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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Andrew Leung • Article Archive

Andrew Leung graduated from the sacred music program of Franciscan University of Steubenville, majored in vocal performance. He has also studied organ, choral conducting and Gregorian chant with world-class musicians. Prior to returning to Hong Kong, he served as a parish music director in Atlanta, and later as the organist and choirmaster at the Cathedral of Macau, China. Andrew is currently the music director of Vox Antiqua, conductor of the Cecilian Singers and music director at Our Lady of China Church. He is also an artist and vocal coach at the Paul Phoenix Academy.—Read full biography (with photographs).

Andrew Leung · January 28, 2020

Mass with Masks Thumbnail

Mass with Masks in Hong Kong

I took a few pictures during our Sunday Mass…

Follow the Discussion on Facebook

Andrew Leung · August 5, 2019

Southeastern Sacred Music Workshop 2019

The fifth annual Southeastern Sacred Music Workshop in Birmingham, AL, this weekend.

Andrew Leung · June 6, 2019

Photos • 1985 Ordination in China

Old photos of an ordination in Shanghai in 1985.

Andrew Leung · January 17, 2019

Trappist Monks in Hong Kong Chanting

Monks in Hong Kong chanting parts of the Missa “Cum Jubilo”…

Andrew Leung · September 13, 2018

Healey Willan on Chant

Healey Willan has a special interest in plainchant!

Andrew Leung · September 6, 2018

New Season! New Beginning!

Some laughter and advice for the beginning of a new season.

Andrew Leung · August 23, 2018

New Discovery in Canada

Some great contemporary choral works from a Canadian composer.

Andrew Leung · August 14, 2018

A Chinese “Ave Maria”

Ave Maria composed in Chinese style by Mons. Anthony CM Lau.

Andrew Leung · July 26, 2018

My Trip to Canada

Beautiful churches and music in Canada…

Andrew Leung · June 28, 2018

How to be a Good Choir Member?

Some tips on how to be a good teammate in a choir.

Andrew Leung · June 14, 2018

Raising the Musical Standards (Part 2)

Raising the musical standards leads to deeper prayers…

Andrew Leung · June 7, 2018

Raising the Musical Standards (Part 1)

The low musical standards in churches these days…

Andrew Leung · May 31, 2018

Summer Sacred Music Workshop 2018

Summer Sacred Music Workshop 2018 in Charlotte, NC!

Andrew Leung · May 10, 2018

Hereford Cathedral Choir to Sing at the Vatican

The Hereford Cathedral Choir has been invited to sing Mass at St. Peter’s Basilica.

Andrew Leung · April 26, 2018

This Saturday! • Solemn Pontifcal Mass in D.C.

Archbishop Sample will be offering a Solemn Pontifical Mass at the National Shrine in DC.

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Corpus Christi Watershed

President’s Corner

    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Indeed, we may not hope for real Latin poetry any more, because Latin is now a dead language to all of us. However well a man may read, write, or even speak Latin now, it is always a foreign language to him, acquired artificially. It is no one’s mother tongue. Does a man ever write real poetry in an acquired language?”

— Rev’d Adrian Fortescue (d. 1923)

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