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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · December 18, 2013

“Beauty” by Most Rev. James D. Conley (Bishop of Lincoln, Nebraska)

“Fr. Morganroth would return to his room to play his piano — he played brilliantly. If you had an appointment with him he would leave the door ajar. You were to simply push the door open and take a seat in a chair next to the piano.”

Jeff Ostrowski · December 17, 2013

“The Church has been called to move on.” — GIA’s Worship IV Hymnal

What is the purpose of a Procession? Is this statement true?

Jeff Ostrowski · December 17, 2013

Reason #6634 “Sing To The Lord” Was Not Submitted To Rome For Approval

Why should something invented in 1968 be “preferred” to the immemorial tradition of the Catholic Church?

Jeff Ostrowski · December 16, 2013

Francis Clashes With Former Head Of Liturgical Institute

In my humble opinion, Pope Francis is spot on.

Jeff Ostrowski · December 13, 2013

Backyard Studies In Proportion

These were not Photoshopped !

Jeff Ostrowski · December 13, 2013

“Pius X Hymnal” (1953) by Ted Marier … free online!

Dr. Theodore Marier’s beautiful hymn book, the 1953 PIUS X HYMNAL, is now available online for free!

Jeff Ostrowski · December 12, 2013

30 January Wedding • Call Time = 10:00am

PRGRAM for 26 Dec.

Jeff Ostrowski · December 10, 2013

What Exactly Is “Uninspired” Church Music?

Hearing this, most people would probably say, “She’s got a bad voice.” However, I disagree.

Jeff Ostrowski · December 8, 2013

A recent picture of our son

May Jesus Christ be praised forever.

Jeff Ostrowski · December 6, 2013

“Traditional Liturgy Flourishing in the Bible Belt”

“Father Christopher Smith is a former Baptist who converted to Catholicism as a teenager. He is a graduate of Christendom College in Front Royal, Virginia, and he holds both a licentiate and a doctorate in dogmatic theology. He recently spoke with CWR about parish life at Prince of Peace and the parish’s approach to the liturgy.” — Catholic World Report

Jeff Ostrowski · December 4, 2013

Dom Gajard on Vernacular Adaptations & Pius XII Psalter

“We request His Eminence the Cardinal Prefect of the Sacred Congregation of Rites the permission to point out the manifest danger of adopting either of these solutions.” — Dom Joseph Gajard, OSB

Jeff Ostrowski · December 4, 2013

1934 “Antiphonale Monasticum” (Solesmes Abbey) • Free PDF Download!

Feel free to download all 1,296 pages!

Jeff Ostrowski · December 3, 2013

The G.I.R.M. Mentions “Hymnus” Only Once …

Ironically, that’s the spot you’re least likely to hear a hymn at Mass!

Jeff Ostrowski · December 2, 2013

How “Catholic” Is Congregational Singing?

John Paul II asked your forgiveness in 1980 … did you forgive him?

Jeff Ostrowski · November 30, 2013

Uh Oh … How do you spell “Ressurection” ?

The new Gregorian Missal (Solesmes, 2012) is a marvelous book.

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

To end an impropriety, noticed particularly at orchestral Vespers, when two or three Psalms are sung with full orchestra, and then the other Psalms and the Hymn are rapidly hurried through with organ accompaniment only […] we order that at Mass all portions of the text, including “Agnus Dei,” be sung with orchestral accompaniment. […] Moreover, the musicians are not allowed to put the instruments away and leave their places before the conclusion of the sacred function.

— Cardinal Patrizi (18 November 1856)

Recent Posts

  • “Puer Natus in Béthlehem” • (Added Fifths)
  • Epiphany Hymn • “New 2-Voice Arrangement”
  • How Does The Vatican “Rhythm” Actually Sound?
  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!

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