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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Ever Ancient, Ever New” • Sacred Concert in North Florida

William J. Fritz · September 13, 2023

T IS ALWAYS a good thing to hear about beautiful, inspiring music being performed.  It is even more encouraging when a sacred music concert with truly authentic Catholic music is done.  To me, the frequency and success of these concerts show the lie to the tale that sacred music cannot keep up with more “serious art.” A friend of mine, ZACHARY LANDRESS, recently sent me information about a concert he is conducting in North Florida.  I met Zachary at the sacred music composer week this past May, where we had many conversations about sacred music in the church – where it is, and where it’s going.  I was deeply struck by his composition, Rerum Deus Tenax Vigor.  This text is taken from the middle hour None and is sung at the changing of the day into evening – and the text contrasts the changeableness of nature with the immutable nature of God.  He didn’t know I was going to post it, but take a listen if you haven’t already to his piece:

I find the music captures exactly the contrast between God’s unchangeableness and the changing world here below.

Press Release • I want to get to the point of the post, so here is the press release of the concert happening this Friday, September 15th. Mr. Landress will be leading a 24-person choir in performing stunning sacred music.  If you are not in Florida near the concert (like me), hopefully we can soon listen to a recording of it!

Ever Ancient, Ever New:
Sacred Music from the Last Millenium

GAINESVILLE, FLORIDA: ST. PATRICK CATHOLIC CHURCH announces the third installment of its 2023 Music Concert Series this morning. “Ever Ancient, Ever New: Sacred Music from the Last Millenium” is a concert of Sacred Choral Music featuring 24 singers from across the state of Florida and led by guest conductor, Zachary Landress – an Orlando-based music director and composer whose work was recently featured on EWTN. This event is expected to bring together musicians, music-lovers, clergy, and students from across north-central Florida and to introduce new ways of approaching liturgical music in local Catholic parishes. “Ever Ancient, Ever New” will take place at 7:00PM EST on September 15th at St. Patrick Catholic Church. This event is free and open to the public. There will be a reception and informal meet-and-greet immediately following the concert in the parish social hall. The concert will be professionally recorded.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 13, 2023

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About William J. Fritz

William J. Fritz currently serves as music director at St. John the Baptist Catholic Church in Costa Mesa, CA where he resides with his wife and three boys.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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