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Views from the Choir Loft

Father Friel • Article Archive

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

Fr. David Friel · February 20, 2012

Roman Missal 3.0 — Installment No. 5

Part 5 of 5: The Musical Missal

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Fr. David Friel · February 16, 2012

Roman Missal 3.0 — Installment No. 4

Part 4 of 5: Fidelity Reveals Theology

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Fr. David Friel · February 10, 2012

Roman Missal 3.0 — Installment No. 3

Part 3 of 5: The Orientation of the Canon

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Fr. David Friel · February 6, 2012

Roman Missal 3.0 — Installment no. 2

Part 2 of 5: The Beauty of Repetition

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Fr. David Friel · February 3, 2012

Roman Missal 3.0 — Installment no. 1

Part 1 of 5: The Church as “She”

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Fr. David Friel · January 31, 2012

Free From All Anxiety

The Things of the Lord vs. the Things of the World

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Fr. David Friel · January 19, 2012

David

The Ultimate Underdog

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Fr. David Friel · January 16, 2012

Samuel & Eli

The Needs of the Church

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Fr. David Friel · January 10, 2012

Catholic Education & the Epiphany

The Hidden Teacher

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Fr. David Friel · January 9, 2012

The Hallowed Name

To Use or Not to Use?

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Fr. David Friel · January 2, 2012

Mother Mary

A Resolution

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Fr. David Friel · December 27, 2011

Favorite Scripture Passage?

An Unlikely Suggestion

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Fr. David Friel · December 24, 2011

Knowledge of God

Sheer Grace

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Fr. David Friel · December 18, 2011

Sin & Error Pining

‘Til He Appeared

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Fr. David Friel · December 9, 2011

Holy and Without Blemish

Is the Immaculate Conception Relevant?

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”

    Readers have expressed interest in examining my “music list” for this coming Sunday.

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    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”

    There’s a triple ‘allelúja’ and I just love the chord at the end of the 2nd iteration.

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    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”

    The following declaration will probably smack of “blowing my own horn.”

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    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— Father Clemens Blume, S.J.

Recent Posts

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  • The Entrance Chant • “Further Discussion”
  • PDF Download • Accompaniment Edition (183 pages) — “Jesuit Hymnal” (Buffalo, New York)

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