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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Guest Article by Dr. Kurt Poterack

Guest Author · January 13, 2024

EXT FALL at Christendom College in Front Royal, Virginia, courtesy of the Saint Cecilia Choral Program, there will be two voice scholarships available: one for a woman (soprano or alto); and for a man (tenor or bass). This one-year scholarship for a woman will consist of $4,500 in tuition reduction and free voice lessons throughout the year. The one-year scholarship for a man will consist of $4,500 in tuition reduction and free voice lessons for the year. Specifics can be found at the bottom of this URL link. The recipient is expected to attend sectional and full rehearsals throughout the year, sing at the Sunday Mass, the First Friday Holy Hour, help out at weekday Masses, and perform other duties that will be discussed at the interview. Students will need to submit an audition video of one piece no later than 1 February 2024 and, if selected, will come to campus as a finalist to audition in person on Saturday, 16 March 2024.

Organ Scholarships at Christendom College • Starting next fall, there will be one main scholarship offered as a part of the Pope Benedict XVI Organ Scholarship Program. There will also be lesser scholarships available. 
Specifics can be found at the bottom of this URL link. Students will need to submit an audition video of one piece no later than 1 February 2024 and, if selected, will come to campus as a finalist to audition in person on Saturday, 16 March 2024.

Further Information • Those with questions are encouraged to reach out to Dr. Kurt Poterack of Christendom College via email.

We hope you enjoyed this guest article by Dr. Poterack.

Photo credit: Flickr.

Dr. Kurt Poterack, who holds an M.M. and a Ph.D. in Music Composition from Michigan State University, has taught music at the collegiate level for thirty years, and has been involved with Catholic liturgical music for almost as long. He studied plainsong with the late Dr. Theodore Marier as well as the Ward Method at Catholic University. He has taught the Chant Practicum course at CUA and served on the Board of Directors of the DOM MOCQUEREAU FOUNDATION for the past several years.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 13, 2024

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President’s Corner

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Place the missal in the hand of the faithful so that they may take part more easily and more fruitfully in the Mass; and that they faithful, united with the priest, may pray together in the very words and sentiments of the Church.”

— Ven. Pope Pius XII

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