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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archbishop Lefebvre Pushed For Vernacular Readings?

Jeff Ostrowski · December 9, 2021

N 12 NOVEMBER 2021, Bishop Robert E. Guglielmone (Charleston, SC) shocked the world by issuing a bizarre decree which flagrantly and explicitly contradicts the unambiguous mandates of Vatican II. In addition to other weird claims, Bishop Guglielmone says that “the beauty of the Gregorian Chant” and a “sense of reverence” during the Holy Mass are “not consistent” with Vatican II. To be honest, Bishop Guglielmone seems ignorant of the documents of Vatican II; for instance, Gregorian Chant is specifically mandated—along with sacred polyphony, choral music, and the pipe organ—by the Second Vatican Council.

Nobody Is Perfect: How praiseworthy it would be for Bishop Guglielmone to admit he made a mistake and reverse course. Everyone makes mistakes! I’ve certainly been guilty of wrongheaded ideas. For example, I used to have kooky ideas about congregations singing intricate plainsong, but after decades of parish work I came to realize the Church’s traditional method makes a ton of sense. Another example of someone “getting it wrong” would be Archbishop Marcel Lefebvre, who—in the summer of 1965—strongly endorsed the use of the vernacular:

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”(SOURCE)

It’s A Trap! The use of the vernacular (in theory) sounded like an awesome plan! Who could argue with such an idea? But it turns out the Church’s tradition of a lingua sacra had good reasons. One of the chief reformers, Dom Anselmo Albareda, attempted to remind his fellow reformers of this reality on 2 January 1953: “The unity of language in the liturgy is so great a treasure for the Church that no advantage could compensate for its demise.” Indeed, Our Savior—JESUS CHRIST—offered the Last Supper using a lingua sacra, not the vernacular. As Monsignor Francis P. Schmitt put it: “Our Lord worshiped in a language at least as dead then as Latin is now.” Even the arch-heretic Martin Luther (who founded a sect called “Lutheranism” during the Protestant Revolution) had enough sense to declare: “I in nowise desire that the Latin language be dropped from our service of worship.”

Hindsight Is 20/20: Like so many other bishops, Archbishop Lefebvre was influenced by the zeitgeist—yet when he saw the results of tampering, he changed his mind. We have spoken often of Cardinal Antonelli, who was (perhaps) the most knowledgeable source when it comes to liturgical reform. Cardinal Antonelli had been named “Secretary of the Conciliar Commission on the Liturgy” on 4 October 1962, yet changed his mind and had the courage to admit it. (Franciscan priests of that generation, such as Antonelli, tended to be extremely honest men.) Another example would be Father Louis Bouyer, the man chosen to compose “Eucharistic Prayer Number 2.” When Father Bouyer saw the results of the liturgical reforms with which he’d been deeply involved, he condemned them. He even referred to these liturgical reforms as “the pathetic creature we produced.”

What Would Come Later: Many bishops had no idea how crazy things would get. They tried to be loyal to the zeitgeist, but whoever marries the spirit of the age will find himself a widower in the next. Archbishop Heenan—in charge of what some considered the world’s most influential diocese (Westminster)—wrote to author Evelyn Waugh on 20 August 1964:

“Although a date has been set for introducing the new liturgy I shall be surprised if all the bishops will want all Masses every day to be in the new rite. We shall try to keep the needs of all in mind—Pops, Trads, Rockers, Mods, With-its, and Without-its.”

Evelyn’s Estimate: And remember, Cardinal Heenan wrote that in 1964! The really radical changes were still half a decade away! Indeed, Evelyn Waugh (d. 1966) hit the nail on the head in his response: “The distress is not caused by the modest changes in the Mass threatened in Advent but by the tone of the ‘progressives’ who seem to regard these as a mere beginning of radical changes.”

Circling Back: Bishop Guglielmone made many false statements in his decree of November 12th. I would welcome an opportunity to speak to him. We could have a cordial dialogue, and I could express how much harm is done to Catholics when bishops say: “We must obey Vatican II—and that means doing the opposite of what Vatican II said.” At this moment, I don’t have time to meticulously correct each error he made. However, I notice that Bishop Guglielmone said: “In the years following the Council, the Church has developed many changes in the liturgy, especially in the celebration of the Eucharist.” Yet, this good bishop fails to mention the unequivocal support for the Missale Antiquius by previous popes, cardinals, and bishops. Indeed, hundreds of bishops have celebrated Mass according to the Missale Antiquius over the last thirty years. In 2003, Cardinal Ratzinger (who would later be elected pope) said the following about the Traditional Latin Mass:

“I think it’s important to […] demonstrate the continuity of the Church. We are today not another Church as 500 years ago; it’s always the same Church. And what is at one time holy for the Church is always holy for the Church, and is not in another time an impossible thing.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Archbishop Marcel Lefebvre, Cardinal Ferdinando Giuseppe Antonelli OFM, Dom Anselmo Albareda, Louis Bouyer Oratorian Priest, Monsignor Francis P Schmitt, Robert E Guglielmone, Traditionis Custodes Motu Proprio Last Updated: October 19, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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