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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Ever Ancient, Ever New” • Sacred Concert in North Florida

William J. Fritz · September 13, 2023

T IS ALWAYS a good thing to hear about beautiful, inspiring music being performed.  It is even more encouraging when a sacred music concert with truly authentic Catholic music is done.  To me, the frequency and success of these concerts show the lie to the tale that sacred music cannot keep up with more “serious art.” A friend of mine, ZACHARY LANDRESS, recently sent me information about a concert he is conducting in North Florida.  I met Zachary at the sacred music composer week this past May, where we had many conversations about sacred music in the church – where it is, and where it’s going.  I was deeply struck by his composition, Rerum Deus Tenax Vigor.  This text is taken from the middle hour None and is sung at the changing of the day into evening – and the text contrasts the changeableness of nature with the immutable nature of God.  He didn’t know I was going to post it, but take a listen if you haven’t already to his piece:

I find the music captures exactly the contrast between God’s unchangeableness and the changing world here below.

Press Release • I want to get to the point of the post, so here is the press release of the concert happening this Friday, September 15th. Mr. Landress will be leading a 24-person choir in performing stunning sacred music.  If you are not in Florida near the concert (like me), hopefully we can soon listen to a recording of it!

Ever Ancient, Ever New:
Sacred Music from the Last Millenium

GAINESVILLE, FLORIDA: ST. PATRICK CATHOLIC CHURCH announces the third installment of its 2023 Music Concert Series this morning. “Ever Ancient, Ever New: Sacred Music from the Last Millenium” is a concert of Sacred Choral Music featuring 24 singers from across the state of Florida and led by guest conductor, Zachary Landress – an Orlando-based music director and composer whose work was recently featured on EWTN. This event is expected to bring together musicians, music-lovers, clergy, and students from across north-central Florida and to introduce new ways of approaching liturgical music in local Catholic parishes. “Ever Ancient, Ever New” will take place at 7:00PM EST on September 15th at St. Patrick Catholic Church. This event is free and open to the public. There will be a reception and informal meet-and-greet immediately following the concert in the parish social hall. The concert will be professionally recorded.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 13, 2023

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About William J. Fritz

William J. Fritz currently serves as music director at St. John the Baptist Catholic Church in Costa Mesa, CA where he resides with his wife and three boys.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

On 12 March 1908, Feast of St. Gregory the Great, the complete publication of the “Graduale” was issued by the Vatican Press. That very day, Dom Pothier solemnly presented the first copy to the Holy Father. Pius X wished to be the first to see the new book; he opened it at random, at page 128 of the supplement “pro aliquibus locis”—the Introit of the new Feast of Our lady of Lourdes. The Pope sang it with perfect taste to the last note.

— A witness of the papal audience writing circa 1915

Recent Posts

  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
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  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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