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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Seasonal Index” for the Brébeuf Hymnal

Veronica Moreno · October 26, 2024

Y DAUGHTER really enjoys playing the simplified accompaniments which were created for the BRÉBEUF HYMNAL and we hope more will be forthcoming. (Ahem … hint hint.) The feast of All Saints is approaching on November 1st, and for this feast I consulted a ‘seasonal’ index I created a number of years ago for the BRÉBEUF HYMNAL, the creation of which so many of my colleagues contributed to. I was pleased to observe that my ‘unofficial’ seasonal index has been downloaded more than 4,000 times. The link can be found on the Brébeuf website, but here it is again for readers who don’t feel like heading over there:

*  PDF Download • SEASONAL INDEX (for personal use)

Rookie Mistake • One has to be careful when it comes to a particular hymn for the feast of All Saints on November 1st. That’s because its ancient form shares the exact same name as an ancient Christmas hymn: CHRISTE REDEMPTOR OMNIUM. They are actually two completely different hymns, composed several centuries apart. Here’s what the Christmas version looks like:

Happy Memories • Along with several of my friends (Corrinne May, Iffy Edochie, and so many more) I was privileged to sing polyphony under the direction of Mr. Ostrowski when he lived in Los Angeles. One of the first polyphonic pieces we ever learned was called “Te Mane Laudum Carmine.” It was based on a piece by Father Francisco Guerrero, and I suspect its adaptation was done by Mr. Ostrowski. The polyphony is based on the ‘normal’ melody for the Christmas version, but this same chant tune was often used by our ancestors for the All Saints version as well. It can be found as #3473 under the title of: “Hymn to the Sacred Trinity.” I look back with fond memories upon those polyphonic days.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Christe Redemptor All Saints, Christe Redemptor Omnium Xmas, Placare Christe Servulis Last Updated: October 26, 2024

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Gloria, Credo, etc., may not be broken into detached fragments; it is wrong to omit or hurry over the Proper of the day; it is not permitted to substitute organ playing for the Proper; it is wrong to use, however briefly, themes from theatrical or dance music, from popular songs, love-songs, comic songs; drums, cymbals, piano, bag-pipes are too noisy for Church use .”

— Pope Leo XIII (25 September 1884))

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