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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · November 14, 2019

Dominican Priest Calls Gregorian Chant “Infantile”

Fr. Gerard Lessard is upset that millennials “seem to be mainly interested in returning to Gregorian chant and organ music of the distant past.”

Jeff Ostrowski · November 11, 2019

Video • What Are Common Hymn Melodies?

Short demonstrations by a volunteer parish choir!

Jeff Ostrowski · November 8, 2019

PDF Download • A Eucharistic Piece My Choir Loves

Including a “preview” of the forthcoming Brébeuf Hymnal SATB Choral Supplement.

Jeff Ostrowski · October 28, 2019

What Choirmasters Do.

In case you’re wondering: the photo on the upper right is me—taken on Saturday night.

Jeff Ostrowski · October 23, 2019

Fascinating! • Tridentine “Permission Slip” (1985)

In this riveting document, Archbishop Weakland forbids one’s child from attending a Low Mass—wicked beyond a doubt!

Jeff Ostrowski · October 21, 2019

New Typesetting! • “Kyriale Supplement” (1934)

Mr. Andrew Hinkley has done something marvelous…again!

Jeff Ostrowski · October 19, 2019

PDF Download • Palestrina Kyrie (Part 2 of 3)

“Dazzlingly luscious” is probably best way to describe this Mass.

Jeff Ostrowski · October 16, 2019

“Hidden” Hymns by Cardinal Newman

Fr. Nicholls points out that Saint Newman was an admirer of Beethoven at a time when Beethoven was still living.

Jeff Ostrowski · October 10, 2019

Incredible!!! • Ancient Kyriale MSS for Download

Through the centuries, we observe a remarkable stability—in spite of variants, which will always exist.

Jeff Ostrowski · October 7, 2019

PDF Download • SATB “Sanctus” by Orlando de Lassus

We have completed part 1. When part 2 is finished, we’ll release that, as well.

Jeff Ostrowski · October 3, 2019

Pope Francis: “Promote The Presence Of The Schola Cantorum In Every Parish Community!”

Pope Francis said (28 September 2019) that liturgical music must be Holy, Artistic, and Universal.

Jeff Ostrowski · October 2, 2019

Veronica Brandt • “Lalande Drop-Cap Letters”

Editing Code in the Classic Editor There are two tabs to the right of the content box: Visual and Text. Choose Text to edit the code. Choose Visual for a rough idea of how it will look. Editing Code in the Block Editor Each paragraph block has a menu bar which pops up when that […]

Jeff Ostrowski · September 30, 2019

Brave Schola Director Posts iPhone Recording

Sometimes the obstacles faced by choirmasters seem completely overwhelming.

Jeff Ostrowski · September 24, 2019

Brébeuf Review! • “Society for Catholic Liturgy”

“The editors of the Brébeuf Hymnal have done a great service to the profession.” —Aaron James, Ph.D.

Jeff Ostrowski · September 20, 2019

PDF Download • Palestrina Kyrie “Fons Bonitatis”

This is part 1 of 3 — and the other parts will be released soon.

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

At the Council of Trent, the subject was raised whether it was correct to refer to the unconsecrated elements of bread and wine as “immaculata hostia” (spotless victim) and “calix salutaris” (chalice of salvation) in the offertory prayers. Likewise the legitimacy of the making the sign of the cross over the elements after the Eucharistic consecration was discussed.

— ‘Fr. Uwe Michael Lang, Cong. Orat.’

Recent Posts

  • Keven Smith * Three More Recommendations for Children’s Repertoire
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

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