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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Cardinal Cupich’s Diocese • “What Mass Looks Like”

Jeff Ostrowski · February 24, 2022

LASE CARDINAL CUPICH has spent an inordinate amount of time trying to combat the Missale Vetustum in his diocese, in spite what Pope Saint Paul II said about “legitimate aspirations,” and in spite of the special decree issued by Pope Francis on 11 February 2022. And yet, numerous videos have come to light documenting horrifying “Ordinary Form” liturgical abuses in his archdiocese. Why does Cardinal Cupich exert so much energy attacking something highly praised by Pope Saint John XXIII, yet virtually no energy disciplining the priests who—on his watch—flagrantly mock our Redeemer? I’m not going to post all the videos showing liturgical abuses in Cardinal Cupich’s archdiocese, but here is one recent example:

Serious Temptation: Moral Theologians teach that the “primary cross” for young men is avoidance of sins against the holy virtue of purity. The vast majority of television shows, internet ads, and billboards—to say nothing of the provocative ways American women dress—provide serious temptations to Christian men attempting virtuous lives. Once a Christian enters the holy Sacrament of Matrimony, temptations against purity become less severe (Quod si non se continent, nubant. Melius est enim nubere, quam uri.) but they are not eliminated completely. Indeed, the basic temptations experienced by young men will never vanish … even on one’s death bed!

[The situation is different for most women.]

Another Temptation: When it comes to certain internet voices—who self-identify as “ultra-traditionalist”—we observe a different type of temptation, which might be called scandal pornography. I’m talking about certain Catholics who consider themselves smarter and holier than everyone else. Whenever they become aware of a scandalous liturgical video, they immediately post about it—but instead of being sad, they say “tee hee hee” and post sarcastic remarks. This is sinful behavior. When we observe liturgical abuses, we should feel sad. Moreover (according to Saint John Mary Vianney) we should do penance for those involved … but how many of us are willing to do that?

It is important for us
to be aware of scandals
in our Church;
but we should not
rejoice over them.

Tags: “Priest Blesses Congregation With Guitar”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archbishop Blase J Cupich, Priest Blesses With Guitar, Traditionis Custodes Motu Proprio Last Updated: July 22, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“The renewal also showed clearly that the formulas of the Roman Missal had to be revised and enriched. This was begun by Pope Pius XII in the restoration of the Easter Vigil and the Holy Week services, which formed the first stage in accommodating the Roman Missal to contemporary mentality.”

— Pope Paul VI (1974 Sacramentary)

Recent Posts

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  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)

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