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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Small Choirs Unite!”

Julie Huebner · January 13, 2025

AST AUTUMN, at the onset of my new position, I began earnestly growing the choral program at my parish. This involved starting three (3) parish Scholae Cantorum. So, as one can imagine, they’re still in their infancy. I continuously pray that more parishioners will gravitate up to the choir loft and join. In the meantime, I will happily work with the wonderful choristers who do such a nice job, even during this “small-but-mighty” stage. With that in mind, I’m always seeking choral works that can be effectively performed by the smaller number of voices I, gratefully, do have.1 Hopefully, SATB repertoire is in the future for my parish—but in the meantime I plan to use a couple articles to showcase some pieces that I’ve found for my small choir that are fun, nuanced, and beautiful.

I found this O Sacrum Convivium by Roberto Remondi (arranged for SAB) on one of my Choral Wiki deep dives:

*  PDF Download • O SACRUM CONVIVIUM (SAB)
—Roberto Remondi (d. 1928) • Edited by Walter Perz.

Click here to hear my Schola Cantorum singing live at Mass following the Communion Proper for the Solemnity of All Saints. This Schola Cantorum is a fully volunteer choir, comprised of teens and adults. They sing the 9:00am Mass, three out of four weekends each month. There’s a wide range of expertise: from very experienced choristers (some with music degrees) to a gentleman who’d never sung in a choir in his life before joining. I have a few more choral pieces waiting in the wings to share with those of you who—like me—desire music that elevates our beautiful liturgy, but are not blessed yet with 40+ singers filling up your choir lofts. Beautiful music can be made at all numbers!

1 I currently have very few men.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 13, 2025

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About Julie Huebner

Julie earned degrees at Luther College and Southern Illinois University. With her husband and three children, she resides in Wauwatosa, Wisconsin.—(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Parish Priests have to think first of the simple faithful: people now used to the Roman Missal at Mass. They don’t want change.”

— Cardinal Spellman (one of the Vatican II fathers)

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