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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Jesu Redemptor Omnium” • Translated into English

Jeff Ostrowski · January 3, 2024

NOX. Archbishop Fulton J. Sheen, toward the end of his life, said that “anything he had ever said of significance was taken from either Knox or Chesterton.” We’ve frequently had occasion to express admiration for the superb English translations of ancient hymns created by Monsignor Ronald Knox. (Even so, it feels like we’ve barely begun to praise them commensurate to their merit.) That being said, we don’t mean to imply that other translators aren’t worthy of mention. Indeed, in a recent article—Not Schmaltzy: An Ancient Christmas Hymn—I praised highly the work of ROBERT CAMPBELL OF SKERRINGTON, who converted to the True Faith in 1852. I really hope you’ll consider clicking on that article (if you haven’t already done so) because I posted a comparison chart showing how closely Robert Campbell adhered to the Latin original in his English translation of Jesu Redemptor Omnium, the ancient Christmas hymn of the Divine Office.

How’s It Sound? • Recently, the volunteer choir I direct sang Jesu Redemptor Omnium (but with a different tune). The melody is called PASCHAL LAMB, which seems rather fitting when we consider how Robert Campbell translated the first line:

To access this hymn’s media in the Brébeuf Portal, click here.

Don’t Neglect These! • Needless to say, the conscientious choirmaster will also make sure to include the “popular” Christmas carols. It’s wrongheaded good to neglect those, as congregations have come to expect them. Below is one we sang last Sunday. (In retrospect, I think women only should have sung the second verse; that would have created a nicer effect.)

To access this hymn’s media in the Brébeuf Portal, click here.

This is also a very popular one, which we sang on Midnight Mass:

To access this hymn’s media in the Brébeuf Portal, click here.

Conclusion • I’ve been criticized for writing articles “of enormous length.” Therefore, I’m striving to do better in that area. In that spirit, I won’t write any more about “Jesu Redemptor Omnium” at this time.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Jesu Redemptor Omnium, Monsignor Ronald Knox Traditional Mass, Robert Campbell of Skerrington Last Updated: January 5, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

I basically don’t favor Cardinal Kasper’s proposal; I don’t think it’s coherent. To my mind, “indissoluble” means “unbreakable.”

— Daniel Cardinal DiNardo (19 October 2015)

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