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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · July 17, 2021

Important Reminder from Pope Saint John XXIII

People are talking about “liturgy wars” again…

Jeff Ostrowski · July 17, 2021

“Let Us Take Courage!” • In Spite of Today’s News

“Serve God in that charity and love which cast out fear; such love does not regard merit.” —Saint Bernard

Jeff Ostrowski · July 13, 2021

Hymn Lyrics Which Don’t Fit

If we grow up singing hymns, we’re incapable of judging them—because we’re “too close” to them. People who know and love “Abide with me, fast falls the eventide” probably never realized the first word is one of the most egregious examples of incorrect accentuation. (The correct accent for “abide” is on the second syllable, not […]

Jeff Ostrowski · July 12, 2021

12 July 2021 • FEEDBACK

A reader from Chicago writes: “Your work is exemplary, and these past 15 months have put into clear focus for me just how important Corpus Christi Watershed is as an evangelizing voice in the Church. During this pandemic, we have moved away from the ‘big publisher’ psalters, employing nearly exclusively your settings, which (in my […]

Jeff Ostrowski · July 8, 2021

PT Barnum, Henri Herz, + 1,000 candles

In the annals of pianism, there were some fakers: Vladimir de Pachmann, Ignacy Jan Paderewski, Leopold de Meyer, and Henri Herz. A hilarious story is told by Harold C. Schonberg about Henri Herz, his manager (Bernard Ullman), and 1,000 candles. I think you will enjoy reading it.

Jeff Ostrowski · July 7, 2021

7 July 2021 • “Getting Soft at the End”

We tried something last Sunday. On the final stanza of this Eucharistic hymn, we got softer. I’d love to know your thoughts—does it sound good, or contrived?

Jeff Ostrowski · July 7, 2021

[Live Rec.] • “Do You Know This Eucharistic Hymn?”

Including seven (7) examples of musical diversity.

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Jeff Ostrowski · July 4, 2021

We Urgently Require Funds! • Can You Give $5.00 Per Month?

An urgent letter from the president … please read this!

Jeff Ostrowski · July 3, 2021

PDF Download • “Polyphonic Creed Extension” (Perfect Canon Between Soprano & Alto)

This fabulous technique is common in Germanic countries…

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Jeff Ostrowski · July 2, 2021

Free Online Movie! • “Scarlet and the Black” (1983)

Telling the true story of Monsignor Hugh O’Flaherty, a Catholic priest who saved thousands of lives during WW2.

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Jeff Ostrowski · June 30, 2021

30 June 2021 • “External Solemnities”

A document from 1822 shows that 29 June, the Feast of Saints Peter and Paul, used to be a Holy Day of Obligation in the United States. By 1864 it was no longer a Holy Day of Obligation—but the bishops of the United States were asked to celebrate it “solemnly” on the following Sunday, which […]

Jeff Ostrowski · June 29, 2021

“Talk Is Cheap” • Advice For Music Directors

If you fail to carefully plan your rehearsal, you’ll be eaten alive. And rightfully so!

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Jeff Ostrowski · June 28, 2021

28 June 2021 • (Live Rec.) Perfect Canon

A few weeks ago, we posted a perfect Canon by Giovanni Maria Nanino (d. 1607), who was a colleague of Palestrina. Here is a Live Recording by a volunteer choir. The score scrolls by as the singers perform it. It was recorded yesterday at Mass.

Jeff Ostrowski · June 28, 2021

28 June 2021 • “Progress is what counts…”

Like so many others, we lost about a year’s worth of rehearsals due to Covid19. We are trying to make up for lost time, and we have begun learning Father Guerrero’s Missa De Beata Virgine II published in Rome circa 1582. Here is a 37 second audio clip recorded at Mass last Sunday. We have […]

Jeff Ostrowski · June 26, 2021

26 June 2021 • “Twenty Seconds”

I could not do my job without the Brébeuf Hymnal. Here’s a Live Recording (20 seconds) from last night’s Mass. Our volunteer choir is frequently called upon—at the last second—to sing for first Masses, solemn high Masses, dedication Masses, and so forth. With the Brébeuf Hymnal, I can always pull out marvelous, wonderful, thrilling songs […]

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The free space which the new order of Mass gives to creativity it must be admitted, is often excessively enlarged. The difference between the liturgy with the new liturgical books, as it is actually practiced and celebrated in various places is often much greater than the difference between the old and new liturgies when celebrated according to the rubrics of the liturgical books.”

— Cardinal Ratzinger (1998)

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