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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · September 27, 2021

New CD release from the FSSP in Europe!

Christmas Matins from Bavaria…

Jeff Ostrowski · September 26, 2021

“Salve Regina” • Organ Accompaniment

Readers already realize that seventeen (17) splendid organ accompaniments for the simple “Salve Regina” can be freely and conveniently downloaded here. But what about the solemn tone for the “Salve Regina”—has anyone composed an organ accompaniment for that? Yes, Canon Jules Van Nuffel has composed one for the solemn version.

Jeff Ostrowski · September 24, 2021

“Easy Polyphonic Agnus Dei” • Part 3 of 3

The ability of your singers to sight-read music instantly does not guarantee a good performance.

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Jeff Ostrowski · September 24, 2021

“A Tale Of Two Missals”

Sometimes words are superfluous. Sometimes no commentary is needed. If you look at this Tale of Two Missals (PDF)—which compares the Canon from the “Modern” ICEL Missal with a “Dark Ages” Missal, I think you will understand exactly what I’m getting at.

Jeff Ostrowski · September 23, 2021

23 September 2021 • FEEDBACK

From a reader: “Corpus Christi Watershed is the greatest musical organization ever created in the Church!”

Jeff Ostrowski · September 21, 2021

Church “Narthex” • What’s that?

Do you know what the church narthex is? It’s kind of like a separate room, blocked off by a wall. A buddy of mine (sitting in the narthex) took some iPhone recordings of our congregation singing Vespers. Here’s how they sound sans organ. [Note: Whenever I play for Vespers, I make sure to have some […]

Jeff Ostrowski · September 21, 2021

“A Truly Eucharistic Hymn” • Christ the King (SATB)

Did Vatican II “restore” the hymns—as mandated by §93 of Sacrosanctum Concilium?

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Jeff Ostrowski · September 19, 2021

Clarion Call To All Choirmasters! • (26 Sept.)

Forty images of (IMHO) the patron saints of church musicians.

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Jeff Ostrowski · September 18, 2021

“Homily for the 17th Sunday after Pentecost” (EF) • Father Valentine Young, OFM

“In our day and age I think it is good that we all be reminded that Christ will eventually overcome his enemies.”

Jeff Ostrowski · September 16, 2021

16 September 2021 • Fulton J. Sheen

Here is a photo of Archbishop Fulton J. Sheen celebrating Mass in Jerusalem. That image was included in the “Fulton J. Sheen Sunday Missal” (1961), which was edited by Father Caramen and has an IMPRIMATUR by William Cardinal Godfrey, who served as Archbishop of Westminster from 1956 until his death in 1963. The Fulton Sheen […]

Jeff Ostrowski · September 16, 2021

15 September 2021 • Offertory Problem

I submit to you that nothing is gained by these slight variations in the repeats for the Epipany Offertory. The edition is by Carl Ott, a musicologist. Almost nothing is about Carl Ott—as far as I can tell, nobody even knows when Carl Ott was born or when Carl Ott died.

Jeff Ostrowski · September 14, 2021

PDF Download • Three Myths About Hymns

Did you know Catholics began translating hymns from Latin into the vernacular about 400 years before the Protestant Revolution?

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Jeff Ostrowski · September 10, 2021

[re-post] • “Hymn for the Feast of All Saints”

All Saints—November 1st—will be here before you know it!

Jeff Ostrowski · September 8, 2021

PDF Download • “Old Catholic Missal” (1909) … for the Schismatic “See of Utrecht”

Readers will enjoy perusing this book.

Jeff Ostrowski · September 8, 2021

A Truly Insane Liturgical Practice

In 2013, I began speaking of an insane liturgical practice which was allowed by Pope Pius XII—but nobody realizes this. If you tried to do this at the Traditional Latin Mass, you would most likely be run out of town on a rail. However, for the record, the FULTON SHEEN MISSAL (edited by Father Caraman) […]

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I am now old but I was young when I was received into the Church. I was not at all attracted by the splendour of her great ceremonies—which the Protestants could well counterfeit. Of the extraneous attractions of the Church which most drew me was the spectacle of the priest and his server at Low Mass, stumping up to the altar without a glance to discover how many or how few he had in his congregation; a craftsman and his apprentice; a man with a job which he alone was qualified to do.”

— Evelyn Waugh (7 August 1964)

Recent Posts

  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”
  • Fulton J. Sheen • “24-Hour Catechism”

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