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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Corpus Christi Watershed

Corpus Christi Watershed · September 6, 2025

Vatican II Changed Wedding Propers?

This myth is quite pervasive.

Corpus Christi Watershed · August 22, 2025

Father Chris Smith Celebrates 20 Years as a Priest

We believe our readers will recognize the polyphonic Mass setting chosen.

Corpus Christi Watershed · August 14, 2025

Solemn “Salve Regina” (Chant)

The Schwann edition is on 4 lines, the version by Dr. Weinmann is on 5.

Corpus Christi Watershed · August 9, 2025

“We Laughed It Off” • Archbishop of Portland on the Elimination of Latin from the Sacred Liturgy

“It seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.” — Most Rev. Robert J. Dwyer (d. 1976)

Corpus Christi Watershed · July 10, 2025

The Tallis Scholars

This year, Sacred Music Symposium 2025 took part in “Palestrina500” at Sacred Heart in Grand Rapids.

Corpus Christi Watershed · July 8, 2025

Pope Saint Paul VI to Consilium (14 October 1968)

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character.” —Pope Saint Paul VI

Corpus Christi Watershed · July 8, 2025

August 2025 • “Colorado Sacred Music Conference”

Registration is now open!

Corpus Christi Watershed · July 4, 2025

Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

As of 4 July 2025, Bishop Reed’s post on Twitter had received 188,800 views.

Corpus Christi Watershed · June 18, 2025

Pope Leo XIV pays tribute to Palestrina

“Palestrina500” at the Vatican, with Pope Leo XIV.

Corpus Christi Watershed · June 13, 2025

Pope Pius XII Hymnal?

This extremely rare hymnal was published in 1959.

Corpus Christi Watershed · June 11, 2025

“Hybrid” Chant Notation?

See whether you agree that Father Weinmann made matters worse.

Corpus Christi Watershed · May 17, 2025

“For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes

“When things are holy and sacred, they are perceived as such by all.” —Bishop Fernandes

Corpus Christi Watershed · May 16, 2025

“Lindisfarne Gospels” • Created circa 705 A.D.

Lusciously resplendent illuminations created 1,300 years ago by Roman Catholic monks in North England—now available to be viewed in high resolution!

Corpus Christi Watershed · May 7, 2025

Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?

“Isn’t Mendelssohn’s wedding march largely frowned upon in the Catholic Church?” —A reader

Corpus Christi Watershed · May 1, 2025

Antiphons Don’t Match?

The short answer is: the “Adalbert Propers” were never intended to be sung.

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— Father Clemens Blume, S.J.

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