• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Corpus Christi Watershed

A monthly subscription fee of $4.95 gives access to the entire website. Thank you for supporting our efforts!

  • Member Log In
    • My Account
    • “Receipts + Invoices” (Subscribers)
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Jeff’s Mom Joins Fundraiser
    • “A New Chapter” • Subscriptions!
    • “Participation” (12 pages)
    • “Choirmaster’s Decalogue” (10 points)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • Feasts Website
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • Secrets of the Conscientious Choirmaster
    • Emporium Kevin Allen
    • Miscellaneous
      • Sainte Marie Bulletin Articles
      • “Let the Choir Have a Voice” (Essay)
      • Catechism of Gregorian Rhythm
      • Sacred Music Symposium 2023
      • The Eight Gregorian Modes
      • Gradual by Pothier’s Protégé
      • Father Enemond Massé Manuscripts
      • Seven (7) Considerations
    • René Goupil Gregorian Chant
    • Saint Jean de Lalande Library
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Lalemant Polyphonic
  • Donate
  • Cart
Views from the Choir Loft

Keven Smith • Article Archive

Keven Smith is the music director at St. Stephen the First Martyr Catholic Church, an apostolate of the Priestly Fraternity of St. Peter (FSSP) in Sacramento, California. He trains and directs a mixed choir that sings full Gregorian propers, ordinaries, and sacred polyphony at more than 100 traditional Latin Masses per year. Keven lives in Sacramento with his wife and five musical children.—Read full biography (with photographs).

Keven Smith · April 29, 2023

Conducting Tip: Use the Whole Body

Are you aware of your legs? And do you know why that matters for a choir conductor?

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Keven Smith · March 24, 2023

Hidden Gem: Ave Regina Caelorum (Steven Talley)

This sweet, simple SATB motet provides a contrast to heavier, darker Lenten repertoire. But it’s going out of season soon.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Keven Smith · February 21, 2023

Lenten Reflection: Can We Enjoy What Lies Ahead?

Let St. Augustine’s wisdom guide you through the most important season for Church musicians.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Keven Smith · January 19, 2023

Hidden Gem: Adoro Te Devote (Carlotta Ferrari)

Find out why this motet is simple enough for beginning choirs yet demanding enough to challenge seasoned singers.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Keven Smith · December 22, 2022

Five Tips for Saving Your Body During Christmas Liturgies

These easy techniques will help you eliminate tension so you can be at your best.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Keven Smith · October 20, 2022

Hidden Gem: Dormi Jesu (Luc Jakobs)

This striking Christmas motet puts Latin text atop jazzy harmonies to lull Our Infant Lord to sleep.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Keven Smith · September 9, 2022

The Decaffeinated Choir Director: Yes, It’s Possible

Reflections on one year with no caffeine. Find out what to expect if you try it.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Keven Smith · August 2, 2022

Need Easy Organ Pieces? Try This Little-Known Composer

Add these fuguettes and trios to your repertoire with minimal practice time.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Keven Smith · May 27, 2022

On Mistakes (Part II of II)

How we all respond to mistakes can have a huge effect on the cohesiveness and sound of our choirs.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Keven Smith · May 21, 2022

On Mistakes (Part I of II)

We choir directors can’t eliminate mistakes entirely. But here’s what we can do to minimize them.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Keven Smith · August 24, 2021

Hidden Gem: Salve Regina (Barkoskie)

Salve Regina is still in season for another three months. You have plenty of time to learn this simple yet satisfying piece.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Keven Smith · July 19, 2021

7 Keys to Success with Graduale Renovatum

Here’s how to get the most out of this fantastic new resource for interpreting chant rhythm.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Keven Smith · June 28, 2021

Organ Improvisation: To Record, or Not to Record?

If you missed it, you can hear my iPhone recording on YouTube. But will it be quite the same?

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Keven Smith · June 21, 2021

Hidden Gem: Tantum Ergo II (Kwasniewski)

If you enjoy juicy dissonances and hearing the sun dart in and out of the clouds, you’ll love this modern setting of an ancient text.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Keven Smith · May 31, 2021

Charles Tournemire: An Organist’s Best Friend

Tournemire’s L’Orgue Mystique is an indispensable resource—especially for organists who are feeling “stuck” in their improvisation.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Interim pages omitted …
  • Page 6
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

The old Roman rite had the offering by the people and then, as offertory-prayer, what we call the “Secret.” The name “Secreta” means that it was said in a low voice, because the offertory-psalm was being sung. For the same reason it is not preceded by “Oremus.”

— Father Adrian Fortescue

Recent Posts

  • “Holy, Holy, Holy” transposed lower
  • Music List • (27th Sund. Ordinary Time)
  • A Mystery! — Re: the “Liber Usualis”
  • A Popular “Gloria” … in Dutch?
  • From Rome • “International Week of Sacred Music”

Subscribe

Subscribe

* indicates required

Footer

CONTACT • Corpus Christi Watershed

1 (818) 279-5852
chabanel.psalms@gmail.com
Corpus Christi Watershed
8118 Etienne Dr
Corpus Christi, TX 78414

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 non-profit organization recognized by the state of Texas on 19 October 2006. Our statement of purpose notes that we “employ the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.”