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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Must This Be Accompanied?

Jeff Ostrowski · August 19, 2024

ONALD REAGAN said in his later years: “Having Alzheimer’s is great because it allows you to meet new people every day!” Young people are puzzled when older people repeat things over and over.1 The truth is, as we get older we tend to repeat things in order to emphasize their importance. I often sound like a broken record. Something I’ve mentioned frequently is how disheartening it is to observe sacred music conferences being put on by unqualified presenters. I see people who have never once stood in front of a choir giving choral workshops. I see people who have never worked in a parish (or whose accomplishments at the parochial level were mediocre at best) giving workshops on “how to rejuvenate your parish choir.” Not long ago, I noticed a young man whose only accomplishment was teaching Elementary school being added to a seminary faculty.

In Person • Music is a lifelong pursuit. One cannot “learn piano” in a week. As a result, I’m often skeptical about conferences, colloquia, and symposia. At the same time, certain things do come across better in person. For the last fifteen years on this blog, I’ve made it clear I love accompanied and also unaccompanied plainsong. In spite of that, people online still say things like: “Jeff Ostrowski only likes accompanied chant.” But when I put on conferences, it’s easier to emphasize the truth of the matter. I love them both.

Jeff’s Quest • I’ve been trying to convince the CHAUMONOT COMPOSERS GROUP to consider adding organ accompaniments to their fine Gregorian adaptations. At the same time, I admit they sound fabulous without accompaniment. The following was recorded last night … by just two women!

Here’s the direct URL link.

Stay Tuned • The CHAUMONOT COMPOSERS GROUP is currently looking for a publisher. In the meantime, I’ve been attempting to create recordings for each Entrance Chant. You can download the PDF scores—for both organist and singer—at this link.

1 When that happens, they ask themselves: “Doesn’t this person remember he already said that?”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Chaumonot Composers, Chaumonot Entrance Chant Collection Last Updated: August 19, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

Recent Posts

  • PDF • “Music List” (4th Sunday of Advent)
  • PDF Download • “Santo Santo Santo”
  • Crucial Tips • “Teaching Children How to Sing”
  • Soloists in Gregorian Chant?
  • PDF • Our Lady of Guadalupe (12 Dec.)

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