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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for March 2021

Jeff Ostrowski · March 16, 2021

Three Radical Liturgical Changes • (Pope Pius XII)

I love Venerable Pius XII very much, but this particular change was unconscionable.

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Fr. David Friel · March 16, 2021

Spring Lecture Series • Society for Catholic Liturgy

Three virtual lectures have just been announced by the SCL.

Jeff Ostrowski · March 15, 2021

Singers • High or Low?

I consider myself a “flexible” choirmaster. When I sing with men who have low voices, I join with them at a low pitch. Here’s an excerpt from yesterday, which was LAETARE SUNDAY (the 4th Sunday of Lent). Later that same day, I sang at another Mass with a singer who has a very high voice. […]

Jeff Ostrowski · March 15, 2021

15 March 2021 • Lætare Compliment!

I agree with Keven Smith that Covid-19 has been a huge boon to my skills of improvisation on the organ. I wanted to share this amazing email (which gave me such joy), sent to me by somebody I don’t know: “My name is —— and I attended the 7:00pm Mass today at St Vitus. The […]

Jeff Ostrowski · March 14, 2021

PDF Download • “O Sacred Head Surrounded” — Twelve Organ Accompaniments

You can’t have too many harmonizations of this piece!

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Fr. David Friel · March 13, 2021

Holy Week Chants • Clergy Training

An introduction to the English chants of Holy Week for clergy

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Jeff Ostrowski · March 12, 2021

11 March 2021 • From Last Sunday…

Like everyone else, we are struggling under the Covid-19 restrictions. The number of singers we’re allowed have has been reduced in a severe way. But we charge forward, trusting in God. Here is a 50-second live excerpt from Mass last Sunday here in Los Angeles. Not many voices, but still beautiful (in my humble opinion).

Jeff Ostrowski · March 12, 2021

Re: Music For Two Voices • “Jam Christe Sol Justitiæ”

Here’s something we tried recently, and I’d be grateful to hear your feedback.

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Jeff Ostrowski · March 11, 2021

“Extra” Offertory & Communion Verses in the Saint Edmund Campion Missal (3rd Edition)

Sophia Institute Press has authorized us to release marvelous secrets about the 3rd edition!

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Andrea Leal · March 9, 2021

PDF Download • EF “Singing Cues” (1-Page Sheet)

Leading music for the Extraordinary Form—Part 3 of a series by Andrea Leal.

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Keven Smith · March 9, 2021

The Anatomy of an Organ Improvisation

Here are some audio samples from recent Masses, along with explanations of what I was thinking for each improvisation.

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Jeff Ostrowski · March 7, 2021

A Beautiful Lenten Hymn • “How It Sounds”

People were asking how it sounds…so here’s a live recording from last week.

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Dr. Charles Weaver · March 7, 2021

Two Recent Talks on the Liturgy

Two of our authors offer thoughts about the meaning of the liturgy within the context of our daily lives.

Jeff Ostrowski · March 5, 2021

4 March 2021 • Can you spare 15 seconds?

Due to Covid-19, California has basically been under “lock down” for 11 months, and these restrictions have had quite a detrimental effect on choral programs. We are frequently limited to just 2-3 singers, on account of regulations by the government and our Archdiocese. However, although the number of singers is quite small, I was struck […]

Jeff Ostrowski · March 4, 2021

Now Online! • “Missale Romanum” (1615 edition)

How ironic that this is being hosted by the Martin Luther University!

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“It introduces us to a still and serious world, deserted and rigid, without colour, without light, without motion; it does not gladden, does not distract; yet we cannot break away from it.”

— ‘Schweitzer on the THEME from Bach’s “Art of Fugue”’

Recent Posts

  • Children’s Repertoire • Mueller’s Recommendations
  • PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations
  • False Accusations
  • (Part 2) • Did they simplify this hymn?
  • PDF • “Lectionary Comparison Chart”

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