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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Ever Ancient, Ever New” • Sacred Concert in North Florida

William J. Fritz · September 13, 2023

T IS ALWAYS a good thing to hear about beautiful, inspiring music being performed.  It is even more encouraging when a sacred music concert with truly authentic Catholic music is done.  To me, the frequency and success of these concerts show the lie to the tale that sacred music cannot keep up with more “serious art.” A friend of mine, ZACHARY LANDRESS, recently sent me information about a concert he is conducting in North Florida.  I met Zachary at the sacred music composer week this past May, where we had many conversations about sacred music in the church – where it is, and where it’s going.  I was deeply struck by his composition, Rerum Deus Tenax Vigor.  This text is taken from the middle hour None and is sung at the changing of the day into evening – and the text contrasts the changeableness of nature with the immutable nature of God.  He didn’t know I was going to post it, but take a listen if you haven’t already to his piece:

I find the music captures exactly the contrast between God’s unchangeableness and the changing world here below.

Press Release • I want to get to the point of the post, so here is the press release of the concert happening this Friday, September 15th. Mr. Landress will be leading a 24-person choir in performing stunning sacred music.  If you are not in Florida near the concert (like me), hopefully we can soon listen to a recording of it!

Ever Ancient, Ever New:
Sacred Music from the Last Millenium

GAINESVILLE, FLORIDA: ST. PATRICK CATHOLIC CHURCH announces the third installment of its 2023 Music Concert Series this morning. “Ever Ancient, Ever New: Sacred Music from the Last Millenium” is a concert of Sacred Choral Music featuring 24 singers from across the state of Florida and led by guest conductor, Zachary Landress – an Orlando-based music director and composer whose work was recently featured on EWTN. This event is expected to bring together musicians, music-lovers, clergy, and students from across north-central Florida and to introduce new ways of approaching liturgical music in local Catholic parishes. “Ever Ancient, Ever New” will take place at 7:00PM EST on September 15th at St. Patrick Catholic Church. This event is free and open to the public. There will be a reception and informal meet-and-greet immediately following the concert in the parish social hall. The concert will be professionally recorded.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 13, 2023

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About William J. Fritz

William J. Fritz currently serves as music director at St. John the Baptist Catholic Church in Costa Mesa, CA where he resides with his wife and three boys.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The People’s Hymnal suffers from a too literal and awkward translation. And even in the lovely Slovak “Memorare” in The Saint Gregory Hymnal we are still asked to sing “that anyone who sought thee, or made to thee his moan.” Why not “groan” or “bone” or even “phone?” The only thing necessary, it seems, is that it rhyme with “known.”

— Mons. Francis P. Schmitt (1958)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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