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Views from the Choir Loft

Review • Bread from Heaven

Andrew Leung · July 23, 2015

CTL Bread from Heaven 2 NEW BOOK IS OUT! A collection of English Eucharistic motets called, Bread from Heaven, was published recently. The music was adapted and engraved by Heath Morber, Director of Music at St. John’s Catholic Chapel in Champaign, IL. Ben Yanke, who writes on Chant Café and NLM, helped with the publishing. This book is available on Lulu. A preview of the book is also available here.

Now let me actually get onto the book.

Eucharistic Text — There are 9 common Eucharistic texts set to 14 motets in this collection. The original Latin texts are from the Ad libitum communion antiphons found on p.391 of the Graduale Romanum. And of course, the texts are all scriptural and theologically correct. These texts are basically suitable for any season and can be sung during communion on any day.

These motets are generally pretty short, usually about 2 pages and no more than 30 measures. A Psalm verse is printed at the end of each motet, so there is an option for singing the motet twice with the psalm verse in the middle. The psalm tones are written and arranged by Aristotle Esguerra. Having the option of adding the psalm verse makes the time-controlling easier. It also gives people a chance to sneak in the communion antiphon of the day if the choir or schola isn’t used to singing it. So, instead of singing what the texts of the psalm verse, one can sing the antiphon of the day to the psalm tone given.

English Motets — The Eucharistic texts were translated into English and set to the original polyphony. The translation are very accurate and most of them are from the Roman Missal directly. Some of the texts have been modified by Heath to fit into the music. The pitches of the music itself have been retained, but rhythms have been re-worked for the English texts. I sang through a couple pieces myself and I found them pretty smooth. Although, I would say that English diction is harder than Latin in general and that can be a little tricky.

Some people may say that the “English” part is not ideal for the Traditional Latin Mass. However, I think it is perfect for the “average Novus Ordo parishes”, which is probably most of Catholic churches in the country. The acceptance of the Latin language is growing, but still not everybody likes to hear it. I don’t think that should be an excuse not to sing in Latin, but having the option of good English motets can avoid some fights.

Choir-friendly — Regarding the level of difficulties of these pieces, I would say they are from easy to medium. As I said before, they are pretty short which makes them easier to learn. The music of the motets are taken out of larger works (like the Mass Ordinary) of Orlando di Lasso, Giovanni Pierluigi da Palestrina and Josquin des Pres. The collection also include 49 different voicings for the 14 motets which makes them extremely flexible. And once you purchase the book, a free PDF is available for download.

All of these pieces are in two-parts or three-parts and they are great for smaller choirs or developing choirs. I just sang one of the motets this weekend with a friend of mine at the Catholic center on a college campus. A lot of times, directors with small amateur choirs have hard times finding and picking quality music. Here is the perfect collection for that kind of situation.

Here is a recording of my friends singing a piece from the book:

The Bread that I Will Give
3-voice setting based on the De posuit potentes from Magnificat quarti toni by Palestrina


Soprano: Bridget Scott
Alto I: Beth Nowokunski
Alto II: Angela Russo

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

    Introit • Candlemas (2 February)
    “Candlemas” • Our choir sang on February 2nd, and here's a live recording of the beautiful INTROIT: Suscépimus Deus. We had very little time to rehearse, but I think it has some very nice moments. I promise that by the 8th Sunday after Pentecost it will be perfect! (That Introit is repeated on the 8th Sunday after Pentecost.) We still need to improve, but we're definitely on the right track!
    —Jeff Ostrowski
    Simplified Antiphons • “Candlemas”
    Anyone who desires simplified antiphons (“psalm tone versions”) for 2 February, the Feast of the Purification—which is also known as “Candlemas” or the Feast of the Presentation—may freely download them. The texts of the antiphons are quite beautiful. From “Lumen Ad Revelatiónem Géntium” you can hear a live excerpt (Mp3).
    —Jeff Ostrowski
    Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦
    Once, after Mass, my pastor said he really loved the hymn we did. I said: “Father, that's Holy God, We Praise Thy Name—you never heard it before?” He replied: “But the way you did it was terrific. For once, it didn't sound like a funeral dirge!” Last Sunday, our volunteer choir sang that hymn. I think the tempo was just about right … but what do you think?
    —Jeff Ostrowski

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“Come now,” they said, “Thou who wouldst destroy the temple and build it up in three days, rescue Thyself; come down from that cross, if Thou art the Son of God.”

— Gospel of St. Matthew 27:42

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