Views from the Choir Loft

“For The Souls In Purgatory” • A Catholic Hymn

Jeff Ostrowski · November 12, 2021

HEN I WAS STILL in college, I remember arguing with a priest about whether those involved in sports should offer prayers “that our team wins.” In my view, praying to win a sports game is trivial; but he disagreed. Leaving that debate aside, we can all agree that praying for the souls in Purgatory is one of the best things we can do. If we pray for these souls, according to Father Irwin, “they have an obligation to pray for us” when they reach Heaven. Saint John Vianney was once overheard—when he was deep in prayer—saying something to the effect of: “I am not ready to go to Heaven; I am happy, O Lord, to live in this world and offer sacrifices for the souls in Purgatory.”

Here’s a beautiful hymn for the souls in Purgatory:

That hymn is #800 in the Brébeuf hymnal. At the bottom of the page, you can learn more about the hymn text (“De Profundis Exclamantes Audi”), which has a really awesome history. By the way, the month of November is dedicated to the Holy Souls in Purgatory.

A Very Small Group: In addition to our large choir which sings at our 11:00am Mass, we have a very small group of singers who take care of the 9:00am Mass. Here’s an example of this small group singing a hymn (number 835 in The Saint Jean de Brébeuf Hymnal) during Mass last Sunday:

I don’t know a more beautiful hymn than that one!

57211-Saint-John-Vianney-stained-glass

57207-monks-singing

57209-Saint-John-Vianney-stained-glass

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

“American Catholic Hymnal” (1991)

The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).

—Jeff Ostrowski

“Music List” • 27th in Ordinary Time (Year C)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.

—Jeff Ostrowski

Kids’ Choir Sings Thomas Aquinas

Last Sunday, a children’s choir I’m teaching sang with us for the very first time at Sunday Mass. Females from our main choir sang along with them. If you’re curious to hear how they sounded, you can listen to a ‘live’ recording. That’s an English version of TANTUM ERGO by Saint Thomas Aquinas. That haunting melody is called GAUFESTRE and was employed for this 2-Voice Arrangement of a special hymn for 9 November (“Feast of the Dedication of the Lateran Basilica in Rome”) which replaces a Sunday this year.

—Jeff Ostrowski

“Reminder” — Month of September (2025)

Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

“Canonic” • Ralph Vaughan Williams

Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.

—Jeff Ostrowski

Did they simplify these hymn harmonies?

Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.

—Jeff Ostrowski

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)