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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What Corrinne Did For Us!

Jeff Ostrowski · May 29, 2024

OMETIME AROUND the year 2008, an article of mine appeared in the ADOREMUS BULLETIN, published by Ignatius Press. Afterwards, Father Valentine Young said to me in an email: “Well, at least I can say I know famous people.” This comment ‘summarized’ or ‘encapsulated’ Father Valentine in a nutshell: brief and humble, always praising the good in others. His friendly comment comes to mind whenever I think of my friend and colleague, CORRINNE MAY, who’s one of the most famous people I know. A platinum singer & songwriter, Corrinne’s performances routinely garner 97,000+ views. She’s also an exemplary Catholic and mother unafraid to share her faith in God. Indeed, Corrinne was recently chosen to lead a special organization in Singapore that seeks to lead people from immorality (by persuasion).

What Corrinne Did • Readers know I’ve joined a team of about 25 musicians currently producing a Roman Catholic hymnal in Spanish. Part of our work includes the creation of rehearsal videos. I asked Corrinne May if she’d be willing to record (in her Singaporean studio) one of the hymns, and she agreed. You might be asking: “What’s so remarkable about that?” Well, here’s the thing … She doesn’t speak Spanish. But Corrinne was willing to help nonetheless, and we’re in her debt. I believe this melody is hauntingly gorgeous:

Here’s the direct URL link.

Don’t Get It Twisted! (1 of 2) • A few days ago, our organization scanned and released the Saint Dunstan Hymnal (158 pages), which contains rare accompaniments—and several unique English translations—by Charles Winfred Douglas (d. 1944). If you look carefully at the index, you’ll notice the following:

Don’t Get It Twisted! (2 of 2) • As the pew edition of the Brébeuf Hymnal makes clear in several different places, there are two different versions of the ancient hymn “Christe Redemptor Omnium.” One is for CHRISTMAS—and its fourth verse literally speaks of our Savior’s “birthday.” The other is for the feast of ALL SAINTS. In 1632AD, Pope Urban VIII changed the name of the CHRISTMAS hymn from Christe Redemptor Omnium to “Jesu Redemptor Omnium.” Pope Urban VIII also changed the name of the ALL SAINTS hymn from Christe Redemptor Omnium to “Placare Christe Servulis”—which is the hymn Corrinne recorded for us (we spoke of it above).

More Famous People • As long as I’m listing famous Catholics I know … an excellent contemporary writer of hymns is Father Dominic Popplewell, FSSP. Some of his oeuvre have been included on the imposing website: HYMNARY.ORG. I met Father Popplewell in person when he served as a member of the faculty for the 2017 Sacred Music Symposium. Father Popplewell has translated many Gregorian hymns into English. Consider the 4th verse of Verbe, égal au Très, a hymn by Jean Racine (d. 1699) based on Consors Paterni Luminis (see below). This is sacral language, my friends! And notice Father Popplewell’s sophisticated use of internal rhymes:

4. O Father, Son and Spirit, God alone,
The Holy One, the Word, their Bond divine,
Our fervent prayer attend, whose empires own
Nor rise nor term, and self-illumined shine.

My choir (which consists 100% volunteers) sang that piece at Mass on 26 May:

To access this hymn’s media in the Brébeuf Portal, click here.

Conclusion • They say Don Bosco had a tremendous sense of humor. Saint Thomas More was also known to be cheerful—always cracking jokes—as was Saint Antoine Daniel, SJ. Evil people are jealous and morose and bring out the worst in others. As my mother always said: “Misery loves company.” But good people like Corrinne May and Father Dominic Popplewell are cheerful, generous, and never envious.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Jesu Redemptor Omnium Last Updated: May 30, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.