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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Are They Ugly?” • May 1st Propers For Saint Joseph

Jeff Ostrowski · April 28, 2021

L.M.B. sent the following inquiry (edited for clarity, as is our custom):

The Latin Mass Magazine—in an article by Michael P. Foley—had this to say about the Gregorian melodies for May 1st, the Feast of St. Joseph the Worker: “According to Dr. William Mahrt, president of the Church Music Association of America, the Gregorian chant for the feast is not Gregorian enough. When I asked him to explain what he meant in layman’s terms, he replied: ‘It’s too choppy; it jumps from one note to another.’ Real Gregorian chant has gradual transitions, giving it its sinewy, mellifluous, and ethereal quality.” Others have repeated similar sentiments, such as Père Jean Crété (January 1981): “And it was only in 1960 that the melodies of the Mass and office were composed—melodies based on models of the worst taste.” On an internet forum, someone named Matthew Roth said: “the texts are horrible, and they use the Bea psalter, which makes them unsuitable for chant.” Paul Dang (on the same forum) chimed in: “If you look at the Propers, they were very banal compared to the Patronage of St. Joseph! And the Gregorian melodies were atrocious, to tell the truth!” Can someone at Corpus Christi Watershed speak to me Re: the quality of the May 1st melodies?

Jeff Ostrowski responds:

If you are quoting these people accurately, I do not see how their assertions can be defended. For example, if you examine the First and Second Alleluia for the feast of Saint Joseph the Worker (added in 1955), you will see that these Gregorian melodies and texts are 100% identical to the First and Second Alleluia from the feast known as “The Patronage of St Joseph,” added to the universal calendar in 1847 by Blessed Pope Pius IX:

It is nonsensical to pretend that these Propers were beautiful when they were sung for the feast of the Patronage of Saint Joseph but ugly when sung for the feast of Saint Joseph the Workman. It’s difficult to see why Mr. Roth said the Pius XII Psalter had any impact upon these texts or melodies, because that edition of the Psalter came more than sixty years after these texts and melodies already existed. Sister Thomas More (d. 2008) was a chant teacher who had great influence on Father Guy Nicholls. She called the Alleluia: Fac Nos Innocuam an “insipid melody.” I agree with Sister Thomas More, although she did not explain why she said that. (She was teaching at a time when the zeitgeist said anything Neo-Gregorian was horrific.) But again, this has nothing to do with the feast of Saint Joseph the Workman!

The Offertory for May 1st (Bónitas Dómini) is based upon Pópulum Húmilem, which is one of the most ancient Gregorian melodies we have, and is assigned as the Offertory for the 8th Sunday after Pentecost:

It is difficult to understand what is “choppy” about this ancient melody, although I suppose somebody could always complain about the quality of the adaptation. (Now is not the time to go down the rabbit hole of Gregorian adaptation, which has existed since the very beginning.)

Final Thoughts:

The Saint Goupil website contains the complete Propers for May 1st: “Saint Joseph the Worker.” These days, it is common to hear people say the Propers for the Patronage of Saint Joseph were “good” whereas the Propers for Saint Joseph the Workman are “bad.” We’ve seen that such a position is indefensible. By the way, they are both very recent feasts! Anyone interested should visit the Lalande Library and carefully examine the 19th century plainsong books provided free of charge. That would give an idea of the provenance of these Neo-Gregorian chants, and I would love to publish the results of such a study! Here are some names of the feasts you might want to examine:

“May 1 • Saint Joseph the Workman, Husband of the Blessed Virgin Mary”
Die 1 Maii • Sancti Joseph Opificis, Sponsi B. Mariæ Virg. Confes.
“Saint Joseph the Worker”
“Saint Joseph the Craftsman”
The Wednesday before the Third Sunday after Easter
«Feria IV Infra Hebdomadam II. post Octavam Paschae • In Solemnitate S. Joseph, Sponsi B. Mariae Virg. Confessoris et Ecclesiae Universalis Patroni»
Missa votiva de S. Joseph.
Dominica III. post Pascha. • In Festo Patricinii S. Joseph Conf. Sponsi B.M.V.
Feria IV. De S. Joseph, Sponso B.M.V. Conf. et Catholicae Ecclesiae Patrono
III. Dimanche Après Paques • Fête Du Patronage De Saint Joseph, Époux de la B.M.V., Confesseur
Missa de Sancto Joseph

There are valid reasons to wish the feast of Saint Joseph the Worker had not been added in 1955. For example, it moved the ancient feast of Saint Philip and Saint James the Lesser from 1 May to May 11. But when it comes to the Gregorian melodies, we must make sure to avoid propagating nonsense.


NOTES FROM THIS ARTICLE:

*   For further reading, please see: Three Radical Liturgical Changes • (Pope Pius XII).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: BEA PSALTER, Fr Guy Nicholls, Joseph The Workman, Pope Pius XII Psalter, Questions From Our Readers, Saint Joseph the Craftsman, Saint Joseph The Worker Last Updated: August 2, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” [Paul VI responding to requests from monks asking permission to remove Latin from the Divine Office.]

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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