• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Andrew Leung • Article Archive

Andrew Leung graduated from the sacred music program of Franciscan University of Steubenville, majored in vocal performance. He has also studied organ, choral conducting and Gregorian chant with world-class musicians. Prior to returning to Hong Kong, he served as a parish music director in Atlanta, and later as the organist and choirmaster at the Cathedral of Macau, China. Andrew is currently the music director of Vox Antiqua, conductor of the Cecilian Singers and music director at Our Lady of China Church. He is also an artist and vocal coach at the Paul Phoenix Academy.—Read full biography (with photographs).

Andrew Leung · August 12, 2015

John Scott (1956-2015)

Today, the world lost one of the greatest living church musicians, Dr. John Scott.

Andrew Leung · August 6, 2015

Sacred Music as an Emotional Experience

Emotions and the field of Sacred Music

Andrew Leung · August 2, 2015

Maestro Colin Mawby—The Newest Blogger

Maestro Mawby is now a contributor for «CASTAWAY» and his articles may interest you…

Andrew Leung · July 29, 2015

The Anglican can dress anything up?

Recently, I came across a video of a Anglican boys’ choir singing Dan Schutte’s “Here I am Lord”…

Andrew Leung · July 23, 2015

Review • Bread from Heaven

A collection of English Eucharistic motets published by Heath Morber and Ben Yanke

Andrew Leung · July 20, 2015

Videos • Bishop-Elect Robert Barron on the Liturgy

People should not be coming to Mass for the emotional high

Andrew Leung · July 18, 2015

Summer Sacred Music Workshop 2015

Summer Sacred Music Workshop in Jasper, GA, on August 15.

Andrew Leung · July 16, 2015

Afterthoughts on the Colloquium

Some afterthoughts on the Sacred Music Colloquium XXV

Andrew Leung · July 9, 2015

Video • “Benedict XVI Receives two Honorary Doctorates on Sacred Music”

Pope Emeritus Benedict XVI received two Honorary Doctorates on Sacred Music last Saturday

Andrew Leung · July 9, 2015

Sacred Music Colloquium XXV — Update VI

Report on the sixth (last) day of the Sacred Music Colloquium in Pittsburgh

Andrew Leung · July 3, 2015

Sacred Music Colloquium XXV — Update V

Report on the fifth day of the Sacred Music Colloquium in Pittsburgh

Andrew Leung · July 2, 2015

Sacred Music Colloquium XXV — Update IV

Report on the fourth day of the Sacred Music Colloquium in Pittsburgh

Andrew Leung · July 1, 2015

Sacred Music Colloquium XXV — Update III

Report on the third day of the Sacred Music Colloquium in Pittsburgh

Andrew Leung · June 30, 2015

Sacred Music Colloquium XXV — Update II

Report on the second day of the Sacred Music Colloquium in Pittsburgh

Andrew Leung · June 29, 2015

Sacred Music Colloquium XXV — Update I

Report on the first day of the Sacred Music Colloquium in Pittsburgh

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 8
  • Page 9
  • Page 10
  • Page 11
  • Page 12
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“A flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— Monsignor Jules Van Nuffel (circa 1940)

Recent Posts

  • “What Martin Luther Said…”
  • “Music List” • 15th in Ordinary Time (Year C)
  • Worship the Lord in Holy Attire
  • “How to Conduct 90 Vespers Services Each Year and Live to Tell the Tale.”
  • 15th Sunday in Ordinary Time (Year C)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up