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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archbishop Lefebvre Pushed For Vernacular Readings?

Jeff Ostrowski · December 9, 2021

N 12 NOVEMBER 2021, Bishop Robert E. Guglielmone (Charleston, SC) shocked the world by issuing a bizarre decree which flagrantly and explicitly contradicts the unambiguous mandates of Vatican II. In addition to other weird claims, Bishop Guglielmone says that “the beauty of the Gregorian Chant” and a “sense of reverence” during the Holy Mass are “not consistent” with Vatican II. To be honest, Bishop Guglielmone seems ignorant of the documents of Vatican II; for instance, Gregorian Chant is specifically mandated—along with sacred polyphony, choral music, and the pipe organ—by the Second Vatican Council.

Nobody Is Perfect: How praiseworthy it would be for Bishop Guglielmone to admit he made a mistake and reverse course. Everyone makes mistakes! I’ve certainly been guilty of wrongheaded ideas. For example, I used to have kooky ideas about congregations singing intricate plainsong, but after decades of parish work I came to realize the Church’s traditional method makes a ton of sense. Another example of someone “getting it wrong” would be Archbishop Marcel Lefebvre, who—in the summer of 1965—strongly endorsed the use of the vernacular:

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”(SOURCE)

It’s A Trap! The use of the vernacular (in theory) sounded like an awesome plan! Who could argue with such an idea? But it turns out the Church’s tradition of a lingua sacra had good reasons. One of the chief reformers, Dom Anselmo Albareda, attempted to remind his fellow reformers of this reality on 2 January 1953: “The unity of language in the liturgy is so great a treasure for the Church that no advantage could compensate for its demise.” Indeed, Our Savior—JESUS CHRIST—offered the Last Supper using a lingua sacra, not the vernacular. As Monsignor Francis P. Schmitt put it: “Our Lord worshiped in a language at least as dead then as Latin is now.” Even the arch-heretic Martin Luther (who founded a sect called “Lutheranism” during the Protestant Revolution) had enough sense to declare: “I in nowise desire that the Latin language be dropped from our service of worship.”

Hindsight Is 20/20: Like so many other bishops, Archbishop Lefebvre was influenced by the zeitgeist—yet when he saw the results of tampering, he changed his mind. We have spoken often of Cardinal Antonelli, who was (perhaps) the most knowledgeable source when it comes to liturgical reform. Cardinal Antonelli had been named “Secretary of the Conciliar Commission on the Liturgy” on 4 October 1962, yet changed his mind and had the courage to admit it. (Franciscan priests of that generation, such as Antonelli, tended to be extremely honest men.) Another example would be Father Louis Bouyer, the man chosen to compose “Eucharistic Prayer Number 2.” When Father Bouyer saw the results of the liturgical reforms with which he’d been deeply involved, he condemned them. He even referred to these liturgical reforms as “the pathetic creature we produced.”

What Would Come Later: Many bishops had no idea how crazy things would get. They tried to be loyal to the zeitgeist, but whoever marries the spirit of the age will find himself a widower in the next. Archbishop Heenan—in charge of what some considered the world’s most influential diocese (Westminster)—wrote to author Evelyn Waugh on 20 August 1964:

“Although a date has been set for introducing the new liturgy I shall be surprised if all the bishops will want all Masses every day to be in the new rite. We shall try to keep the needs of all in mind—Pops, Trads, Rockers, Mods, With-its, and Without-its.”

Evelyn’s Estimate: And remember, Cardinal Heenan wrote that in 1964! The really radical changes were still half a decade away! Indeed, Evelyn Waugh (d. 1966) hit the nail on the head in his response: “The distress is not caused by the modest changes in the Mass threatened in Advent but by the tone of the ‘progressives’ who seem to regard these as a mere beginning of radical changes.”

Circling Back: Bishop Guglielmone made many false statements in his decree of November 12th. I would welcome an opportunity to speak to him. We could have a cordial dialogue, and I could express how much harm is done to Catholics when bishops say: “We must obey Vatican II—and that means doing the opposite of what Vatican II said.” At this moment, I don’t have time to meticulously correct each error he made. However, I notice that Bishop Guglielmone said: “In the years following the Council, the Church has developed many changes in the liturgy, especially in the celebration of the Eucharist.” Yet, this good bishop fails to mention the unequivocal support for the Missale Antiquius by previous popes, cardinals, and bishops. Indeed, hundreds of bishops have celebrated Mass according to the Missale Antiquius over the last thirty years. In 2003, Cardinal Ratzinger (who would later be elected pope) said the following about the Traditional Latin Mass:

“I think it’s important to […] demonstrate the continuity of the Church. We are today not another Church as 500 years ago; it’s always the same Church. And what is at one time holy for the Church is always holy for the Church, and is not in another time an impossible thing.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Archbishop Marcel Lefebvre, Cardinal Ferdinando Giuseppe Antonelli OFM, Dom Anselmo Albareda, Louis Bouyer Oratorian Priest, Monsignor Francis P Schmitt, Robert E Guglielmone, Traditionis Custodes Motu Proprio Last Updated: October 19, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Oh, what sighs I uttered, what tears I shed, to mingle with the waters of the torrent, while I chanted to Thee, O my God, the psalms of Holy Church in the Office of the Dead!

— ‘Isaac Jogues, upon finding Goupil’s corpse (1642)’

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