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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Veronica Brandt • Article Archive

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. As editor, she has produced fine publications (as well as valuable reprints) dealing with Gregorian chant, hymnody, Latin, and other subjects. These publications are distinguished on account of their tastefulness. She lives in the Blue Mountains near Sydney, Australia, with her husband Peter and six children.—Read full biography (with photographs).

Veronica Brandt · June 27, 2015

Rebuild my Church

The Maternal Heart of Mary Church is a collegiate style church in Sydney, Australia and home to the only FSSP parish in the country.

Veronica Brandt · June 20, 2015

Wrapped in the Liber Usualis

A scarf adorned with pages from the Liber Usualis. Why not?

Follow the Discussion on Facebook

Veronica Brandt · June 6, 2015

A hymnal in e-book format

100 pieces of Gregorian chant to carry around in your pocket, with English translations.

Veronica Brandt · June 1, 2015

Easy 3 part motet for the Sacred Heart of Jesus

A short 20th century motet by Fr Tom Luby, MSC with practice audio recordings.

Veronica Brandt · May 30, 2015

The Key for Singing an OF Mass for the EF Musician

It’s almost 5 years since the new translation came out, but some EF musicians still haven’t caught up. Here are some pointers for the musician who has been hiding under a musical rock for a decade.

Veronica Brandt · May 23, 2015

A little bit of fun

Heads and shoulders, knees and toes, in Latin with square note notation, to the tune well known in Australia.

Veronica Brandt · May 16, 2015

Memento Rerum Conditor

The hymn most frequently appearing in the Little Office of the Blessed Virgin Mary has finally made it to youtube!

Veronica Brandt · May 9, 2015

The difference between Anything and Everything.

Where free choice can lead to chaos or paralysis.

Veronica Brandt · May 2, 2015

Taking the easy way out, relatively speaking

Starting a collection of easier propers for the Extraordinary Form. A pair of Alleluias and two Offertory antiphons to start the ball rolling.

Veronica Brandt · April 25, 2015

Lest we forget

Encouraging solemnity in a public space in Australia is no mean feat, but there are well known traditions which give the framework which elevates the simple, heartfelt speeches into a moving tribute to our fallen service men and women.

Veronica Brandt · April 18, 2015

“Proper Of The Mass” (Ignatius Press) • Part 3 of 7

We have the treasury of sacred music to steer us. We have computers to help adapt scores to suit our choirs. And now we have an excellent resource which provides ready made adaptations of the Propers.

Veronica Brandt · April 11, 2015

How did your Holy Week go?

Singing for the Sacred Triduum and Easter ceremonies is an awesome privilege. Coming out the other side can be very sweet indeed, even when things didn’t always go quite as planned.

Veronica Brandt · March 28, 2015

Scales and counterpoint

Two part choir exercises – one for every day of the year plus a few dozen to spare.

Veronica Brandt · March 14, 2015

Gems in Latin and English

Five books providing our treasured Latin hymns with English translations to help you sing with understanding.

Veronica Brandt · March 7, 2015

A Homely Slant on Bertalot’s Sight-Singing

Is sight-singing only for elite choirs? Do you need fancy resources?

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday—1 March 2026—the 2nd Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the flourishing feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Particularly Beautiful
    The 2nd Sunday of Lent has magnificent propers. Its INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

Recent Posts

  • Music List • (2nd Sunday of Lent)
  • Particularly Beautiful
  • PDF Download • “Funerals in the Ordinary Form”
  • Extreme Unction
  • Which Mass?

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