Hymn: “All glory, laud, and honor to Thee, Redeemer, King” (Sopr, Alto, Tenr, Bass)
Today, rehearsal videos were uploaded for each *individual* voice part: Soprano, Alto, Tenor, Bass.
Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Today, rehearsal videos were uploaded for each *individual* voice part: Soprano, Alto, Tenor, Bass.
I wish we had to time to discuss artwork at the Sacred Music Symposium, but there’s just not enough time. At this year’s conference in June, we will sing an absolutely incredible Magnificat setting by Father Francisco Guerrero (d. 1599). If you examine the part books, you will notice a marvelous aesthetic desire to avoid […]
Sheen has sometimes been criticized for avoiding mention of the sacred liturgy during his talks, but I cannot agree with such a view. • Includes about the Holy Eucharist, including a quote by Father Leslie Rumble and a quote from Pope Pius X+
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Father Francisco Guerrero (d. 1599) studied music with Father Cristóbal de Morales circa 1545. He taught himself the organ. On 3 April 1542 he was engaged as a contralto by Seville Cathedral at an annual salary of 12,000 maravedís. He remained there until 1546, when, at the age of only 17, he was invited—on the […]
Father Adrian Fortescue (d. 1923) called this “perhaps the greatest of all hymns.”

During Advent, choirmasters must plan Christmas. During Lent, choirmasters must plan Easter. And so on.
Choosing music for the Sacred Music Symposium requires careful consideration. We make sure (always) to have great variety. Because the schedule is so full, there’s never sufficient time to discuss the music fully—indeed, we could easily do a month-long seminar on each piece! For example, last year Dr. Calabrese conducted a setting of the Magnificat […]

There’s an old saying: “Show me your friends, and I will tell you who you are.”
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I composed this organ accompaniment yesterday, looking ahead towards Eastertide.
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Including Fulton J. Sheen, Charles de Foucauld, and a Homily by Father Valentine Young, OFM

CCW contributors—Jeff, Veronica, Andrea, and Cynthia—each recorded a line for this recording.
I would like to share a message from a highly respected scholar. (His articles appear in distinguished journals such as Études grégoriennes and Oxford’s Early Music.) He wrote as follows: The Brébeuf Hymnal is very tastefully done. Your team has exquisite literary and musical taste. I see from my copy of the hymnal that you […]
The world’s experts have been releasing contradictory statements Re: Covid-19. I am neither a doctor nor a scientist, so I won’t comment; but I have something to say about the spine-tingling predictions made by certain politicians. When I was growing up, they told us “within ten years” we would starve due to overpopulation. The next […]
The 2020 Sacred Music Symposium “Official Statement” on Coronavirus has been posted; I encourage everyone to read it. I would like to share some advice: (1) avoid excessive amounts of “cable news” reporting on the pandemic, similar to how we diligently avoid immoral magazines and pornography; (2) let us pray for God’s mercy, and let […]
Father Valentine Young, OFM, always spoke about people incapable of saying “I don’t know.” Such people have an answer for everything—as if saying “I don’t know” would cause them physical pain. That’s how I acted growing up, but I stopped when I reached maturity. Another thing I did as a kid was insist that I […]
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