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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Corpus Christi Watershed

Corpus Christi Watershed · June 11, 2025

“Hybrid” Chant Notation?

See whether you agree that Father Weinmann made matters worse.

Corpus Christi Watershed · May 17, 2025

“For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes

“When things are holy and sacred, they are perceived as such by all.” —Bishop Fernandes

Corpus Christi Watershed · May 16, 2025

“Lindisfarne Gospels” • Created circa 705 A.D.

Lusciously resplendent illuminations created 1,300 years ago by Roman Catholic monks in North England—now available to be viewed in high resolution!

Corpus Christi Watershed · May 7, 2025

Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?

“Isn’t Mendelssohn’s wedding march largely frowned upon in the Catholic Church?” —A reader

Corpus Christi Watershed · May 1, 2025

Antiphons Don’t Match?

The short answer is: the “Adalbert Propers” were never intended to be sung.

Corpus Christi Watershed · April 30, 2025

Dramatic & Spectacular Testimonies from Last Year’s Sacred Music Symposium

“I had to stop singing for a moment while trying not to cry.” —2023 Participant

Corpus Christi Watershed · April 7, 2025

Father John Paul Lewis • “Saint Francis of Assisi Parish in Oklahoma City”

The musical director is Dr. Alvez Barkoskie IV.

Corpus Christi Watershed · March 28, 2025

“From A Priest” • Reader Feedback (28 March 2025)

“I grew up in an Italian-American family.” —Feedback from a priest.

Corpus Christi Watershed · March 22, 2025

“Reader Feedback” • 22 March 2025

Remember: “Misery loves company!”

Corpus Christi Watershed · March 14, 2025

“Reader Feedback” • 14 March 2025

I also hold a music degree and have accepted a job at…

Corpus Christi Watershed · March 14, 2025

Reader Feedback • “Reform of the Reform”

“Throughout those 40+ years, I designed the music liturgy according to my sense of entertainment, failing to realise what it was supposed to be until much later.” —Chad H.

Corpus Christi Watershed · March 12, 2025

“I Hate, Loathe, and Utterly Despise the Trivial Details of Ceremonies.” —Father Adrian Fortescue

“I want never to hear another word about ceremonies for as long as I live. I would rather discuss the symptoms of cancer.” —Dr. Fortescue

Corpus Christi Watershed · March 11, 2025

Our Own Richard J. Clark Conducts 250 Children in Chant & Polyphony!

Reclaiming Gregorian Chant for children at the New England “Pueri Cantores” choral festival & Mass.

Corpus Christi Watershed · February 25, 2025

Famous Italian Actor Regrets Aborting Son

“It was the mistake of my life. When I was very young, I had the chance to become a father, but I had my son aborted. Now, I’ve become very strongly against abortion.” —Andrea Roncato

Corpus Christi Watershed · February 17, 2025

“The Sad State of Liturgical Music in the Catholic Church” • Thomas G. McFaul (2002)

“Nothing in pop music ever sounded quite as loathsome as what is played and sung in the church today.” —Thomas G. McFaul

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The spark of conversion can be struck by a single perfect liturgical gesture.”

— Cristina Campo (1966)

Recent Posts

  • Important Quote by a Church Musician
  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This

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