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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Exciting New Documentary : Mass of the Ages – Tonight!

Veronica Brandt · August 15, 2021

OR THE LAST FEW YEARS, a film-maker called Cameron O’Hearn has been working on an amazing project – to make a film to convey the appeal and value of the Latin Mass. To go with this lofty goal, the team also had the ideal to film it to the highest standards to make it a film worthy of its subject. A high ideal indeed!

Now, I haven’t seen the film yet, so I’m going from the previews so far released on their Kickstarter Project and their YouTube Channel.

Yesterday I listened to the following interview on the John-Henry Westen show. This is what decided me to promote the film in whatever way I could. Specifically, the discussion of belief in the Real Presence of Jesus in the Holy Eucharist.

 

I didn’t grow up with the Latin Mass, but I did grow up with kneeling to receive Communion. The Real Presence was important to me, by the grace of God. When a new parish priest decided to end the practice of kneeling to receive Communion, I was up in arms, writing to the Bishop, only slowly facing the fact that no other parish in the Sydney archdiocese still used altar rails in 1990 – if I’m wrong about that, I’d love to know. I even dreamed about it – a vivid nightmare where extraordinary ministers of Holy Communion distributed little cards with Bible quotes – but fortunately I have never seen this is reality.

The main takeaway is that the way you act at Mass has a profound effect on how you believe. Little changes can add up to big effects. The aim is not to dismiss the changes of the 1960s out of hand, but to listen to the stories and look at what we have learned since then.

MASS OF THE AGES: Episode 1 — Discover the Traditional Latin Mass (4K)

Premieres 8pm Sunday 15th August 2021 EST

(That’s 1am Monday morning in London and 10am in Sydney)

And don’t worry if you can’t make the premiere – they want this movie to be widely available and plan to leave it up for good.

For more information, see their beautiful webpage: theliturgy.org.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: August 17, 2021

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“How can we account for differences in the Gospel accounts? Well, suppose after we left Church today, there was a terrible accident or explosion or fire. Soon the news media would be here, interviewing people as to what they saw or heard. Each person would probably say or report what struck him—or what he saw or noticed. All these reports would be different and yet they would be true.”

— Fr. Valentine Young (February 2019)

Recent Posts

  • PDF Download • “Anima Christi”
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  • Fulton J. Sheen • “24-Hour Catechism”
  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”

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