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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Corpus Christi Watershed

Corpus Christi Watershed · June 13, 2025

Pope Pius XII Hymnal?

This extremely rare hymnal was published in 1959.

Corpus Christi Watershed · June 11, 2025

“Hybrid” Chant Notation?

See whether you agree that Father Weinmann made matters worse.

Corpus Christi Watershed · May 17, 2025

“For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes

“When things are holy and sacred, they are perceived as such by all.” —Bishop Fernandes

Corpus Christi Watershed · May 16, 2025

“Lindisfarne Gospels” • Created circa 705 A.D.

Lusciously resplendent illuminations created 1,300 years ago by Roman Catholic monks in North England—now available to be viewed in high resolution!

Corpus Christi Watershed · May 7, 2025

Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?

“Isn’t Mendelssohn’s wedding march largely frowned upon in the Catholic Church?” —A reader

Corpus Christi Watershed · May 1, 2025

Antiphons Don’t Match?

The short answer is: the “Adalbert Propers” were never intended to be sung.

Corpus Christi Watershed · April 30, 2025

Dramatic & Spectacular Testimonies from Last Year’s Sacred Music Symposium

“I had to stop singing for a moment while trying not to cry.” —2023 Participant

Corpus Christi Watershed · April 7, 2025

Father John Paul Lewis • “Saint Francis of Assisi Parish in Oklahoma City”

The musical director is Dr. Alvez Barkoskie IV.

Corpus Christi Watershed · March 28, 2025

“From A Priest” • Reader Feedback (28 March 2025)

“I grew up in an Italian-American family.” —Feedback from a priest.

Corpus Christi Watershed · March 22, 2025

“Reader Feedback” • 22 March 2025

Remember: “Misery loves company!”

Corpus Christi Watershed · March 14, 2025

“Reader Feedback” • 14 March 2025

I also hold a music degree and have accepted a job at…

Corpus Christi Watershed · March 14, 2025

Reader Feedback • “Reform of the Reform”

“Throughout those 40+ years, I designed the music liturgy according to my sense of entertainment, failing to realise what it was supposed to be until much later.” —Chad H.

Corpus Christi Watershed · March 12, 2025

“I Hate, Loathe, and Utterly Despise the Trivial Details of Ceremonies.” —Father Adrian Fortescue

“I want never to hear another word about ceremonies for as long as I live. I would rather discuss the symptoms of cancer.” —Dr. Fortescue

Corpus Christi Watershed · March 11, 2025

Our Own Richard J. Clark Conducts 250 Children in Chant & Polyphony!

Reclaiming Gregorian Chant for children at the New England “Pueri Cantores” choral festival & Mass.

Corpus Christi Watershed · February 25, 2025

Famous Italian Actor Regrets Aborting Son

“It was the mistake of my life. When I was very young, I had the chance to become a father, but I had my son aborted. Now, I’ve become very strongly against abortion.” —Andrea Roncato

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Corpus Christi Watershed

President’s Corner

    “Music List” • 29th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The chapter decides to penalize singers or instrumentalists who are tardy by a few minutes at the same rate as if they had been absent the whole hour.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (2 June 1563 )

Recent Posts

  • “Music List” • 29th in Ordinary Time (Year C)
  • Fulton J. Sheen + this Sunday’s “Entrance Chant”
  • Children’s Repertoire • Three More Recommendations by Keven Smith
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir

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