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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Veronica Brandt • Article Archive

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. As editor, she has produced fine publications (as well as valuable reprints) dealing with Gregorian chant, hymnody, Latin, and other subjects. These publications are distinguished on account of their tastefulness. She lives in the Blue Mountains near Sydney, Australia, with her husband Peter and six children.—Read full biography (with photographs).

Veronica Brandt · June 28, 2014

This wonderful Bishop’s letter on the Blessed Sacrament

A pastoral letter from Most Reverend Anthony Fisher OP, Bishop of Paramatta.

Veronica Brandt · June 21, 2014

Archbishop Sample’s Letter On Sacred Music (6 of 8)

“Every hour of worship should represent at least two hours of structured preparation at a time and place apart from the congregation.”

Veronica Brandt · June 7, 2014

Teaching kids to Pray the Mass

Inspiration for enkindling a love of the Mass in the next generation from a booklet over 50 years old.

Veronica Brandt · May 31, 2014

A simplified Offertory for Pentecost

Our little choir usually psalm tones the Offertory. Until now.

Veronica Brandt · May 24, 2014

Connection, empowerment and raffle tickets

Is selling raffle tickets a form of almsgiving? Or is it more like begging? Or is it just playing a game?

Veronica Brandt · May 17, 2014

Gregorian Chant in Star Wars

Dies Irae, Day of Wrath, a 13th century hymn that just won’t die.

Veronica Brandt · April 12, 2014

Working on a Compline booklet

A booklet for Compline, 95% finished, ready for Holy Week.

Veronica Brandt · March 29, 2014

Learning the Latin of the Pater Noster

You need to have even just a little bit of understanding to help you love something. You can’t love what you don’t know.

Veronica Brandt · March 15, 2014

Hymnal of St Pius X

Free download, a hymnbook from 1952, the organ edition, simplified Latin propers, English hymns, especially one for St Patrick for Monday!

Veronica Brandt · March 1, 2014

Preparing for Lent

Renewing the adventure of exploring Gregorian chant by making recordings.

Veronica Brandt · February 22, 2014

Color by “Neum”ber

A Gregorian chant workbook for kids (there’s one for adults too).

Veronica Brandt · February 15, 2014

Farewell to Alleluia

Kids singing Gregorian chant with puppets. Don’t worry, it’s a non-liturgical setting.

Veronica Brandt · February 8, 2014

Browsing Illuminated Manuscripts in Switzerland

Thank you internet! Browsing Swiss libraries of medieval manuscripts from home. Life doesn’t get much better than this.

Veronica Brandt · January 25, 2014

Extending a music lesson

Would you like to help people make the connection between the Latin and the English translations?

Veronica Brandt · January 18, 2014

Introducing polyphony in a round about way

Canons are a handy way to introduce singing in harmony. Here are some picks from the Choral Public Domain Library.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Benedict XVI in particular felt it was wrong to prohibit the celebration of Mass in the ancient rite in parish churches, as it is always dangerous to corner a group of faithful so as to make them feel persecuted and to inspire in them a sense of having to safeguard their identity at all costs in the face of the “enemy.”

— Archbishop Georg Gänswein

Recent Posts

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  • Why A “Fugue” Here?

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