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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · November 6, 2017

Archbishop Sheen Played The Organ!

Sheen told Ferris that he wanted a classical repertoire at the cathedral in Rochester, including Gregorian chant.

Jeff Ostrowski · November 6, 2017

6 Suggestions • “Promoting The Latin Mass”

Msgr. Charles Pope has several sagacious suggestions!

Jeff Ostrowski · November 3, 2017

Never Print With Adobe Acrobat

It’s remarkable that owning fully-updated software and pristine hardware makes no difference…

Jeff Ostrowski · November 2, 2017

PDF Download • All Souls Day

Here’s the booklet we used for All Souls (2 November).

Jeff Ostrowski · October 31, 2017

Brave Director Posts “Live” Recording

A word of encouragement for choirmasters…

Jeff Ostrowski · October 30, 2017

Hymn by Professor at St. Charles Borromeo Seminary

This PDF score has the Latin (on one side) and two English versions on the other.

Jeff Ostrowski · October 30, 2017

Powerful & Thought-Provoking

“We are giving the world a chance to think about the ethics of choosing which humans get a chance at life.”

Jeff Ostrowski · October 29, 2017

PDF Download • Congregational “Dies Irae”

…including two reasons I believe a liturgical reform was desired in the 1960s.

Jeff Ostrowski · October 26, 2017

Christ The King Sunday (5th in October)

“Jesus answered: Thou sayest that I am a King. For this was I born, and for I this came I into the world…”

Jeff Ostrowski · October 26, 2017

Josquin Des Prez Vandalized Stuff (!)

It’s hard for us to remember that the famous composers were not hired as such—they were hired as singers.

Jeff Ostrowski · October 25, 2017

“Why Sacred Music Hasn’t Been Killed” [Six Reasons]

Lyrics from GIA Worship IV Hymnal: “Who is this who eats with sinners, calling luckless losers winners?”

Jeff Ostrowski · October 20, 2017

[299 pages] • Simple Polyphony For Choirs

Every single piece has free rehearsal videos for your choir members!

Jeff Ostrowski · October 20, 2017

January 7-12 • Mahrt, Weber, and Buchholz!

The Church Music Association of America is pleased to announce the third Winter Sacred Music Workshop for Chant and Polyphony.

Jeff Ostrowski · October 19, 2017

Sensational Testimony • On Our Feastday!

“Fr. Ryan told me he’s amazed at how the liturgy has been transformed, and that never in seminary did he believe this kind of liturgy would be possible at a Montana parish.”

Jeff Ostrowski · October 19, 2017

20th Sunday after Pentecost (4th in October)

“…be ye filled with the holy Spirit, speaking to yourselves in psalms and hymns, and spiritual canticles, singing and making melody in your hearts to the Lord…”

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet within reach of the choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal. In other words, it’s only for use when teaching this round to your child choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope: Kyrie Rex Genitor—so that the congregation can be involved when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“We must remember that the important elements of a rite are not the things that will first be noticed by a casual and ignorant onlooker—the number of candles, colour of the vestments and places where the bell is rung—but just those things he would not notice: the Canon, fraction and so on, the prayers said in a low voice and the characteristic but less obvious rites done by the celebrant at the altar.”

— Fr. Fortescue explaining that Anglicanism does not preserve Sarum

Recent Posts

  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician
  • Fulton J. Sheen Played The Pipe Organ!

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