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Corpus Christi Watershed

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Views from the Choir Loft

Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

Gwyneth Holston · June 23, 2014

Archbishop Sample’s Letter On Sacred Music (8 of 8)

Eagerly awaiting a Pastoral Letter on Sacred Art in Divine Worship.

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Gwyneth Holston · May 30, 2014

Artist Lecture Series at Thomas More College

If you are in New England July 25 – August 1, you don’t want to miss this!

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Gwyneth Holston · May 5, 2014

Pathetic Beauty

Can A Pure Intention Create Objective Beauty?

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Gwyneth Holston · April 14, 2014

Mass for Artists on May 4th in NYC

It will be in the extraordinary form with a modern setting by Arvo Part

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Gwyneth Holston · April 8, 2014

Summer Programs at the Thomas More College of Liberal Arts

Great opportunities for formation in drawing, painting, writing, reading, and leading

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Gwyneth Holston · April 7, 2014

“Crucifixion” by Pierre-Paul Prud’hon

A striking image that should be more well-known.

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Gwyneth Holston · March 31, 2014

What is Catholic Art?

Help me define the indefinable.

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Gwyneth Holston · March 24, 2014

Jubilee Museum Sacred Art Biennial 2014

Call for entries for visual artists!

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Gwyneth Holston · March 17, 2014

Finally! A Manly Saint Joseph

I’m not sure why, but there are an unusually high number of saccharine depictions St. Joseph. This is not one of them.

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Gwyneth Holston · March 11, 2014

Painting of St. Catherine of Siena Part II

See the “reveal” of the finished painting.

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Gwyneth Holston · March 3, 2014

Painting St. Catherine of Siena Part I

See what goes into designing a painting.

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Gwyneth Holston · February 27, 2014

A Visual Chronical of Parish Life: Day 4

“A Sad Inheritance” by Joaquin Sorolla y Bastida

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Gwyneth Holston · February 26, 2014

A Visual Chronicle of Parish Life: Day 3

“The Daughters of Charity” by Henriette Browne

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Gwyneth Holston · February 25, 2014

A Visual Chronicle of Parish Life: Day 2

“Choirboys” by Jose Gallegos y Arnosa

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Gwyneth Holston · February 24, 2014

A Visual Chronicle of Parish Life: Day 1

A week of inspiring images to brighten your day.
Day 1: “The Baptism” by Joaquin Sorolla

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Corpus Christi Watershed

President’s Corner

    Music List • (15th Sund. Ordinary Time)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the 15th Sunday in Ordinary Time (Year A), which is 12 July 2026. Please feel free to download it as a PDF file if that appeals to you. The hymns chosen are some of the most ‘traditional’ I have chosen (and were chosen by our pastor). The ENTRANCE CHANT radiates pure bliss, overflowing with joy.
    —Jeff Ostrowski
    Shortest Psalm In The Bible
    The shortest chapter in the whole Bible—as well as the shortest psalm—is PSALM 116 (“Laudáte Dóminum ómnes géntes”), which consists of just two verses. German-speaking Catholics did something really splendid (PDF) with PSALM 116. I was alerted to this many years ago by none other than Monsignor Robert Alexander Skeris. Click here to download—from different Catholic hymn books—ten (10) different harmonizations for this fabulous hymn.
    —Jeff Ostrowski
    Oldest Latin Eucharistic Hymn
    The Church’s oldest Latin Eucharistic hymn is featured in the Brébeuf Hymnal. Indeed, the legendary Father Adrian Fortescue made a translation of it—matching the original’s meter—which was elevated by the Brébeuf team. For years, we’ve been working on a Spanish hymnal: “Cantoral del Padre Antonio Daniel.” The progress has been slow but steady, and we encourage anyone fluent in Spanish to consider joining the proofreading team. A few days ago, my wife helped me record a rehearsal video for this Spanish version of the Church’s oldest Latin Eucharistic hymn.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

And since it is becoming that holy things be administered in a holy manner, and of all things this sacrifice is the most holy, the Catholic Church, to the end that it might be worthily and reverently offered and received, instituted many centuries ago the holy canon, which is so free from error that it contains nothing that does not in the highest degree savor of a certain holiness and piety and raise up to God the minds of those who offer.

— Council of Trent (1562)

Recent Posts

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  • PDF Download • New Westminster Hymnal (472 pages) “Transcribed” — 34,600 words!

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