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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Jesu Redemptor Omnium” • Translated into English

Jeff Ostrowski · January 3, 2024

NOX. Archbishop Fulton J. Sheen, toward the end of his life, said that “anything he had ever said of significance was taken from either Knox or Chesterton.” We’ve frequently had occasion to express admiration for the superb English translations of ancient hymns created by Monsignor Ronald Knox. (Even so, it feels like we’ve barely begun to praise them commensurate to their merit.) That being said, we don’t mean to imply that other translators aren’t worthy of mention. Indeed, in a recent article—Not Schmaltzy: An Ancient Christmas Hymn—I praised highly the work of ROBERT CAMPBELL OF SKERRINGTON, who converted to the True Faith in 1852. I really hope you’ll consider clicking on that article (if you haven’t already done so) because I posted a comparison chart showing how closely Robert Campbell adhered to the Latin original in his English translation of Jesu Redemptor Omnium, the ancient Christmas hymn of the Divine Office.

How’s It Sound? • Recently, the volunteer choir I direct sang Jesu Redemptor Omnium (but with a different tune). The melody is called PASCHAL LAMB, which seems rather fitting when we consider how Robert Campbell translated the first line:

To access this hymn’s media in the Brébeuf Portal, click here.

Don’t Neglect These! • Needless to say, the conscientious choirmaster will also make sure to include the “popular” Christmas carols. It’s wrongheaded good to neglect those, as congregations have come to expect them. Below is one we sang last Sunday. (In retrospect, I think women only should have sung the second verse; that would have created a nicer effect.)

To access this hymn’s media in the Brébeuf Portal, click here.

This is also a very popular one, which we sang on Midnight Mass:

To access this hymn’s media in the Brébeuf Portal, click here.

Conclusion • I’ve been criticized for writing articles “of enormous length.” Therefore, I’m striving to do better in that area. In that spirit, I won’t write any more about “Jesu Redemptor Omnium” at this time.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Jesu Redemptor Omnium, Monsignor Ronald Knox Traditional Mass, Robert Campbell of Skerrington Last Updated: January 5, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“We have baptized about 240 this year … All the labors of a million persons—would they not be worthwhile if they gained one single soul for Jesus Christ?”

— Father Isaac Jogues, writing to his mother

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