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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · August 30, 2019

Broken Rosaries and a Triptych of Wisdom

Three priests — three pearls of wisdom

Richard J. Clark · July 12, 2019

Our children must at the very least be exposed to the great music of the Church.

Traditional hymnody is often easier to sing: simpler melodically and rhythmically, and generally more substantive in theology.

Richard J. Clark · July 5, 2019

In Gratitude for Choral Singers

I am deeply grateful to faith-filled choral singers because of their willingness to understand these 10 things

Richard J. Clark · March 22, 2019

Funerals: The Most Challenging Pastoral Responsibility

The centrality of Christ in the Funeral Mass is a priceless gem, a lifeline urgently needed in grief.

Richard J. Clark · February 22, 2019

“Woman of No Distinction” World Premiere

What makes this work unique is its perspective: written entirely from the point of view of the Samaritan woman.

Richard J. Clark · January 25, 2019

Just Released! • 2019 Pastoral Letter on Sacred Music (Archbishop Sample)

“Every pastor and music director has a serious responsibility to read and become familiar with the ‘Constitution on the Sacred Liturgy…” —Archbishop Sample

Richard J. Clark · January 11, 2019

New England Catholic Choral Festival & Mass • 2019

It’s never just about the music. It’s about formation and transformation.

Richard J. Clark · December 21, 2018

Hope • A Side of the Boston Cathedral No One Sees

As the “Mother Church” of the Archdiocese of Boston, the Cathedral of the Holy Cross has a side that is often unseen and overlooked.

Richard J. Clark · December 14, 2018

2019 • Announcement of Easter & Moveable Feasts • Novus Ordo

Free download of The Announcement of Easter and the Moveable Feasts for 2019

Richard J. Clark · November 23, 2018

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

Musicians in Collaborative Parishes • Sharing Best Practices

There is no shortage of challenge in pastoral ministry. This is an understatement of a lifetime!

Richard J. Clark · October 23, 2018

Mark Dwyer • Concert to Benefit the E. & G. G. Hook & Hastings (1875) Organ at the Cathedral of the Holy Cross

Mark Dwyer shines the light on two glorious pipe organs all in one glorious concert.

Richard J. Clark · October 19, 2018

Acompañamientos • MISAL ROMANO, Tercera Edición

Free Download of two sets of accompaniments for chants of the new Misal Romano, Tercera Edición.

Richard J. Clark · September 21, 2018

Radio Interview • Óscar Romero & New Beginnings

“I hope my poem also speaks to the role of the church in our society.” — E. Ethelbert Miller

Richard J. Clark · September 14, 2018

Fearfully and Wonderfully Made • New Work for Trumpet and Organ

Trumpeter, Richard Kelley’s lyricism can be compared to that of an oboe or clarinet. His soul and humanity pours forth in his playing.

Richard J. Clark · August 31, 2018

Join a Choir! Now!

When you sing in a choir, know that you will impact people’s lives in ways you cannot imagine and likely in ways you will never know.

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

It is clear the Church is facing a grave crisis. Under the name of “the new Church” and “the post-conciliar Church,” a different Church from that of Jesus Christ is now trying to establish itself: an anthropocentric society threatened with imminent apostasy which is allowing itself to be swept along in a movement of general abdication under the pretext of renewal, ecumenicism, or adaptation.

— Cardinal Henri de Lubac (29 August 1967)

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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