Views from the Choir Loft

Guest Article by Dr. Kurt Poterack

Guest Author · January 13, 2024

EXT FALL at Christendom College in Front Royal, Virginia, courtesy of the Saint Cecilia Choral Program, there will be two voice scholarships available: one for a woman (soprano or alto); and for a man (tenor or bass). This one-year scholarship for a woman will consist of $4,500 in tuition reduction and free voice lessons throughout the year. The one-year scholarship for a man will consist of $4,500 in tuition reduction and free voice lessons for the year. Specifics can be found at the bottom of this URL link. The recipient is expected to attend sectional and full rehearsals throughout the year, sing at the Sunday Mass, the First Friday Holy Hour, help out at weekday Masses, and perform other duties that will be discussed at the interview. Students will need to submit an audition video of one piece no later than 1 February 2024 and, if selected, will come to campus as a finalist to audition in person on Saturday, 16 March 2024.

Organ Scholarships at Christendom College • Starting next fall, there will be one main scholarship offered as a part of the Pope Benedict XVI Organ Scholarship Program. There will also be lesser scholarships available.  Specifics can be found at the bottom of this URL link. Students will need to submit an audition video of one piece no later than 1 February 2024 and, if selected, will come to campus as a finalist to audition in person on Saturday, 16 March 2024.

Further Information • Those with questions are encouraged to reach out to Dr. Kurt Poterack of Christendom College via email.

We hope you enjoyed this guest article by Dr. Poterack.

Photo credit: Flickr.

Dr. Kurt Poterack, who holds an M.M. and a Ph.D. in Music Composition from Michigan State University, has taught music at the collegiate level for thirty years, and has been involved with Catholic liturgical music for almost as long. He studied plainsong with the late Dr. Theodore Marier as well as the Ward Method at Catholic University. He has taught the Chant Practicum course at CUA and served on the Board of Directors of the DOM MOCQUEREAU FOUNDATION for the past several years.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

“Music List” • 5th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.

—Jeff Ostrowski

Communion Chant (5th Sunday of Easter)

This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.

—Jeff Ostrowski

“Music List” • 4th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.

—Jeff Ostrowski

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker