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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jordan B. Peterson • “My Biggest Regret In Life”

Jeff Ostrowski · June 9, 2021

OU WON’T KNOW my opinion of Jordan B. Peterson. Some love him; others hate him. You won’t know what I think unless I tell you—and I won’t tell you because that’s not what we discuss on this blog. Briefly stated, Jordan B. Peterson is a Canadian psychologist who has taught at Harvard University (United States) and the University of Toronto (Canada). He came to international fame when the Canadian government tried to force him to use words such as: “zie, zim, zir, zis, zieself, ve, ver, vis, vers, verself, tey, ter, tem, ters, terself, kemself,” and so forth.

A friend sent me this video, and I had to share it with you:

Alternate link to video

Crosses Abound: I do realize the Catholic Church faces many problems these days. Church musicians are often treated with great injustice, even by priests and bishops. In the Ordinary Form world, powerful people are allowed to freely promote heresy—and they face no consequences. The Extraordinary Form also has its share of problems, including a subset of vicious “ultra-traditionalists” who slander others in vile and despicable ways. We have all encountered people who claim to be “liturgical experts” yet who are so filled with bitterness and hatred we wonder whether they even believe in God.

Losing God’s Joy? Now, it certainly is true that we are called to “rejoice in our sufferings”—trying to imitate Our Savior, Who carried His Cross for our sins (Matthew 16:24). But on the other hand, have we forgotten why we became Church musicians in the first place? Have we allowed the problems in the Church to extinguish our ability to take delight in our vocation? I know choirmasters whose lives are so miserable that they refuse to teach their children music—because they don’t want their kids to choose such a difficult vocation. (It is not hard to sympathize with such sentiments.)

Conclusion: Jordan B. Peterson has incredible fame, and a massive following … yet his biggest regret is failing to take advantage of an opportunity to learn to play the organ when he was seven years old. Let’s ponder that.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jordan B. Peterson Last Updated: June 11, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Parish Priests have to think first of the simple faithful: people now used to the Roman Missal at Mass. They don’t want change.”

— Cardinal Spellman (one of the Vatican II fathers)

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