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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

(Live Recording) • “Jesus My Lord, My God, My All”

Jeff Ostrowski · May 4, 2021

HEN YOU PICK UP a book of organ accompaniments for Gregorian Chant, more often then not the composer will begin by apologizing (!) for accompanying Gregorian Chant, loquaciously explaining that Gregorian Chant “really shouldn’t be accompanied.” Yet, the same author has published 300+ pages of Gregorian accompaniments, so he clearly doesn’t believe what he’s saying! 1 Similarly, fin de siècle Catholic hymnals all follow a “hidden rule,” which demands they begin by apologizing for several of the hymns they have printed. To give just one example, Tozer’s Catholic Church Hymnal (1906) contains this supercillious statement: “I have retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal—as I hope this one will—to the varied needs of various churches.”

A less haughty attitude is espoused by Sir Richard Runciman Terry who said that we must not disdain the preferences of the older generation, which grew up with certain hymns. Father Valentine Young used to say: de gustibus non est disputandum!

Here is a hymn which singers absolutely love to sing:

This is #727 the Brébeuf hymnal. It was written by Father Frederick William Faber, Cong. Orat. (d. 1863). Several members of the Brébeuf committee made clear they were not fond of this hymn, which sounded somewhat horse-and-buggy. However, it would be wrong to omit it from any Catholic hymnal because congregations really love singing it. The Brébeuf hymnal has hundreds of magnificent hymns—far more than any other Catholic hymnal—so those who don’t care for this particular song have tons of other choices they can select.


NOTES FROM THIS ARTICLE:

1   Sometimes, it’s quite puzzling to see what composers before Vatican II provided accompaniments for. An example would be the “Gloria Laus Et Honor” of Palm Sunday; the NOH provides accompaniments for this—but why? Some believe it was for “rehearsal purposes,” whereas others point out there were certain circumstances where that part of the Palm Sunday procession happened inside the Church instead of at the Church porch. There are many such instances, where composers harmonize things which were never allowed to be accompanied before Vatican II.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Frederick William Faber, Jesus My Lord My God My All, Sir Richard Runciman Terry Last Updated: May 5, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“In condemning us, you condemn all your own ancestors—all the ancient priests, bishops and kings—all that was once the glory of England, the island of saints and the most devoted child of the See of Peter. For what have we taught, however you may qualify it with the odious name of treason, that they did not uniformly teach?”

— Father Edmund Campion (to the Anglicans about to murder him)

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