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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archbishop Lefebvre Pushed For Vernacular Readings?

Jeff Ostrowski · December 9, 2021

N 12 NOVEMBER 2021, Bishop Robert E. Guglielmone (Charleston, SC) shocked the world by issuing a bizarre decree which flagrantly and explicitly contradicts the unambiguous mandates of Vatican II. In addition to other weird claims, Bishop Guglielmone says that “the beauty of the Gregorian Chant” and a “sense of reverence” during the Holy Mass are “not consistent” with Vatican II. To be honest, Bishop Guglielmone seems ignorant of the documents of Vatican II; for instance, Gregorian Chant is specifically mandated—along with sacred polyphony, choral music, and the pipe organ—by the Second Vatican Council.

Nobody Is Perfect: How praiseworthy it would be for Bishop Guglielmone to admit he made a mistake and reverse course. Everyone makes mistakes! I’ve certainly been guilty of wrongheaded ideas. For example, I used to have kooky ideas about congregations singing intricate plainsong, but after decades of parish work I came to realize the Church’s traditional method makes a ton of sense. Another example of someone “getting it wrong” would be Archbishop Marcel Lefebvre, who—in the summer of 1965—strongly endorsed the use of the vernacular:

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”(SOURCE)

It’s A Trap! The use of the vernacular (in theory) sounded like an awesome plan! Who could argue with such an idea? But it turns out the Church’s tradition of a lingua sacra had good reasons. One of the chief reformers, Dom Anselmo Albareda, attempted to remind his fellow reformers of this reality on 2 January 1953: “The unity of language in the liturgy is so great a treasure for the Church that no advantage could compensate for its demise.” Indeed, Our Savior—JESUS CHRIST—offered the Last Supper using a lingua sacra, not the vernacular. As Monsignor Francis P. Schmitt put it: “Our Lord worshiped in a language at least as dead then as Latin is now.” Even the arch-heretic Martin Luther (who founded a sect called “Lutheranism” during the Protestant Revolution) had enough sense to declare: “I in nowise desire that the Latin language be dropped from our service of worship.”

Hindsight Is 20/20: Like so many other bishops, Archbishop Lefebvre was influenced by the zeitgeist—yet when he saw the results of tampering, he changed his mind. We have spoken often of Cardinal Antonelli, who was (perhaps) the most knowledgeable source when it comes to liturgical reform. Cardinal Antonelli had been named “Secretary of the Conciliar Commission on the Liturgy” on 4 October 1962, yet changed his mind and had the courage to admit it. (Franciscan priests of that generation, such as Antonelli, tended to be extremely honest men.) Another example would be Father Louis Bouyer, the man chosen to compose “Eucharistic Prayer Number 2.” When Father Bouyer saw the results of the liturgical reforms with which he’d been deeply involved, he condemned them. He even referred to these liturgical reforms as “the pathetic creature we produced.”

What Would Come Later: Many bishops had no idea how crazy things would get. They tried to be loyal to the zeitgeist, but whoever marries the spirit of the age will find himself a widower in the next. Archbishop Heenan—in charge of what some considered the world’s most influential diocese (Westminster)—wrote to author Evelyn Waugh on 20 August 1964:

“Although a date has been set for introducing the new liturgy I shall be surprised if all the bishops will want all Masses every day to be in the new rite. We shall try to keep the needs of all in mind—Pops, Trads, Rockers, Mods, With-its, and Without-its.”

Evelyn’s Estimate: And remember, Cardinal Heenan wrote that in 1964! The really radical changes were still half a decade away! Indeed, Evelyn Waugh (d. 1966) hit the nail on the head in his response: “The distress is not caused by the modest changes in the Mass threatened in Advent but by the tone of the ‘progressives’ who seem to regard these as a mere beginning of radical changes.”

Circling Back: Bishop Guglielmone made many false statements in his decree of November 12th. I would welcome an opportunity to speak to him. We could have a cordial dialogue, and I could express how much harm is done to Catholics when bishops say: “We must obey Vatican II—and that means doing the opposite of what Vatican II said.” At this moment, I don’t have time to meticulously correct each error he made. However, I notice that Bishop Guglielmone said: “In the years following the Council, the Church has developed many changes in the liturgy, especially in the celebration of the Eucharist.” Yet, this good bishop fails to mention the unequivocal support for the Missale Antiquius by previous popes, cardinals, and bishops. Indeed, hundreds of bishops have celebrated Mass according to the Missale Antiquius over the last thirty years. In 2003, Cardinal Ratzinger (who would later be elected pope) said the following about the Traditional Latin Mass:

“I think it’s important to […] demonstrate the continuity of the Church. We are today not another Church as 500 years ago; it’s always the same Church. And what is at one time holy for the Church is always holy for the Church, and is not in another time an impossible thing.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Archbishop Marcel Lefebvre, Cardinal Ferdinando Giuseppe Antonelli OFM, Dom Anselmo Albareda, Louis Bouyer Oratorian Priest, Monsignor Francis P Schmitt, Robert E Guglielmone, Traditionis Custodes Motu Proprio Last Updated: October 19, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

Recent Posts

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  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation

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