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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Keven Smith • Article Archive

Keven Smith is the music director at St. Stephen the First Martyr Catholic Church, an apostolate of the Priestly Fraternity of St. Peter (FSSP) in Sacramento, California. He trains and directs a mixed choir that sings full Gregorian propers, ordinaries, and sacred polyphony at more than 100 traditional Latin Masses per year. Keven lives in Sacramento with his wife and five musical children.—Read full biography (with photographs).

Keven Smith · March 24, 2023

Hidden Gem: Ave Regina Caelorum (Steven Talley)

This sweet, simple SATB motet provides a contrast to heavier, darker Lenten repertoire. But it’s going out of season soon.

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Keven Smith · February 21, 2023

Lenten Reflection: Can We Enjoy What Lies Ahead?

Let St. Augustine’s wisdom guide you through the most important season for Church musicians.

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Keven Smith · January 19, 2023

Hidden Gem: Adoro Te Devote (Carlotta Ferrari)

Find out why this motet is simple enough for beginning choirs yet demanding enough to challenge seasoned singers.

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Keven Smith · December 22, 2022

Five Tips for Saving Your Body During Christmas Liturgies

These easy techniques will help you eliminate tension so you can be at your best.

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Keven Smith · October 20, 2022

Hidden Gem: Dormi Jesu (Luc Jakobs)

This striking Christmas motet puts Latin text atop jazzy harmonies to lull Our Infant Lord to sleep.

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Keven Smith · September 9, 2022

The Decaffeinated Choir Director: Yes, It’s Possible

Reflections on one year with no caffeine. Find out what to expect if you try it.

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Keven Smith · August 2, 2022

Need Easy Organ Pieces? Try This Little-Known Composer

Add these fuguettes and trios to your repertoire with minimal practice time.

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Keven Smith · May 27, 2022

On Mistakes (Part II of II)

How we all respond to mistakes can have a huge effect on the cohesiveness and sound of our choirs.

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Keven Smith · May 21, 2022

On Mistakes (Part I of II)

We choir directors can’t eliminate mistakes entirely. But here’s what we can do to minimize them.

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Keven Smith · August 24, 2021

Hidden Gem: Salve Regina (Barkoskie)

Salve Regina is still in season for another three months. You have plenty of time to learn this simple yet satisfying piece.

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Keven Smith · July 19, 2021

7 Keys to Success with Graduale Renovatum

Here’s how to get the most out of this fantastic new resource for interpreting chant rhythm.

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Keven Smith · June 28, 2021

Organ Improvisation: To Record, or Not to Record?

If you missed it, you can hear my iPhone recording on YouTube. But will it be quite the same?

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Keven Smith · June 21, 2021

Hidden Gem: Tantum Ergo II (Kwasniewski)

If you enjoy juicy dissonances and hearing the sun dart in and out of the clouds, you’ll love this modern setting of an ancient text.

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Keven Smith · May 31, 2021

Charles Tournemire: An Organist’s Best Friend

Tournemire’s L’Orgue Mystique is an indispensable resource—especially for organists who are feeling “stuck” in their improvisation.

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Keven Smith · May 18, 2021

On Musicianship: A Thought Experiment for Choir Directors

Teaching sight-singing is important, but let’s not forget that it’s a means to an end.

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

I basically don’t favor Cardinal Kasper’s proposal; I don’t think it’s coherent. To my mind, “indissoluble” means “unbreakable.”

— Daniel Cardinal DiNardo (19 October 2015)

Recent Posts

  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant
  • PDF Download • Ascension “Entrance Chant”

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