

SPEAKING OF THE FUNERAL LITURGY, I’ve always felt this to be one of the biggest failures of the Conciliar reforms. However, it seems to have been done by design. Archbishop Bugnini wrote:

They got rid of texts that smacked of a negative spirituality inherited from the Middle Ages. Thus they removed such familiar and even beloved tests as the Libera me, Domine, the Dies irae, and others that overemphasized judgment, fear, and despair.   [Reform of the Liturgy, 773]

This is just another example where Bugnini is dead wrong (no pun intended). For one thing, to suggest the Requiem Mass prayers “overemphasize despair” is idiotic. Bugnini seems not to understand that the Traditional Requiem Mass is beautiful, powerful, important, ancient, and consoling. It’s not “scary.” It’s beautiful. It’s powerful. Am I repeating myself? And many souls will be in Purgatory longer if we don’t pray and offer sacrifice for them. Canonizing them is the most wicked, uncharitable thing we can do. As he lay dying, St. John Vianney’s confessor whispered, “Hide my whip, hair shirt, and other instruments of penance. If people find them, they’ll think I’m in Heaven, and won’t pray for me.”

BEFORE I END THIS BLOG, I have to mention a paragraph from the biography of Godfrey Diekmann (which I purchased for 1¢ on Amazon.com). In the 1991 Foreword, Fr. Frederick R. McManus wrote:

This brings me to the second purpose of this foreword — my own appraisal and personal testimony to the greatness of Godfrey Diekmann. It is a difficult task, not at all because of any peril of exaggeration — quite the contrary — but because of constraints of space, and I must not indulge in triumphalistic nostalgia.

Fr. McManus may have meant to say “triumphalist,” but leave that aside. The only reason I point this out is to (once again) prove the theory of “notice an unfamiliar word, see it within 24 hours.” You see, earlier today, Pope Francis talked about what he called “triumphalist Christians.”

Several blogs have put forward the idea that Pope Francis was talking about the Traditional Latin Mass. I find this very difficult to believe. Anyone who asserts that Latin Masses offered by the great Jesuit saints — Noël Chabanel, Charles Garnier, Isaac Jogues, etc. — were “triumphalist” hasn’t the slightest idea what he’s talking about. In fairness, several of the blog authors making this claim know very little about the Traditional Mass.

Besides, if we go down that road, it means Pope Francis thinks Pope Pius XII didn’t believe in the Resurrection …

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Learn a new word see it within 24 hours, notice an unfamiliar word see it within 24 hours Last Updated: November 4, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The following question is asked by the Most Reverend Lord Bishop of the Diocese of Chur: May this Diocese’s ancient custom be continued of having the Celebrant in Sung Masses (excepting more solemn Masses) intone the Credo and when he is finished reciting it going on immediately to the offertory and finishing it while the credo is being sung by the choir?” (Dubium of Dec 1909)

— 11 December 1909

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