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Views from the Choir Loft

PDF Download • “Seasonal Index” for the Brébeuf Hymnal

Veronica Moreno · October 26, 2024

Y DAUGHTER really enjoys playing the simplified accompaniments which were created for the BRÉBEUF HYMNAL and we hope more will be forthcoming. (Ahem … hint hint.) The feast of All Saints is approaching on November 1st, and for this feast I consulted a ‘seasonal’ index I created a number of years ago for the BRÉBEUF HYMNAL, the creation of which so many of my colleagues contributed to. I was pleased to observe that my ‘unofficial’ seasonal index has been downloaded more than 4,000 times. The link can be found on the Brébeuf website, but here it is again for readers who don’t feel like heading over there:

*  PDF Download • SEASONAL INDEX (for personal use)

Rookie Mistake • One has to be careful when it comes to a particular hymn for the feast of All Saints on November 1st. That’s because its ancient form shares the exact same name as an ancient Christmas hymn: CHRISTE REDEMPTOR OMNIUM. They are actually two completely different hymns, composed several centuries apart. Here’s what the Christmas version looks like:

Happy Memories • Along with several of my friends (Corrinne May, Iffy Edochie, and so many more) I was privileged to sing polyphony under the direction of Mr. Ostrowski when he lived in Los Angeles. One of the first polyphonic pieces we ever learned was called “Te Mane Laudum Carmine.” It was based on a piece by Father Francisco Guerrero, and I suspect its adaptation was done by Mr. Ostrowski. The polyphony is based on the ‘normal’ melody for the Christmas version, but this same chant tune was often used by our ancestors for the All Saints version as well. It can be found as #3473 under the title of: “Hymn to the Sacred Trinity.” I look back with fond memories upon those polyphonic days.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Christe Redemptor All Saints, Christe Redemptor Omnium Xmas, Placare Christe Servulis Last Updated: October 26, 2024

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“No official approbation is required for hymns, songs, and acclamations written for the assembly.”

— Statement by the “Bishops’ Committee on the Liturgy” (10-NOV-1996)

Recent Posts

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  • PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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