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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Father Friel • Article Archive

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

Fr. David Friel · March 24, 2019

New Musical Settings for the Blessing of the Holy Oils

The USCCB has provided freely downloadable versions of the musical settings of these newly translated texts.

Fr. David Friel · March 17, 2019

The Lorica of St. Patrick

A fifth-century hymn preserved in an eleventh-century manuscript

Fr. David Friel · March 10, 2019

Square Notes: The Sacred Music Podcast

Dedicated to exploring the teaching and vision of the Church on the topic of liturgical music

Fr. David Friel · March 3, 2019

Leo XIII to St. Katharine Drexel: “What about you?”

Today marks the feast of Mother Katharine Drexel, whom the Holy Father challenged to become a missionary.

Fr. David Friel · February 23, 2019

New Resource! • Chant Videos for Treble Voices

A new website seeks to record the full Gregorian propers each week using a treble voice.

Fr. David Friel · February 17, 2019

Sacred Architecture and Brexit

A connecting link in the form of Gothic cathedrals

Fr. David Friel · February 2, 2019

Fourth-Century Advice for Choir Directors

A passage from Nicetas of Remesiana remains eminently applicable today.

Fr. David Friel · January 27, 2019

Formed in Beauty Lectures

Videos have been posted from the 2017 & 2018 conferences of the Catholic Art Guild

Fr. David Friel · January 20, 2019

Music Leads Us to Heaven

Franz Schubert’s famous art song, “An die Musik”

Fr. David Friel · January 13, 2019

Two February Workshops

A Symposium in Chicago and the Winter Pastoral Chant Conference in Indiana

Fr. David Friel · December 23, 2018

New Chair of Sacred Music at US Seminary

Dr. Nathan Knutson will inaugurate this new position.

Fr. David Friel · December 1, 2018

How Does Benedict XVI Perceive His Retirement?

Clues from a Wednesday General Audience

Fr. David Friel · November 18, 2018

Portland Publishes an “Archdiocesan Liturgical Handbook”

New publication from Archbishop Sample’s Office of Divine Worship

Fr. David Friel · November 4, 2018

Fulton Sheen on the Priesthood of the Baptized

A Lesson from a Retreat for the Priests of Gary, IN

Fr. David Friel · October 28, 2018

Proclaiming Christ’s Kingship

Acknowledging the Lord’s Dominion on Earth and in Heaven

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“All those who take part in sacred music, as composers, organists, choir directors, singers, or musicians should above all give good example of Christian life to the rest of the faithful because they directly or indirectly participate in the sacred liturgy.”

— Directive issued under Pope Pius XII on 3 Sept. 1958

Recent Posts

  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
  • “Music List” • 17th in Ordinary Time (Year C)
  • Flor Peeters In A Weird Mood?
  • Communion • “Ask & You Shall Receive”
  • Jeff’s Mother Joins Our Fundraiser

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