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Views from the Choir Loft

Seriously?? • An Anglican “Halloween Hymn”

Jeff Ostrowski · October 14, 2021

ESTERDAY, I SUGGESTED seven solutions for getting Catholics to sing again, declaring that we must avoid “goofy, uninspired hymns with extremely predictable rhymes” and posted an elegant hymn translation by Monsignor Knox to demonstrate elevated, dignified, inspiring language. But what would be an example of an uninspired hymn with vapid rhymes? Completely out of the blue, my colleague (Mæstro Fritz) texted me an Anglican “Halloween” hymn this morning:

*  Mp3 • Anglican Hymn: “Is it spooky?”
*  “Is it spooky?” (PDF download)

This Is Real: At first, I thought my friend was pulling my leg—but it turns out this isn’t a spoof. This hymn appears in Anglican and Episcopalian hymnals, and I’m told some people use it as a “Communion Song” on Halloween (October 31st). In my view, such predictable rhymes are unworthy of the House of God; and incidentally there’s no need to “dumb down” language for children. Children respond very well to quality; we must never feed them garbage.

A Better Solution :

Fix The Problem: Instead of “spooky kooky” songs, why not choose hymns from the Brébeuf hymnal, which is the #1 Catholic hymnal available? It contains countless Catholic hymns: Ave Maris Stella, Lux Alma Jesu Mentium, Ad Cenam Agni Providi, A Solis Ortus Cardine, Adeste Fideles, Aeterna Caeli Gloria, Angularis Fundamentum, Caelestis Urbs Jerusalem, Nunc Sancte Nobis Spiritus, Omni Die Dic Mariae, Quicumque Christum Quaeritis, Verbum Supernum Prodiens, Non Abluunt Lymphae Deum, Conditor Alme Siderum, Rebus Creatis Nil Egens, Rex Sempiterne Domine, Corde Natus Ex Parentis, Salve Caput Cruentatum, Sancti Venite, Victis Sibi Cognomina, Agnoscat Omne Saeculum, Hoste Dum Victo Triumphans, Jam Desinant Suspiria, Ave Vivens Hostia, Pange Lingua Gloriosi, and tons more!

Here’s a live recording from the Brébeuf hymnal. It’s an English translation of “Placare Christe” (a.k.a. Christe Redemptor), which is the traditional hymn for the Feast of All Hallows—a.k.a. All Saints’ Day on November 1st:

Here’s the same hymn using a “common tune.” (The Brébeuf hymnal utilizes common tunes in a truly marvelous way.)

The hymns contained in the Brébeuf hymnal are incredibly ancient. The hymn on that video (see above) looked like this in 1053AD:

Why does the Brébeuf hymnal translate the hymns into English, we well as providing the Latin versions? There is nothing strange about this! Catholics have been doing this for a millenium. Here’s that same hymn (see above) translated into the vernacular—which at that time was “Anglo-Saxon”—about 400 years before Martin Luther was born:

Conclusion: The fast and painless way to improve the music at your church is to pick up a copy of the Brébeuf hymnal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured, PDF Download Tagged With: All Hallows' Day, All Hallows' Eve, Anglican Spooky Hymn, Christe Redemptor All Saints, Feast of All Saints, Non Abluunt Lymphae Deum, Roman Catholic Halloween Last Updated: October 14, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Whether celebrated with priest and people facing each other or with priest and people together facing the same direction, every Eucharist is Christ coming to meet us, gracing us with a share in his own divine life.”

— Most Rev’d Arthur J. Serratelli (1 December 2016)

Recent Posts

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  • “Dom Jausions had a skilled hand. His transcriptions are masterpieces of neatness & precision.”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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