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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · February 11, 2013

Pope Benedict XVI to Step Down Feb. 28

I believe that Pope Benedict XVI will go down in history as one of the greatest Popes.

Jeff Ostrowski · February 9, 2013

Reflections on the Liturgy by Andrew Nash

When we shake hands, we do not feel the need to explain, “By this gesture I am establishing contact with you.”

Jeff Ostrowski · February 6, 2013

Once Again, Verifiable Proof

I have often written about the phenomenon of “learn a new word, see it within 24 hours.”

Jeff Ostrowski · January 26, 2013

Tribute To Monsignor Francis P. Schmitt

“There is only one way—to be a man of prayer and a man of faith: to be a man in love with and imbued with Christ’s life.”

Jeff Ostrowski · January 20, 2013

Babies, Toddlers, And The Sacred Liturgy

I can only imagine what would happen if I brought home a friend home without preparation or planning.

Jeff Ostrowski · January 14, 2013

Reflections On Playing The Piano At Church

Reflections on whether the piano ought be used at the Catholic Mass.

Jeff Ostrowski · January 13, 2013

The Need For Beauty In the Church

Artistic works often look “natural and easy” but their creation might have been by “blood, sweat, and tears.”

Jeff Ostrowski · January 7, 2013

Baptism of our son

Our son was baptized by Most Rev. Bishop René H. Gracida.

Jeff Ostrowski · December 30, 2012

Introduction To “Views From The Choir Loft”

We are excited to announce a new Blog dedicated to Sacred Music & Liturgy!

Jeff Ostrowski · December 24, 2012

Biography • Jeffrey M. Ostrowski

Jeff holds his B.M. in Music Theory from the University of Kansas . . .

Jeff Ostrowski · December 6, 2012

He’s At It Again . . . And Again.

Perhaps the reader is wondering why I keep saying the same thing over and over again . . .

Jeff Ostrowski · November 19, 2012

Graduale Romanum Chants And The New Roman Missal

The best kept secret of the Second Vatican Council …

Jeff Ostrowski · November 11, 2012

Folding One’s Hands At Mass

“It is a queer type of mind that actually is interested in knowing whether the deacon should stand at the right or the left of someone else at some moment.” Why would Dr. Fortescue say this?

Jeff Ostrowski · November 8, 2012

The Greatest Blog Entry Ever Of All Time

Edwin Fischer was considered the greatest Swiss pianist. I believe Alfred Cortot was also Swiss, but most people considered him French.

Jeff Ostrowski · November 3, 2012

[Book] Benedict XVI And Beauty In Sacred Music

This book looks like it would make a wonderful Christmas gift!

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

The 1960s reformers had no chance of success since their goal was “recasting from top to bottom—and in a few months!—an entire liturgy which had required twenty centuries to develop.”

— Professor Louis Bouyer, close friend of Pope Saint Paul VI

Recent Posts

  • “Puer Natus in Béthlehem” • (Added Fifths)
  • Epiphany Hymn • “New 2-Voice Arrangement”
  • How Does The Vatican “Rhythm” Actually Sound?
  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!

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