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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • 1915 “Gregorian Vesperale” … Printed On Five Lines! (651 Pages)

Jeff Ostrowski · October 11, 2022

ISTORY. Some consider it boring. For myself, I find it riveting. For example, consider the history of ULYSSES S. GRANT. He would win the Civil War and serve two terms as president. Yet when the Civil War began, having failed at everything he ever attempted, Grant was working for his younger brothers, selling hats to farmers’ wives! He and his wife were slave owners. Indeed, Grant used slave-labor to construct a house he dubbed “Hardscrabble.” John Wilkes Booth would have murdered Ulysses S. Grant alongside Abe Lincoln, but Grant’s wife hated Lincoln’s wife. Therefore, Grant made up an excuse not to attend that famous performance of Our American Cousin (where Lincoln was assassinated). At the Battle of Cold Harbor, both Ulysses S. Grant and Robert E. Lee exhibited unspeakable cruelty, allowing their wounded soldiers to die horribly—wailing in the June hot sun—rather than admit defeat. (Once the white flag was raised, medics were allowed to collect the wounded.) In spite of all that, Grant wrote this letter to his young daughter.

More History! • Regarding the following book by Father Weinmann, one could easily write multiple doctoral dissertations on the history surrounding it. One could discuss the marvelous abilities of printers in those days. One could discuss the tensions of the Pontifical Committee for Gregorian Chant (1904-1913)—tensions which resulted in rival publications (French Vs. German). One could discuss what it was like to be a musician in those days: No electricity; Bad plumbing; No email; No airplanes; No cars; No air-conditioning; No modern medicine; and so forth. One could discuss the effect of WW1 on church music. One could discuss monastic life in France, at a time when French anti-clerical laws were banishing citizens from their own country—although the very same banished clerics came back to fight for their country! I could go on…

*  PDF Download • FR. WEINMANN’S VESPERALE (651 Pages)
—Published in 1915, with chord symbols, on five lines (but with Gregorian notation).

Karl Weinmann (1873-1929) • Father Weinmann (d. 1929) was a Catholic priest who obtained his doctorate—his dissertation (1905) was “Das Hymnarium Parisiense”—under Dr. Peter Wagner (d. 1931), director of the Gregorian Academy in Freiburg (Switzerland). Dr. Peter Wagner was a member of the Pontifical Commission on Gregorian Chant established by Pope Pius X for the creation of the Editio Vaticana. In the German PREFACE to the book (see above), Father Weinmann explains the little chord symbols.

A Good Use • This book by Father Weinmann is extremely helpful for those who (like myself) accompany plainsong on the pipe organ directly from the Gregorian notation. Try one of the more challenging Magnificat antiphons and see if you agree.

Explanation Video • How to read the “pure” Editio Vaticana (a.k.a. the “untouched” Vatican Edition), which is still the official rhythm of the Catholic Church:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Antiphonale on modern staves, Antiphonale Romanum Weinmann, Dr Peter Wagner Gregorian, Gregorian Chant, Gregorian Chant 5 Lines, Karl Weinmann 1873-1929, Karl Weinmann 5 line Antiphonale, Modern Notation Gregorian Chant, Vesperale By Weinmann, Vesperbuch Carolus Weinmann, Vesperbuch Karl Weinmann, Weinmann Vesperale on Modern Staves Last Updated: May 16, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death.”

— Robert Cardinal Sarah (23-sep-2019), chosen by Pope Francis to be the Vatican’s chief liturgist

Recent Posts

  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)

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