• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

Wilfrid Jones • Article Archive

Wilfrid Jones in a PhD student in the theology faculty of the Albert-Ludwigs University of Freiburg, studying the theology and practice of sacred music. He studied music at New College, Oxford; theology and the University of Birmingham; and education at Hughes Hall and Sidney Sussex Colleges, Cambridge. He teaches at St Bede's Inter-Church School, Cambridge.—Read full biography (with photographs).

Wilfrid Jones · September 6, 2020

Music as a Technology of the Soul

When you ask how a computer works, what you’re really asking is how people use it. That’s a good starting point for understanding how liturgical music works, but just as a computer trains its user to work in a particular way, liturgical music trains us to pray in particular ways.

Wilfrid Jones · July 1, 2020

Sing Praises with Understanding: A Scriptural Approach to Musical Participation

As churches prepare to return from lockdown, what about music in the liturgy makes it essential? In the next essay in his series encouraging liturgical musicians to consider what their vocation entails, Wilfrid Jones shares his thoughts on the nature of active participation.

Wilfrid Jones · May 15, 2020

Post-Pandemic Liturgy

Some very brief comments on the lessons we might learn during this pandemic for the future of liturgical music.

Wilfrid Jones · May 2, 2020

Unveiling the songs of hope: fr Timothy Radcliffe op

One of the most significant thinkers in the Church today shares his thoughts on, and experiences of, music as a source of hope in the darkest of times. When we face death, we respond in song.

Follow the Discussion on Facebook

Wilfrid Jones · April 24, 2020

“Hearing the Music of Heaven” • An interview with Father Dominic White OP

An interview with the Dominican composer and theologian Fr Dominic White about his work and theological approach to music.

Wilfrid Jones · April 22, 2020

Easter Chants from Fisher House

A recording of the chants of the Easter Vigil.

Wilfrid Jones · March 31, 2020

Repeating Repertoire? • Wilfrid Jones

Post-Liberal Theology compares a religion to a language. How might that comparison, which could include the concept of a “vocabulary” of liturgical music, inform how we think about repeating repertoire?

Follow the Discussion on Facebook

Wilfrid Jones · March 1, 2020

“It’s not just the singing of certain notes”

A video and quote from our friends at the Monastère Saint Benoît.

Wilfrid Jones · February 20, 2020

Beyond performing and listening

The way we do music says a lot about how we see ourselves and our relationship to those around us. What does that say about music in the liturgy?

Wilfrid Jones · January 11, 2020

Stepping off the hamster wheel

We can be so caught up in the cycle of planning, delivering and marking lessons, that we never have time to step back and consider the bigger picture in a way that would improve how we do our jobs.

Follow the Discussion on Facebook

Wilfrid Jones · January 11, 2013

Biography • Wilfrid Jones

Wilfrid Jones went on to a choral scholarship at New College, Oxford, where he read music before completing masters degrees in theology at the University of Birmingham and in education at the University of Cambridge…

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Whether celebrated with priest and people facing each other or with priest and people together facing the same direction, every Eucharist is Christ coming to meet us, gracing us with a share in his own divine life.”

— Most Rev’d Arthur J. Serratelli (1 December 2016)

Recent Posts

  • A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…
  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.