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Views from the Choir Loft

Exciting New Documentary : Mass of the Ages – Tonight!

Veronica Brandt · August 15, 2021

OR THE LAST FEW YEARS, a film-maker called Cameron O’Hearn has been working on an amazing project – to make a film to convey the appeal and value of the Latin Mass. To go with this lofty goal, the team also had the ideal to film it to the highest standards to make it a film worthy of its subject. A high ideal indeed!

Now, I haven’t seen the film yet, so I’m going from the previews so far released on their Kickstarter Project and their YouTube Channel.

Yesterday I listened to the following interview on the John-Henry Westen show. This is what decided me to promote the film in whatever way I could. Specifically, the discussion of belief in the Real Presence of Jesus in the Holy Eucharist.

 

I didn’t grow up with the Latin Mass, but I did grow up with kneeling to receive Communion. The Real Presence was important to me, by the grace of God. When a new parish priest decided to end the practice of kneeling to receive Communion, I was up in arms, writing to the Bishop, only slowly facing the fact that no other parish in the Sydney archdiocese still used altar rails in 1990 – if I’m wrong about that, I’d love to know. I even dreamed about it – a vivid nightmare where extraordinary ministers of Holy Communion distributed little cards with Bible quotes – but fortunately I have never seen this is reality.

The main takeaway is that the way you act at Mass has a profound effect on how you believe. Little changes can add up to big effects. The aim is not to dismiss the changes of the 1960s out of hand, but to listen to the stories and look at what we have learned since then.

MASS OF THE AGES: Episode 1 — Discover the Traditional Latin Mass (4K)

Premieres 8pm Sunday 15th August 2021 EST

(That’s 1am Monday morning in London and 10am in Sydney)

And don’t worry if you can’t make the premiere – they want this movie to be widely available and plan to leave it up for good.

For more information, see their beautiful webpage: theliturgy.org.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: August 17, 2021

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Luys de Villafranca, master of the altar boys—who are to be distinguished from the choirboys (“seises”) because they study only plainchant whereas the choirboys live with the chapelmaster and study polyphony and counterpoint as well—is rewarded on October 17 with a salary increase of 6,000 maravedís and an extra 12 bushels of wheat.

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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