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Views from the Choir Loft

Cardinal Cupich’s Diocese • “What Mass Looks Like”

Jeff Ostrowski · February 24, 2022

LASE CARDINAL CUPICH has spent an inordinate amount of time trying to combat the Missale Vetustum in his diocese, in spite what Pope Saint Paul II said about “legitimate aspirations,” and in spite of the special decree issued by Pope Francis on 11 February 2022. And yet, numerous videos have come to light documenting horrifying “Ordinary Form” liturgical abuses in his archdiocese. Why does Cardinal Cupich exert so much energy attacking something highly praised by Pope Saint John XXIII, yet virtually no energy disciplining the priests who—on his watch—flagrantly mock our Redeemer? I’m not going to post all the videos showing liturgical abuses in Cardinal Cupich’s archdiocese, but here is one recent example:

Serious Temptation: Moral Theologians teach that the “primary cross” for young men is avoidance of sins against the holy virtue of purity. The vast majority of television shows, internet ads, and billboards—to say nothing of the provocative ways American women dress—provide serious temptations to Christian men attempting virtuous lives. Once a Christian enters the holy Sacrament of Matrimony, temptations against purity become less severe (Quod si non se continent, nubant. Melius est enim nubere, quam uri.) but they are not eliminated completely. Indeed, the basic temptations experienced by young men will never vanish … even on one’s death bed!

[The situation is different for most women.]

Another Temptation: When it comes to certain internet voices—who self-identify as “ultra-traditionalist”—we observe a different type of temptation, which might be called scandal pornography. I’m talking about certain Catholics who consider themselves smarter and holier than everyone else. Whenever they become aware of a scandalous liturgical video, they immediately post about it—but instead of being sad, they say “tee hee hee” and post sarcastic remarks. This is sinful behavior. When we observe liturgical abuses, we should feel sad. Moreover (according to Saint John Mary Vianney) we should do penance for those involved … but how many of us are willing to do that?

It is important for us
to be aware of scandals
in our Church;
but we should not
rejoice over them.

Tags: “Priest Blesses Congregation With Guitar”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archbishop Blase J Cupich, Priest Blesses With Guitar, Traditionis Custodes Motu Proprio Last Updated: July 22, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It would be a grave error to imagine that the principle orientation of the sacrificial action is towards the community. If the priest celebrates «VERSUS POPULUM», which is legitimate and often advisable, his spiritual attitude ought always to be «VERSUS DEUM PER JESUM CHRISTUM», as representative of the entire Church.”

— Official Vatican Statement (25 September 2000)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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