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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Ever Ancient, Ever New” • Sacred Concert in North Florida

William J. Fritz · September 13, 2023

T IS ALWAYS a good thing to hear about beautiful, inspiring music being performed.  It is even more encouraging when a sacred music concert with truly authentic Catholic music is done.  To me, the frequency and success of these concerts show the lie to the tale that sacred music cannot keep up with more “serious art.” A friend of mine, ZACHARY LANDRESS, recently sent me information about a concert he is conducting in North Florida.  I met Zachary at the sacred music composer week this past May, where we had many conversations about sacred music in the church – where it is, and where it’s going.  I was deeply struck by his composition, Rerum Deus Tenax Vigor.  This text is taken from the middle hour None and is sung at the changing of the day into evening – and the text contrasts the changeableness of nature with the immutable nature of God.  He didn’t know I was going to post it, but take a listen if you haven’t already to his piece:

I find the music captures exactly the contrast between God’s unchangeableness and the changing world here below.

Press Release • I want to get to the point of the post, so here is the press release of the concert happening this Friday, September 15th. Mr. Landress will be leading a 24-person choir in performing stunning sacred music.  If you are not in Florida near the concert (like me), hopefully we can soon listen to a recording of it!

Ever Ancient, Ever New:
Sacred Music from the Last Millenium

GAINESVILLE, FLORIDA: ST. PATRICK CATHOLIC CHURCH announces the third installment of its 2023 Music Concert Series this morning. “Ever Ancient, Ever New: Sacred Music from the Last Millenium” is a concert of Sacred Choral Music featuring 24 singers from across the state of Florida and led by guest conductor, Zachary Landress – an Orlando-based music director and composer whose work was recently featured on EWTN. This event is expected to bring together musicians, music-lovers, clergy, and students from across north-central Florida and to introduce new ways of approaching liturgical music in local Catholic parishes. “Ever Ancient, Ever New” will take place at 7:00PM EST on September 15th at St. Patrick Catholic Church. This event is free and open to the public. There will be a reception and informal meet-and-greet immediately following the concert in the parish social hall. The concert will be professionally recorded.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 13, 2023

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About William J. Fritz

William J. Fritz currently serves as music director at St. John the Baptist Catholic Church in Costa Mesa, CA where he resides with his wife and three boys.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Gerard Manley Hopkins once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed at drill.”

— A biography of Fr. Gerard M. Hopkins (d. 1889)

Recent Posts

  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing

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