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Views from the Choir Loft

What Is Currently Happening? Let’s Be Honest.

Jeff Ostrowski · June 4, 2013

EVERAL PEOPLE wrote to me after we posted this morning’s interview with Dr. Scott Smith. They all had the same basic question:

“What are these ‘bad texts’ referred to constantly during the interview? What do you mean people are ‘replacing’ the Propers? What does that mean?”

Those are good questions. I suppose the best answer would be for folks to listen to the rest of the interviews. However, let me try to quickly give some “Cliff’s Notes.” Toward the end, I will also give concrete examples of texts used to replace the Mass Propers.

Please note: I am not condemning anyone. I, myself, have replaced the Propers hundreds of times. This is not about denouncing anyone. I’m merely suggesting that we start a dialogue about why we’re doing what we’re doing.

INETY-NINE percent of Catholic parishes replace the texts given to us by the Catholic Church and tradition in the following way:

1. Entrance Antiphon (“Introit”): Anything we like, in any musical style, with a text written by anybody (Catholic, non-Catholic, sometimes even an atheist)

2. Offertory Antiphon: Anything we like, in any musical style, with a text written by anybody (Catholic, non-Catholic, sometimes even an atheist)

3. Communion Antiphon: Anything we like, in any musical style, with a text written by anybody (Catholic, non-Catholic, sometimes even an atheist)

Certainly the Church allows us to replace the Introit (a.k.a. “Entrance Chant”). It is also permitted to replace the Offertory and the Communion. However, let us recall that the Church has assigned special, ancient, beautiful texts from Scripture for each and every Mass, the vast majority of which date back more than 1500 years! Why do 99% of Catholic Churches replace 100% of the Propers 99% of the time?

EARLIER, I PROMISED to mention some specific texts and hymns (songs?) used in place of the Mass Propers. One example would be Stay With Me by Erich Sylvester, which I found by opening up the most popular Catholic hymnal of the last four decades (published by the largest Catholic publisher). Here are the lyrics to this song, still sung by many parishes:

I am a man without envy
No roof and no walls to defend me
In hope that someday you’ll defend me
And take all my troubles away

Walk with me, talk with me
Tell me about all the good things you’ve done
Stay with me, pray with me
Leave all your blues in your shoes at the door

I went to school for a long time
Expecting to stay in a straight line
Until I discovered that great minds
Don’t move in a straight line at all

I was a child once, I know it
My mother has pictures to show it
But she always knew I’d outgrow it
I guess that’s what pictures are for

I have no intention of going through “the list” and naming a bunch more songs. We all know “the list.” I think the last time I went through “the list” was for a 2007 article I wrote. Let’s consider just one more example. This song by Carey Landry was used fairly frequently by Catholic parishes when I was growing up in the 1990s. Although it’s been more than a decade, I can still sing this song, because it was often used to replace the Introit at Mass:

Refrain: Great things happen when God mixes with us;
Great things happen when God mixes with us;
Great and beautiful, wonderful things;
Great things happen when God mixes with us.

Some find life, some find peace; some people even find joy.
Some see things as they never could before
and some people find that they can now begin to trust.

Some find health, some find hope; some people even find joy.
Some see themselves as they never could before
and some people find that they can now begin to live.

Some find peace, some are disturbed; some people even find joy.
Some see their lives as they never could before
and some people find that they must now begin to change.

SOMETIMES IT HELPS to remind ourselves that Church music has been awful in the past (although never on the level of the situation following the Council). Consider this example, by Fr. Aidan Nichols:

In 1901, Fr. Fortescue suffered from a lady who sang badly while “beating on that kind of instrument whose altogether inappropriate name is Harmonium.”

What did Fortescue do? When he got his own parish, he worked extremely hard and made his little parish choir unbelievably wonderful. We are called to do the same. Let’s get busy!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

    Simplified Antiphons • “Candlemas”
    Anyone who desires simplified antiphons (“psalm tone versions”) for 2 February, the Feast of the Purification—which is also known as “Candlemas” or the Feast of the Presentation—may freely download them. The texts of the antiphons are quite beautiful.
    —Jeff Ostrowski
    Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦
    Once, after Mass, my pastor said he really loved the hymn we did. I said: “Father, that's Holy God, We Praise Thy Name—you never heard it before?” He replied: “But the way you did it was terrific. For once, it didn't sound like a funeral dirge!” Last Sunday, our volunteer choir sang that hymn. I think the tempo was just about right … but what do you think?
    —Jeff Ostrowski
    Don’t You Agree About These?
    If you want to make Jeff Ostrowski really happy, send him an email with effusive praise about the individual voice recordings for hymn #296. [Soprano, Alto, Tenor, Bass] They came out dazzlingly sensational, don't you agree?
    —Jeff Ostrowski

Random Quote

Yet, with all its advantages, the new Missal was published as if it were a work put together by professors, not a phase in a continual growth process. Such a thing never happened before. It is absolutely contrary to the laws of liturgical growth, and it has resulted in the nonsensical notion that Trent and Pius V had “produced” a Missal four hundred years ago.

— Josef Cardinal Ratzinger (1986)

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