Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”
Fulton J. Sheen always said the “very best translation” of Sacred Scripture was the version by Monsignor Ronald Knox, and here’s what Knox had for the Passion read today (Pre-1955 Palm Sunday): “And Jesus said to the multitude at that hour, You have come out to my arrest with swords and clubs, as if I […]
Today, I release something I probably shouldn’t—because it’s “not ready for Prime Time.”
I prefer this old recording—but there are plenty of modern recordings available if you don’t like it.
Today, rehearsal videos were uploaded for each *individual* voice part: Soprano, Alto, Tenor, Bass.
I wish we had to time to discuss artwork at the Sacred Music Symposium, but there’s just not enough time. At this year’s conference in June, we will sing an absolutely incredible Magnificat setting by Father Francisco Guerrero (d. 1599). If you examine the part books, you will notice a marvelous aesthetic desire to avoid […]
Sheen has sometimes been criticized for avoiding mention of the sacred liturgy during his talks, but I cannot agree with such a view. • Includes about the Holy Eucharist, including a quote by Father Leslie Rumble and a quote from Pope Pius X+
Father Francisco Guerrero (d. 1599) studied music with Father Cristóbal de Morales circa 1545. He taught himself the organ. On 3 April 1542 he was engaged as a contralto by Seville Cathedral at an annual salary of 12,000 maravedís. He remained there until 1546, when, at the age of only 17, he was invited—on the […]
Father Adrian Fortescue (d. 1923) called this “perhaps the greatest of all hymns.”
During Advent, choirmasters must plan Christmas. During Lent, choirmasters must plan Easter. And so on.
Choosing music for the Sacred Music Symposium requires careful consideration. We make sure (always) to have great variety. Because the schedule is so full, there’s never sufficient time to discuss the music fully—indeed, we could easily do a month-long seminar on each piece! For example, last year Dr. Calabrese conducted a setting of the Magnificat […]
There’s an old saying: “Show me your friends, and I will tell you who you are.”
I composed this organ accompaniment yesterday, looking ahead towards Eastertide.
Including Fulton J. Sheen, Charles de Foucauld, and a Homily by Father Valentine Young, OFM
CCW contributors—Jeff, Veronica, Andrea, and Cynthia—each recorded a line for this recording.
I would like to share a message from a highly respected scholar. (His articles appear in distinguished journals such as Études grégoriennes and Oxford’s Early Music.) He wrote as follows: The Brébeuf Hymnal is very tastefully done. Your team has exquisite literary and musical taste. I see from my copy of the hymnal that you […]
