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Corpus Christi Watershed

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Views from the Choir Loft

Andrew Leung • Article Archive

Andrew Leung graduated from the sacred music program of Franciscan University of Steubenville, majored in vocal performance. He has also studied organ, choral conducting and Gregorian chant with world-class musicians. Prior to returning to Hong Kong, he served as a parish music director in Atlanta, and later as the organist and choirmaster at the Cathedral of Macau, China. Andrew is currently the music director of Vox Antiqua, conductor of the Cecilian Singers and music director at Our Lady of China Church. He is also an artist and vocal coach at the Paul Phoenix Academy.—Read full biography (with photographs).

Andrew Leung · September 24, 2015

Papal Liturgies – Day 3 of the Papal Visit

Pope Francis celebrated Solemn Vespers at St. Patrick’s Cathedral in NYC.

Andrew Leung · September 24, 2015

My New Assignment—Part 1

Please pray for me as I continue to discern my vocation to the priesthood.

Andrew Leung · September 23, 2015

Papal Liturgies – Day 2 of the Papal Visit

Some highlights of the papal liturgies on the second day of Pope Francis’s visit

Andrew Leung · September 17, 2015

Sir David Willcocks (1919-2015)

Sir David Willcocks passed away at home today aged 95.

Andrew Leung · September 17, 2015

Pontifical Solemn High Mass in Steubenville

Students and Alumni of the Sacred Music Program of Franciscan University of Steubenville sang the Pontifical Solemn High Mass celebrated by Cardinal Burke.

Andrew Leung · September 15, 2015

10 Ideas for Practicing Choral Music

“Practicing Choral Music: Ten ideas the singer who doesn’t think they can practice on their own” by Doreen Fryling, a lifelong practice avoider.

Andrew Leung · September 10, 2015

Praying for Our Dead

“Praying for Our Dead: Essential Music for Catholic Funeral Mass” workshop will be held in Jaspers, GA on October 3.

Andrew Leung · September 3, 2015

Cardinal Burke will be in Steubenville!

Cardinal Burke will be visiting Steubenville next Tuesday.

Andrew Leung · September 2, 2015

Video • Ars Celebrandi 2015

A video of Ars Celebrandi Workshops in Poland

Andrew Leung · September 1, 2015

BIG NEWS • SSPX Priests can Validly Absolve

Pope Francis has granted that SSPX priests can give absolution validly and licitly during the Jubilee Year of Mercy.

Andrew Leung · August 27, 2015

Cake or Frosting?

The Liturgy is the cake and Sacred Music is the frosting…

Andrew Leung · August 26, 2015

A Paragraph that Caught Attention

“Re-discovery of the Church’s Sacred Tradition: II Kings 22” by Fr. David Carter, JCL.

Andrew Leung · August 20, 2015

The Danger of Praise and Worship

Praise and Worship can be dangerous and confusing…

Andrew Leung · August 18, 2015

Summer Sacred Music Workshop — Report

Report on the Summer Sacred Music Workshop in Jasper, GA.

Andrew Leung · August 13, 2015

Thoughts on the “Hymn” for the Year of Mercy?

The Vatican has just introduced the official hymn of the Holy Year Of Mercy. Any thoughts?

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Before any seminarian is accepted for ordination, he must not only strive for chastity but actually achieve it. He must already be living chaste celibacy peacefully and for a prolonged period of time—for if this be lacking, the seminarian and his formators cannot have the requisite confidence that he is called to the celibate life.”

— Archbishop Viganò (16 February 2019)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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