• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • EF “Singing Cues” (1-Page Sheet)

Andrea Leal · March 9, 2021

68959-LEAL
68958-ANDREA
68954-Andrea-Leal

In this series of articles, we explore the ways in which you can start a Traditional Latin Mass in your city, how you can overcome obstacles, and provide resources you can use to further your cause.

OR THOSE intrepid souls diligently working to bring the Extraordinary Form Mass to their city for the first time, I have a little gift to help you along in providing the music. Because the Traditional Latin Mass (“TLM” or “Extraordinary Form”) is often a strange new world for those making the switch from the Novus Ordo, it can be difficult to know exactly when to sing what. If you’re just starting out with the TLM, you will definitely want to download these two documents:

*  PDF Download • SIMPLE GUIDE TO SING THE TLM
—Please leave feedback & corrections in the Facebook Combox!

*  PDF Download • Singing Cues “At A Glance”
—Please leave feedback & corrections in the Facebook Combox!

Notice: If you are considering whether you could start a Traditional Latin Mass in your city, you will want to first read about what is required in order to start it up, or if you have a TLM but are encountering problems, you can read about how to overcome common obstacles to establishing a stable TLM.

Do Not Be Afraid

For those tasked with providing music for the liturgy, there is a distinct learning curve. The prospect of leading music for the Extraordinary Form can certainly be intimidating! But I want to encourage you not to be too nervous. It’s easy for me to say this now that I have been leading music for the Extraordinary Form for a number of years. I remember the day I realized I was going to have to lead it for the first time and how much that freaked me out. I suffered from stage fright for years as a young violinist, and leading a choir in public definitely sounded like a disaster waiting to happen. But when I expressed this to our priest, his reaction was interesting. He was not at all concerned about my nerves. He sort of shrugged and said, “Oh, it’s not that hard.” And it turns out that he was right. Once you figure out what cues to look for, it is very simple. With the guide I’ve give you above, you should have no problem doing wonderfully at leading the Mass!
Remember that there are many free online resources to help you along the journey from Novus Ordo to Missa Cantata.

Roll your Sleeves Up and Get to Work

Starting a Traditional Latin Mass requires serious effort and music is a huge part of that. There will, of course, be challenges. Not only do you have to recruit singers, but you have to teach them to sing Gregorian chant cohesively. Piece of cake, right? You will quickly find that although everyone is singing the same thing, it might not sound exactly like one voice. There are a few reasons why that might be the case, so if you have taught everyone the right notes but it still doesn’t sound much like chant, you may want to read my article on troubleshooting your chant.

Although it takes a lot of work, there is a lot you can do to help yourself. This is absolutely within your grasp. And even if a TLM in your city isn’t imminent, you can start learning now and be ready for when the time comes by using these free resources:

A Good Way To Learn:
You can take Gregorian Chant Lessons which will teach you to read and sing Gregorian chant at your own pace.

The Best Way To Learn:
Gregorian Chant Practice Recordings will help you learn the propers for the Masses.

Bookmark This:
This fabulous online tool will help you create psalm tone propers if the full propers are too difficult at the beginning. To print your selections, check the boxes you want to print and then hit the “PDF” button. That will save the file to your computer so you can print it.

For Polyphony:
Polyphonic sheet music and practice recordings can be used for when your newly developed choir is ready to tackle choral music.

For When We Get Past Covid:
Sacred Music Symposium

If you’re actively trying to start up a TLM, explore these resources:

Resources for Altar Servers – A variety of helpful books and resources for altar servers, including training materials.

PDF Download: Ceremonies of the Roman Rite Described (Fortescue)  or purchase a copy to keep as a handy reference for the rubrics.

Psallite Sapienter – A Musician’s Guide to the Extraordinary Form

Liturgical Ordo – The liturgical calendar of Masses for the year

Canticum Clericorum Romanum – All Epistles and Gospels written out in chant form for the full liturgical year. This is used in seminaries to learn how to chant these parts of the Mass, so it can also be helpful for a diocesan priest who is just learning how to chant the Epistle and Gospel.

1962 Missale Romanum – The priest will need this, as it contains the texts for Holy Mass in Latin.

Altar Cards – These contain some of the prayers that are said at Mass and serve as a memory aid.

Sacristan’s Manual to help you learn how to set up the altar.

Next article in this series:
Next Article in this Series: How to Start your own Latin Mass Society

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles Tagged With: Starting TLM Series Leal Last Updated: March 9, 2021

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

Recent Posts

  • Bugnini’s Statement (6 November 1966)
  • (Rehearsal Clips) • Sacred Music Symposium 2025
  • Hidden Gem: Ascendit Deus (Dalitz)
  • PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”
  • “Dom Jausions had a skilled hand. His transcriptions are masterpieces of neatness & precision.”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up