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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Jesu Redemptor Omnium” • Translated into English

Jeff Ostrowski · January 3, 2024

NOX. Archbishop Fulton J. Sheen, toward the end of his life, said that “anything he had ever said of significance was taken from either Knox or Chesterton.” We’ve frequently had occasion to express admiration for the superb English translations of ancient hymns created by Monsignor Ronald Knox. (Even so, it feels like we’ve barely begun to praise them commensurate to their merit.) That being said, we don’t mean to imply that other translators aren’t worthy of mention. Indeed, in a recent article—Not Schmaltzy: An Ancient Christmas Hymn—I praised highly the work of ROBERT CAMPBELL OF SKERRINGTON, who converted to the True Faith in 1852. I really hope you’ll consider clicking on that article (if you haven’t already done so) because I posted a comparison chart showing how closely Robert Campbell adhered to the Latin original in his English translation of Jesu Redemptor Omnium, the ancient Christmas hymn of the Divine Office.

How’s It Sound? • Recently, the volunteer choir I direct sang Jesu Redemptor Omnium (but with a different tune). The melody is called PASCHAL LAMB, which seems rather fitting when we consider how Robert Campbell translated the first line:

To access this hymn’s media in the Brébeuf Portal, click here.

Don’t Neglect These! • Needless to say, the conscientious choirmaster will also make sure to include the “popular” Christmas carols. It’s wrongheaded good to neglect those, as congregations have come to expect them. Below is one we sang last Sunday. (In retrospect, I think women only should have sung the second verse; that would have created a nicer effect.)

To access this hymn’s media in the Brébeuf Portal, click here.

This is also a very popular one, which we sang on Midnight Mass:

To access this hymn’s media in the Brébeuf Portal, click here.

Conclusion • I’ve been criticized for writing articles “of enormous length.” Therefore, I’m striving to do better in that area. In that spirit, I won’t write any more about “Jesu Redemptor Omnium” at this time.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Jesu Redemptor Omnium, Monsignor Ronald Knox Traditional Mass, Robert Campbell of Skerrington Last Updated: January 5, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“But when all aids to a good translation of the Psalms have been made use of, it often happens, from various causes, that some words or phrases of a Psalm remain obscure or unintelligible to the reader. Then it is that explanatory Notes become necessary.”

— Father Charles J. Callan (who founded “The Homiletic and Pastoral Review”)

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