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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • 1938 “White List of Sacred Music” (Archdiocese of Dubuque, Iowa) — 114 pages!

Jeff Ostrowski · December 14, 2022

DON’T KNOW anything about the “Archdiocesan Music Commission,” whose address was at COLUMBIA COLLEGE in Dubuque. Perhaps one of our readers from Iowa could fill me in? I assume they had the best of intentions. They give a list of forbidden works, which they preface as follows: “The music commission of the Archdiocese of Dubuque with the authority of the Most Reverend Archbishop insists that all so-called choir music which was disapproved at the Society of Saint Gregory of America convention—held in Rochester, New York, May 4-6, 1922—may not be permitted within the churches or chapels within the Archdiocese of Dubuque.” Then they list a whole bunch of hymnals they consider forbidden, but conveniently not the hymnal produced by the founder and president of the Society of Saint Gregory of America. I notice they also blacklist “all Masses written by” a number of composers, including the Jesuit priest, Father Louis Lambillotte (d. 1855). That’s somewhat sad, since Father Lambillotte’s tombstone says: Qui cecinit Jesum et Mariam, eripuitque tenebris Gregorium, hunc superis insere, Christe, choris. [“Receive, O Christ, into Thy choirs above him who sang the praises of Jesus and Mary, and rescued the music of Gregory from the darkness of ages.”]

*  PDF Download • “Sacred Music White List” (114 pages)
—Archdiocese of Dubuque, Iowa • “Approved List of Church Music” (1938).

Good + Bad • At the beginning of the book, they provide a praiseworthy collection of quotes vis-à-vis sacred music. On the other hand, their spelling could have used some proofreading:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Sacred Music Black List, Sacred Music White List Last Updated: December 14, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“The cemeteries are full of people who thought they were indispensable.”

— Fr. Alan Heet, OFM

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