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Views from the Choir Loft

PDF Download • 1915 “Gregorian Vesperale” … Printed On Five Lines! (651 Pages)

Jeff Ostrowski · October 11, 2022

ISTORY. Some consider it boring. For myself, I find it riveting. For example, consider the history of ULYSSES S. GRANT. He would win the Civil War and serve two terms as president. Yet when the Civil War began, having failed at everything he ever attempted, Grant was working for his younger brothers, selling hats to farmers’ wives! He and his wife were slave owners. Indeed, Grant used slave-labor to construct a house he dubbed “Hardscrabble.” John Wilkes Booth would have murdered Ulysses S. Grant alongside Abe Lincoln, but Grant’s wife hated Lincoln’s wife. Therefore, Grant made up an excuse not to attend that famous performance of Our American Cousin (where Lincoln was assassinated). At the Battle of Cold Harbor, both Ulysses S. Grant and Robert E. Lee exhibited unspeakable cruelty, allowing their wounded soldiers to die horribly—wailing in the June hot sun—rather than admit defeat. (Once the white flag was raised, medics were allowed to collect the wounded.) In spite of all that, Grant wrote this letter to his young daughter.

More History! • Regarding the following book by Father Weinmann, one could easily write multiple doctoral dissertations on the history surrounding it. One could discuss the marvelous abilities of printers in those days. One could discuss the tensions of the Pontifical Committee for Gregorian Chant (1904-1913)—tensions which resulted in rival publications (French Vs. German). One could discuss what it was like to be a musician in those days: No electricity; Bad plumbing; No email; No airplanes; No cars; No air-conditioning; No modern medicine; and so forth. One could discuss the effect of WW1 on church music. One could discuss monastic life in France, at a time when French anti-clerical laws were banishing citizens from their own country—although the very same banished clerics came back to fight for their country! I could go on…

*  PDF Download • FR. WEINMANN’S VESPERALE (651 Pages)
—Published in 1915, with chord symbols, on five lines (but with Gregorian notation).

Karl Weinmann (1873-1929) • Father Weinmann (d. 1929) was a Catholic priest who obtained his doctorate—his dissertation (1905) was “Das Hymnarium Parisiense”—under Dr. Peter Wagner (d. 1931), director of the Gregorian Academy in Freiburg (Switzerland). Dr. Peter Wagner was a member of the Pontifical Commission on Gregorian Chant established by Pope Pius X for the creation of the Editio Vaticana. In the German PREFACE to the book (see above), Father Weinmann explains the little chord symbols.

A Good Use • This book by Father Weinmann is extremely helpful for those who (like myself) accompany plainsong on the pipe organ directly from the Gregorian notation. Try one of the more challenging Magnificat antiphons and see if you agree.

Explanation Video • How to read the “pure” Editio Vaticana (a.k.a. the “untouched” Vatican Edition), which is still the official rhythm of the Catholic Church:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Antiphonale on modern staves, Antiphonale Romanum Weinmann, Dr Peter Wagner Gregorian, Gregorian Chant, Gregorian Chant 5 Lines, Karl Weinmann 1873-1929, Karl Weinmann 5 line Antiphonale, Modern Notation Gregorian Chant, Vesperale By Weinmann, Vesperbuch Carolus Weinmann, Vesperbuch Karl Weinmann, Weinmann Vesperale on Modern Staves Last Updated: May 16, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The 1960s reformers had no chance of success since their goal was “recasting from top to bottom—and in a few months!—an entire liturgy which had required twenty centuries to develop.”

— Professor Louis Bouyer, close friend of Pope Saint Paul VI

Recent Posts

  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension

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