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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Introducing the Lalemant Propers (391 Pages) — Free Download !

Jeff Ostrowski · April 23, 2013

OCUMENTS FROM the Second Vatican Council encourage Catholics to “sing the Mass” rather than replacing the Mass with non-liturgical texts. This practice is an outgrowth of a maxim attributed to Pope St. Pius X: “Don’t pray at Mass, pray the Mass.” However, those attempting to introduce the Mass Propers at their parishes realize absolute consistency is necessary. Therefore, what happens when a cantor gets sick or there is not adequate time for the choir to learn a chant from the Graduale Romanum or Simple English Propers? Or what about circumstances where a choir is not present, such as a 7:00am Sunday Mass, or (perhaps) a special Holy Day? What about the summer months, when some choirs do not meet? If the Propers are simply omitted, this causes considerable confusion for the congregation, which was previously told that each Mass has special Propers which ought to be sung. We know very well that the Liturgy is complex and must not constantly switch back and forth with changing texts, practices, and musical choices. Constant changes are quite disruptive to Liturgical prayer.

In an effort to make sure that the Mass Propers can always be sung at every Mass no matter what, I have created a 391-page book containing very simple musical arrangements of the Graduale in English:

      * *  Lalemant Propers Website (Graduale Romanum in English)

Visiting this website, one can freely download the entire 391-page book. One can also purchase a beautifully-bound hard copy.

      * *  Click here to download the 391-page book

      * *  Click here to purchase the 391-page book

      * *  Click here for Preface & Table of Contents

Below is a video example of a setting from the Lalemant Propers. This random selection is from Holy Saturday, so one can see this new collection contains much more than just antiphons (for instance, the Good Friday Reproaches, forty-five complete Psalms, Sequences, etc.).

HE COLLECTION is named in honor of St. Gabriel Lalemant, one of the bravest men ever to set foot in the New World. St. Lalemant worked alongside St. Isaac Jogues and the other Jesuit Martyrs of North America. Most of the Corpus Christi Watershed projects are dedicated to these Martyrs, as well as their colleagues who have not yet been canonized. For instance, if you visit the St. Charles Garnier Website, you will notice many Gospel Acclamations named in honor of French Jesuits. By pressing the «View Previous 2 Months» button, you will see names like Fr. François Bressani, William Couture, Fr. Simon Le Moyne, Fr. Paul Ragueneau, Fr. Pierre Chaumonot, Fr. Joseph Le Caron, Fr. Claude Dablon, Fr. Pierre Chastellain, Fr. Jérôme Lalemant, and Fr. Barthélemy Vimont.

I feel strongly called by God to help make the Jesuit Martyrs of North America better known. The first musical CD I ever produced (2001) was dedicated to them, and through the years we have done what we can. However, there is still so much more that needs to be accomplished to make their stories better known. Of course, it is not always possible to do as much as one would like, as the primary object of our organization must be to survive and continue providing resources for the Liturgy. However, I will continue to pray that the Lord will grant this request: that through the years, Corpus Christi Watershed can be a vehicle to let every person in North America know and honor the holy Jesuit Martyrs.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 13, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was “so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time”

— Re: Abbé Franz Liszt

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