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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Guest Article by Dr. Kurt Poterack

Guest Author · January 13, 2024

EXT FALL at Christendom College in Front Royal, Virginia, courtesy of the Saint Cecilia Choral Program, there will be two voice scholarships available: one for a woman (soprano or alto); and for a man (tenor or bass). This one-year scholarship for a woman will consist of $4,500 in tuition reduction and free voice lessons throughout the year. The one-year scholarship for a man will consist of $4,500 in tuition reduction and free voice lessons for the year. Specifics can be found at the bottom of this URL link. The recipient is expected to attend sectional and full rehearsals throughout the year, sing at the Sunday Mass, the First Friday Holy Hour, help out at weekday Masses, and perform other duties that will be discussed at the interview. Students will need to submit an audition video of one piece no later than 1 February 2024 and, if selected, will come to campus as a finalist to audition in person on Saturday, 16 March 2024.

Organ Scholarships at Christendom College • Starting next fall, there will be one main scholarship offered as a part of the Pope Benedict XVI Organ Scholarship Program. There will also be lesser scholarships available. 
Specifics can be found at the bottom of this URL link. Students will need to submit an audition video of one piece no later than 1 February 2024 and, if selected, will come to campus as a finalist to audition in person on Saturday, 16 March 2024.

Further Information • Those with questions are encouraged to reach out to Dr. Kurt Poterack of Christendom College via email.

We hope you enjoyed this guest article by Dr. Poterack.

Photo credit: Flickr.

Dr. Kurt Poterack, who holds an M.M. and a Ph.D. in Music Composition from Michigan State University, has taught music at the collegiate level for thirty years, and has been involved with Catholic liturgical music for almost as long. He studied plainsong with the late Dr. Theodore Marier as well as the Ward Method at Catholic University. He has taught the Chant Practicum course at CUA and served on the Board of Directors of the DOM MOCQUEREAU FOUNDATION for the past several years.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 13, 2024

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President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“I prefer to preach,” said one priest “even without immediate preparation, for I can always draw—from the various studies stored away during the seminary years—enough material to interest our good Catholic people. But when I have to go to the altar and sing High Mass or a Requiem, and I know that I cannot read a note of the Preface and the ‘Pater Noster’, I feel like going to martyrdom. Yet the notes are right there before my eyes, but they seem to mock my ignorance.”

— From a 1920 article by Very Rev. Leo P. Manzetti

Recent Posts

  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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