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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · November 11, 2013

The Archer Loves The Arrow And The Bow

If you tend to cry a lot, don’t read this poem.

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Jeff Ostrowski · November 6, 2013

“For the kingdom, the power and the glory are yours”

A mystery! The 1970s ICEL seems not to have included these words, even though they were in the official Latin …

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Jeff Ostrowski · November 5, 2013

Black Vestments & Wisdom From Wives

Following the Second Vatican Council, black vestments aren’t usually worn because they’re considered too “spooky and scary.”

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Jeff Ostrowski · November 5, 2013

What’s So Great About The Mass Propers?

“If the world is progressing intellectually, should not the existence of God have been defined in the 1st century and the nature of the Trinity in the 19th?” — Fulton J. Sheen

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Jeff Ostrowski · November 2, 2013

Pope Francis Celebrates Mass “Ad Orientem”

Pope Francis celebrating in this manner was a bit of a surprise, since members of his generation aren’t usually accustomed to “turning their backs on the people.”

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Jeff Ostrowski · October 30, 2013

Definition Of Liturgical “Piccoluomini” ?

Human beings are “geared” toward annual events. Our minds, emotions, and memories simply aren’t programmed to work in 3-year cycles.

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Jeff Ostrowski · October 28, 2013

A Culture Obsessed With Sensationalism

It’s bizarre that both conductor and pianist were too lazy to discuss things like tempi beforehand.

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Jeff Ostrowski · October 28, 2013

What Do We Think Of Cell Phones At Mass?

I have noticed a certain tendency at EF Masses which causes me concern. Please allow me to “think out loud” and let me know your thoughts, as well.

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Jeff Ostrowski · October 28, 2013

At Mass This Sunday …

The priest intoned the Gloria … a truly magnificent effect!

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Jeff Ostrowski · October 25, 2013

How Bad Was It?

Someday, my children might ask: “Do you remember the first ICEL translation of the Roman Missal?”

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Jeff Ostrowski · October 24, 2013

Details About Sung Masses In “The Old Days”

“During a High Mass, the Choir will begin the Graduale etc. while the Priest recites the Epistle.” — St. Gregory Hymnal (1941)

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Jeff Ostrowski · October 23, 2013

Concerning Proofreading And Capitalization

Some editors believe in their hearts there is only one “correct” way

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Jeff Ostrowski · October 23, 2013

The Secret “Mora Vocis” of the Vatican Edition

Here are seven (7) videos explaining how to sing according to the rhythm of the Editio Vaticana (Vatican Edition) created by Abbot Pothier at the request of Pope Pius X.

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Jeff Ostrowski · October 22, 2013

Does The Vatican II Lectionary Distort Scripture?

“I have noticed that when the present Lectionary occasionally proposes a ‘Shorter Form’ for one of the Gospel readings, the lines edited are something Our Lord said that comfortable people would rather He had not said.” — Fr. George W. Rutler

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Jeff Ostrowski · October 21, 2013

Bishop Carroll and Vernacular in the Liturgy c. 1787

“In this country either for want of books or inability to read, the great part of our congregations must be utterly ignorant of the meaning and sense of the publick offices of the Church.” — Archbishop of Baltimore (1787)

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President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The following few hints on the selection of voices may be useful: (1) Reject all boys who speak roughly, or sing coarsely; (2) Choose bright, intelligent-looking boys, provided they have a good ear; they will much more readily respond to the choirmaster’s efforts than boys who possess a voice and nothing more; therefore, (3) Reject dull, sulky, or scatter-brained boys, since it is hard to say which of the three has the most demoralizing effect on his more willing companions.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • Sacred Music in the Sunflower State!
  • The Vanishing Art of Knowing Hymns • We Seek a Hymn “Expert” (Not Just a Hymn “Enthusiast”)
  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)

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