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Views from the Choir Loft

Dr. Gregory Hamilton • Article Archive

Dr. Gregory Hamilton is a widely published composer and accomplished performer. His compositions include works for organ, piano, choir, flute, cello, and orchestra. An active conductor, Dr. Hamilton also performs extensively as a soloist and accompanist on the organ, piano, harpsichord. He has also performed regularly on the keyboard, theorbo and lute with the Orchestra of New Spain. He is currently on the faculty of Holy Trinity Seminary in Dallas TX.—Read full biography (with photographs).

Dr. Gregory Hamilton · May 28, 2026

What Shall Be Our Response?

“What could playing a Bach prelude, or singing a psalm have to do with the world situation?” —Dr. Gregory Hamilton

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Dr. Gregory Hamilton · April 20, 2024

Dr. Hamilton • “Totally Random (But Hopefully Not Useless) Thoughts About Choirs”

We must gauge rehearsal time so as not to totally bore the skilled members, while still making sure to do what’s needed to help lesser-skilled members.

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Dr. Gregory Hamilton · February 25, 2023

Has this all been our fault?

It seems to me that our responsibility of teaching the Faith through music is much more serious than is commonly perceived.

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Dr. Gregory Hamilton · September 10, 2021

Reflections On A Prophetic Document

There is much here to contemplate, written by a man with a deep reverence for the Sacred Liturgy and Music of the church…

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Dr. Gregory Hamilton · September 3, 2020

(Installment #5) “Catholic Hymnals” • Dr. Gregory Hamilton

The word “hymn” is one of the earliest music words in all languages…

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Dr. Gregory Hamilton · July 20, 2020

Biography • Dr. Gregory Hamilton

Dr. Gregory Hamilton is a widely published composer and accomplished performer currently on the faculty of Holy Trinity Seminary in Dallas TX.

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Dr. Gregory Hamilton · April 1, 2020

Repeating Repertoire? • Dr. Hamilton

Psalm 51 occurs a dozen times in the lectionary during the year, for such diverse days such as St. Thomas Aquinas, weekdays during ordinary Time, many days in Lent, and the Easter Vigil.

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Dr. Gregory Hamilton · March 10, 2020

Psalms, Psalmody, Psalmists, Psalm Singing

Some of you may not know, but in seminaries and houses of religious, the 150 psalms are still recited or sung every month.

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Dr. Gregory Hamilton · February 20, 2020

Secret Sympathy

“Our souls are moved to the ardor of piety by the sacred words more piously and powerfully when these words are sung…” —St. Augustine

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Dr. Gregory Hamilton · January 28, 2020

“Performance” and the Liturgy.

I have sometimes been told that I was “performing” in the Liturgy, and this has made me think about the meaning of this term and why people say it…

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Dr. Gregory Hamilton · January 18, 2020

Of Weddings, Funerals and other Comedies

A lot of what we do in serving our communities is rather unglamorous…

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Dr. Gregory Hamilton · March 27, 2019

Beauty in the Service of the Lord

“Recently, playing a prelude before a Mass, I thought of the preeminence of beauty in our faith.” —Dr. Hamilton

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Corpus Christi Watershed

President’s Corner

    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski
    Music List • “Corpus Christi” (Year A)

    The 28-page Singers’ Booklet is included. Our children’s choir will join us for this Mass.

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    —Jeff Ostrowski
    PDF Download • “Rubric Challenge”
    The feast of Corpus Christi is special for TLM altar boys. On that day, two of us thurifers got to walk backwards while using the THURIBLE. (That American custom, if memory serves, is not strictly described in the rubrics.) A few weeks ago on the CCW Facebook Page we posted this screenshot from a 1915 Roman Catholic hymnal. The challenge is to guess what the rubric says, which we blocked from view with a red box. So far, nobody has guessed correctly. Feel free to guess! Our email address is listed at the bottom of each page. UPDATE: The answer has been revealed as of 8 June 2026.
    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

After ordering the bishops to appoint in each diocese “special commission of persons who are really competent in the matter, to whom they will entrust the duty of watching over the music performed in the churches in whatever way may seem most advisable,” Pope Pius X continues—“this commission will insist on the music being not only good in itself, but also proportionate to the capacity of the singers, so that it may be always well executed.”

— Dom Alphege Shebbeare (Downside Review)

Recent Posts

  • PDF Download • “Simple Organ Interludes for Use in the Catholic Church” (108 pages)
  • Dr. Tappan in Rome • “Ubi Caritas”
  • Time and Again We Are Asked…
  • “Citation Needed” • Dom Foote of ICEL
  • “Should the People Sing in Parts?” • Weighing the Case for SATB Hymnals in the Pews

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