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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Photograph • Pope Saint Paul VI Distributes Holy Communion (Kneeling, On The Tongue)

Jeff Ostrowski · April 29, 2023

An anonymous Twitter account has shared this fascinating photograph from 1965:

(1) Notice the pope gives Holy Communion to those who kneel.
(2) Notice the pope gives Holy Communion to those who receive on the tongue.
(3) Notice an assistant holds the scotula (“hand-candle” or “bugia”).
(4) Notice the pope’s thumb & forefinger joined on his left hand. [Courtesy J.A.]
(5) Notice a priest, wearing the stole, holds the paten.

N THE PAST, I have mentioned something important, which took place on 2 March 1965. The cardinal (appointed by Pope Saint Paul VI) who was in charge of all the post-conciliar liturgical reforms published an article in which he revealed what he felt were the two most serious liturgical abuses. In his opinion, they were: (A) Communion in the hand; (B) the Canon said audibly. [For the full citation, cf. page 630 of the Campion Missal, Third Edition.] These days, however, certain church leaders accuse others of “not accepting Vatican II.” They claim that accepting Vatican II means contradicting the specific mandates of Vatican II. [It makes no sense, but that’s what they say.] Nobody questions them! Nobody asks them to explain such a glaring contradiction. That’s because such people control who is allowed to speak to them. When people ask serious questions, they are ignored—even though the self-same people talk about “accompaniment” and “dialogue” and “giving a voice to the marginalized.”

Simple Question • My question is simple. How can Catholics who agree with the cardinal in charge of the post-conciliar reforms be accused of “resisting” Vatican II? It makes no sense. It’s a reminder that many in the Church are corrupt. We are called to pray and offer sacrifice for our church leaders. Some of them need to repent. And I know that all of us—myself included—need to remember our own guilt before the Lord. But I suppose we feel more comfortable condemning the sins of others, rather than considering our own guilt. I suppose we would much rather spend our time condemning “those awful sinners” than going into our room and making reparation for them by scourging ourselves, as Saint John Vianney did.

P.S.

This might be useful to some readers:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Giacomo Lercaro Consilium President, Kneeling Holy Communion, Reception Communion On Tongue Last Updated: April 29, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“One of his most cherished wishes was to promote congregational singing wherever possible, for he held it to be most instructive for people of all classes and a powerful means of arousing an intelligent interest in the beauties of our sacred liturgy, especially in regard to the holy Sacrifice of the Mass. He loved to dwell in this respect upon the remarkable results achieved in parishes where the congregation had been taught to sing correctly the different portions of the Mass in plain chant.”

— Cardinal Merry del Val, speaking of Cardinal Sarto

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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