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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Andrea Leal • Article Archive

Andrea Leal is a wife and homeschooling mother of 6 children. She holds a Bachelor's Degree from UC Berkeley in Peace and Conflict Studies, and serves as choir director for the Traditional Latin Mass in Las Vegas.—Read full biography (with photographs).

Andrea Leal · April 6, 2022

PDF Download • “Regina Caeli for 3 Voices”

I never shared this before because pride and perfectionism held me back.

Andrea Leal · November 27, 2021

PDF Download • “Two Easy Advent Hymns”

When you read through the translation, you’ll agree this could certainly be sung during Sunday Masses in Advent…

Andrea Leal · July 24, 2021

The Ordination and the Motu Proprio

Pope Francis dropped a bombshell – but around the world many Bishops continue to be faithful keepers of Tradition.

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Andrea Leal · June 3, 2021

PDF Download • For the Sacred Heart (3 voices)

There is a great need for simple polyphonic pieces arranged for 2 voice and 3 voices.

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Andrea Leal · March 9, 2021

PDF Download • EF “Singing Cues” (1-Page Sheet)

Leading music for the Extraordinary Form—Part 3 of a series by Andrea Leal.

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Andrea Leal · February 25, 2021

Part 2 • “Starting Your Own Traditional Latin Mass”

Can you say “yes” to these seven questions?

Andrea Leal · February 15, 2021

Part 1 • “Starting Your Own Traditional Latin Mass”

Practical advice for how to start a Traditional Latin Mass in your city.

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Andrea Leal · December 31, 2020

Hymns for the Holy Name of Jesus

Covid-friendly hymns for the Feast of the Holy Name.

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Andrea Leal · November 18, 2020

(Installment #14) “Catholic Hymnals” • Andrea Leal

I stand behind it to the extent that I have even volunteered to record several practice recordings, for which I have never received—nor will I ever receive—a single cent.

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Andrea Leal · October 29, 2020

PDF Download • Rare 1970 Document Explains “Spoken vs. Sung Propers”

This is perhaps the single most significant liturgical document CCWatershed has ever unearthed—and translated to English! • Explains the origin of “Gradual Antiphons” vs. “Missal Antiphons” (a.k.a. “Sacramentary Antiphons”)+

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Andrea Leal · September 23, 2020

PDF Download • Extremely Rare Sequence (Feast of Saint Francis of Assisi)

“Sanctitatis Nova Signa” is Gregorian Chant for the feast of Saint Francis of Assisi (October 4th).

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Andrea Leal · September 12, 2020

PDF Download • “Order of the Mass without a Congregation” (1970)

I find it interesting that the “Order of the Mass without a congregation” also tells the priest when he should face the Altar and when he not should face the Altar.

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Andrea Leal · July 28, 2020

8,000 entries • “Snippets Index” for New Hymnal

(Be patient while it loads) —Easy to use, fully complete; what more could you ask?

Andrea Leal · June 7, 2020

Brébeuf Virtual Choir Strikes Again!

These kids just can’t be stopped—including two amazing surprises.

Andrea Leal · June 1, 2020

Troubleshooting Gregorian Chant

Does your chanting need a simple tune-up or a whole engine rebuild? Let’s take a look under the hood.

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“The production of this book was too far advanced for notice to be taken of the new translation of the Hebrew psalter into Latin by the professor of the Biblical Institute at Rome. The Holy Father’s permission to use it in the divine office when properly adapted for the purpose will prove a welcome boon.”

— Father Cuthbert Lattey (15 Nov. 1944)

Recent Posts

  • 2-Voice Arr. • “Creator of the Starry Height”
  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin
  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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