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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Jesu Redemptor Omnium” • Translated into English

Jeff Ostrowski · January 3, 2024

NOX. Archbishop Fulton J. Sheen, toward the end of his life, said that “anything he had ever said of significance was taken from either Knox or Chesterton.” We’ve frequently had occasion to express admiration for the superb English translations of ancient hymns created by Monsignor Ronald Knox. (Even so, it feels like we’ve barely begun to praise them commensurate to their merit.) That being said, we don’t mean to imply that other translators aren’t worthy of mention. Indeed, in a recent article—Not Schmaltzy: An Ancient Christmas Hymn—I praised highly the work of ROBERT CAMPBELL OF SKERRINGTON, who converted to the True Faith in 1852. I really hope you’ll consider clicking on that article (if you haven’t already done so) because I posted a comparison chart showing how closely Robert Campbell adhered to the Latin original in his English translation of Jesu Redemptor Omnium, the ancient Christmas hymn of the Divine Office.

How’s It Sound? • Recently, the volunteer choir I direct sang Jesu Redemptor Omnium (but with a different tune). The melody is called PASCHAL LAMB, which seems rather fitting when we consider how Robert Campbell translated the first line:

To access this hymn’s media in the Brébeuf Portal, click here.

Don’t Neglect These! • Needless to say, the conscientious choirmaster will also make sure to include the “popular” Christmas carols. It’s wrongheaded good to neglect those, as congregations have come to expect them. Below is one we sang last Sunday. (In retrospect, I think women only should have sung the second verse; that would have created a nicer effect.)

To access this hymn’s media in the Brébeuf Portal, click here.

This is also a very popular one, which we sang on Midnight Mass:

To access this hymn’s media in the Brébeuf Portal, click here.

Conclusion • I’ve been criticized for writing articles “of enormous length.” Therefore, I’m striving to do better in that area. In that spirit, I won’t write any more about “Jesu Redemptor Omnium” at this time.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Jesu Redemptor Omnium, Monsignor Ronald Knox Traditional Mass, Robert Campbell of Skerrington Last Updated: January 5, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

When a friend speaks of his accomplishments and triumphs, he stands at a distance from our heart. When he shares his weaknesses and failings, he’s very near.

— Archbishop Fulton J. Sheen

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